Gale Gallagher's father was a New York cop. The police station with its green lights was the place her dad worked, and the Policemen's Ball was the magic Cinderella dance she dreamed about as a little girl. Instead of the Bobbsey Twins, she read the police news and the latest murders as reported in the tabloids. Today Gale Gallagher has her own business -- the Acme Investigating Agency -- which specializes in collections and skip tracing. Her work is to collect from the bad debtor and to track down the vanishing husband, wife, or child, to find those people who run away from life, from bad debts, and bad decisions. But every now and then Gale Gallagher's business gets her involved in matters somewhat more serious and dangerous -- sometimes even in murder. A charming chic young woman, Gale Gallagher insists she is too much of a sentimentalist -- even a romanticist -- to be a first class detective. Besides, says she, she is too femininely impatient to wait for matters to develop, as all good detectives should; she always has to do something about it. However, her files of cases marked S & C (solved and closed) indicate otherwise. In all events, we asked Gale Gallagher to put down on paper some of her extraordinary experiences in crime. And she agreed. She has chosen for her first book the famous Alexander case -- the story of a frightened woman who put two thousand dollars on Gale Gallagher’s desk and said: "Prove that Bette Alexander is not my child." It is a tale of intrigue and terror and cruel scheming, an odd brew of romance, deceit, and murder among the smart -- and not so smart -- Manhattaners.

Detective Superintendent Roy Grace unearths a powerful criminal network in the sinister crime novel Find Them Dead, by award winning author Peter James. Ending his secondment to London’s Met Police, Roy Grace gets a tip-off about a drugs mastermind operating out of Brighton. On his first day back in his old job, he is called to a seemingly senseless murder. Gradually, Grace’s investigation draws him into the evil sphere of an utterly ruthless drug dealer on trial. A man prepared to order the death of anyone it takes to enable him to walk free from court. Sitting in the jury is Meg Magellan, whose daughter's life is being threatened by a stranger who tells her that if she ever wants to see her alive again, it is very simple. At the end of the trial, all she has to do is make sure the jury says just two words . . . Not guilty. Although the Roy Grace novels can be read in any order, Find Them Dead is the sixteenth title in the bestselling series. Discover more of the Brighton detective’s investigations with Left You Dead. Now a major ITV series, Grace, starring John Simm.

Ethan was abducted when he was just seven. Now, aged sixteen, he's finally back home. It's a miracle - at first. But as the tensions build and his family starts to crack again, can Ethan unearth the buried memory that holds the key to it all?

Dexter Morgan—blood-spatter analyst, husband, father, serial killer—knew that he couldn’t burn the candle at both ends forever, and now, his dark deeds have finally ensnared him. • The Killer Character That Inspired the Hit Showtime Series Dexter He is in prison on multiple homicide charges, although, ironically, he did not commit any of the murders of which he is accused. He’s lost everything: his wife, kids, career, and the loyalty of his sister. Now his sole, small shot at redemption may come from his brother, Brian, a homicidal maniac who makes Dexter look like the angel in the family. By helping Brian through some serious trouble of his own making, Dexter sees a potential path to proving himself innocent. But the stakes are truly deadly. And, with nothing left to hold him back, Dexter hurtles into an epic showdown ... which may be his last.

One heir after another turns up dead... Silas Kane's sixtieth birthday party is marred by argument and dissension amongst his family, and then the next morning, Kane is found dead. The coroner's verdict of death by misadventure would seem to confirm that Silas accidentally lost his way in the fog. But then his heir is shot, and threats are made against the next in line to inherit his fortune. The formidable Superintendent Hannasyde is called in to investigate. All clues point to an apparently innocuous eighty-year-old woman, but as the Inspector delves further into the case, he discovers that nothing is quite as it seems...

