Fun notebook for genealogists features a family tree in black silhouette under the words "I Collect Dead Relatives And The Occasional Live Cousin." Wide ruled notebook is size 8.5" x 11" and contains 100 pages. Matte paperback cover and firm binding. Aviarbor Books creates unique notebooks and journals for genealogists and family historians.

"Patricia Garfield, Ph.D., has always been on the cutting edge of dream research. In The Dream Messenger, the author of the classic book Creative Dreaming shows us how to interpret our dreams of our lost loved ones, whether they departed recently or long ago, and how these dreams can nourish and enrich our waking lives." "Whether these dreams are actual contact with spirit or images conjured up by our own needs is not the issue: what we know is that we dream about the people we have lost, and that these dreams are extraordinarily vivid and emotionally charged and can alter the life and belief system of the dreamer. In the dream world, unfinished dialogues can be completed and conflicts resolved."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

#1 NEW YORK TIMES BESTSELLER • From the bestselling author of One of Us Is Lying comes your next obsession. You'll never feel the same about family again. Milly, Aubrey, and Jonah Story are cousins, but they barely know each another, and they've never even met their grandmother. Rich and reclusive, she disinherited their parents before they were born. So when they each receive a letter inviting them to work at her island resort for the summer, they're surprised . . . and curious. Their parents are all clear on one point--not going is not an option. This could be the opportunity to get back into Grandmother's good graces. But when the cousins arrive on the island, it's immediately clear that she has different plans for them. And the longer they stay, the more they realize how mysterious--and dark--their family's past is. The entire Story family has secrets. Whatever pulled them apart years ago isn't over--and this summer, the cousins will learn everything. Fans of the hit thriller that started it all can watch the secrets of the Bayview Four be revealed in the One of Us is Lying TV series now streaming on NBC's Peacock!

This is a lined notebook. Simple and unique. 110 pages, high quality cover and (6x9) inches in size. It makes perfect gift for all occasions. Grab a copy today!

We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

When someone says, at a holiday dinner table, “Oh, those Lawrence cousins lose control all the time,” or the Davises always had more talent than luck,” you can be sure there's a lesson being passed along, from one generation to another. Who tells stories to whom and about what is never a random matter. Our family stories have a secret power: they play a unique role in shaping our identity and our sense of our place in the world. They give us values, inspirations, warnings, and incentives. We need them. We use them. We keep them. They reverberate throughout our lives, affecting our choices in love, work, friendship, and lifestyle. Elizabeth Stone, whose grandparents came from Italy to Brooklyn, artfully weaves her own family stories among the stories of more than a hundred people of all backgrounds, ages, and regions—clarifying for us predictable types of family legends, providing ways to interpret our own stories and their roles in our lives. She examines stories of birth, death, work, money, and romantic adventure—all in the context of the family storytelling ritual. And she shows how stories about our most ancient ancestors may provide answers at milestone moments in our lives, as well as how stories about our newest family members carve out places for them so that they will fit into their families, comfortably or otherwise. Upon its initial publication in 1988, Studs Terkel said that the book is “A wholly original approach to an ancient theme: family storytelling and its lasting mark on the individual.” Judy Collins noted that “Elizabeth Stone's marvelous book on family myths and fables is irresistible. It lets us in on our own secrets in a provocative and exciting way.” And Maggie Scarf wrote, “What a clever topic, and how beautifully Elizabeth Stone has written about it! I recommend Black Sheep and Kissing Cousins for everyone who has ever been raised in a family.”

How do you get away with the murder of 11 million people? The answer is simple—and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders. In this nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You’ll be challenged to become a more careful student of the past, seeking accurate, factual accounts of events that illuminate choices our world faces now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. This short, thought-provoking book poses questions like: What happens to a society in which truth is absent? How are we supposed to tell the difference between the “good guys" and the “bad guys”? How does the answer to this question affect our country, families, faith, and values? Does it matter that millions of ordinary citizens aren't participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? This is a wake-up call: we must become informed, passionate citizens or suffer the consequences of our own ignorance and apathy. We can no longer measure a leader’s worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

NATIONAL BESTSELLER • A moving and powerful account by an acclaimed journalist that "informs the heart. [This] meticulous portrait of two boys in a Chicago housing project shows how much heroism is required to survive, let alone escape" (The New York Times). "Alex Kotlowitz joins the ranks of the important few writers on the subiect of urban poverty."—Chicago Tribune The story of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.