Nominated for the Edgar Award for Best Novel * Nominated for the ITW Thriller Award for Best Young Adult Novel A BookPage Best Book of the Year * A People Magazine Best Book of Summer* A Parade Best Book of Summer * A Crime Reads Most Anticipated Book of Summer "Powerful...a breathtaking read, with flawed and authentic characters who hit so close to home that at times it is impossible not to root for them." — San Francisco Chronicle A body burns in the high desert hills. A boy walks into a fire station, pale with the shock of discovery. A middle school teacher worries when her colleague is late for work. By day’s end, when the body is identified as local math teacher Adam Merkel, a small Nevada town will be rocked to its core. Adam Merkel left a university professorship in Reno to teach middle school in Lovelock seven months before he died. A quiet, seemingly unremarkable man, he connected with just one of his students: Sal Prentiss, a lonely sixth grader who lives with his uncles on a desolate ranch in the hills. The two outcasts developed a tender, trusting friendship that brought each of them hope in the wake of tragedy. But it is Sal who finds Adam’s body, charred almost beyond recognition, half a mile from his uncles’ compound. Nora Wheaton, the middle school’s social studies teacher, dreamed of a life far from Lovelock only to be dragged back on the eve of her college graduation to care for her disabled father, a man she loves but can’t forgive. She sensed in the new math teacher a kindred spirit--another soul bound to Lovelock by guilt and duty. After Adam’s death, she delves into his past for clues to who killed him and finds a dark history she understands all too well. But the truth about his murder may lie closer to home. For Sal Prentiss’s grief seems heavily shaded with fear, and Nora suspects he knows more than he’s telling about how his favorite teacher died. As she tries to earn the wary boy’s trust, she finds he holds not only the key to Adam’s murder, but an unexpected chance at the life she thought she’d lost. Weaving together the last months of Adam’s life, Nora’s search for answers, and a young boy’s anguished moral reckoning, this unforgettable thriller brings a small American town to vivid life, filled with complex, flawed characters wrestling with the weight of the past, the promise of the future, and the bitter freedom that forgiveness can bring.

Maine game warden Mike Bowditch finds himself in a life-or-death chase in this next thriller in the bestselling series by Edgar Award nominee Paul Doiron, Dead by Dawn. Mike Bowditch is fighting for his life. After being ambushed on a dark winter road, Bowditch crashes his Jeep into a frozen river. Trapped beneath the ice in the middle of nowhere, having lost his gun and any way to signal for help, Mike fights his way to the surface. But surviving the crash is only the first challenge. Whoever set the trap that ran him off the road is still out there, and they’re coming for him. Hours earlier, Mike had been called to investigate the suspicious drowning of a wealthy professor. Despite the death being ruled an accident, the victim's elegant, eccentric daughter-in-law insists the man was murdered. She suspects his companion that day, a reclusive survivalist and conspiracy theorist who accompanied the professor on his fateful duck-hunting trip—but what exactly was the nature of their relationship? And was her own sharp-tongued daughter, who inherited the dead man’s fortune, as close to her grandfather as she claims? The accusations lead Mike to a sinister local family who claim to have information on the crime. But when his Jeep flies into the river and unknown armed assailants on snowmobiles chase him through the wilderness, the investigation turns into a fight for survival. As Mike faces a nightlong battle to stay alive, he must dissect the hours leading up to the ambush and solve two riddles: which one of these people desperately want him dead, and what has he done to incur their wrath?

The Things We Learn When We’re Dead is about how small decisions can have profound and unintended consequences, but how we can sometimes get a second chance. On the way home from a dinner party, Lorna Love steps into the path of an oncoming car. When she wakes up she is in what appears to be a hospital – but a hospital in which her nurse looks like a young Sean Connery, she is served wine for supper, and everyone avoids her questions. It soon transpires that she is in Heaven, or on HVN, because HVN is a lost, dysfunctional spaceship, and God the aging hippy captain. She seems to be there by accident... or does God have a higher purpose after all? Despite that, The Things We Learn When We’re Dead is neither sci-fi nor fantasy. It is a book about memory and how, if we could remember things slightly differently, would we also be changed? In HVN, Lorna can at first remember nothing. But as her memories return – some good, some bad – she realises that she has decisions to make and that, maybe, she can find a way back home.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."