Shows the influence of a man of remarkable and dominating personality on the lives of people who know him, and on some people who have never met him.

Intimate, humorous, and insightful, Readings is a collection of classic essays and reviews by Michael Dirda, book critic of the Washington Post and winner of the 1993 Pulitzer Prize for criticism. From a first reading of Beckett and Faulkner at the feet of an inspirational high-school English teacher to a meeting of the P. G. Wodehouse Society, from an obsession with Nabokov's Lolita to the discovery of the Japanese epic The Tale of Genji, these essays chronicle a lifetime of literary enjoyment.

A new selection of Melville's darkest and most enthralling stories in a beautiful Pushkin Collection edition Includes "Bartleby, the Scrivener", "Benito Cereno" and "The Lightning-Rod Man" A lawyer hires a new copyist, only to be met with stubborn, confounding resistance. A nameless guide discovers hidden worlds of luxury and bleak exploitation. After boarding a beleaguered Spanish slave ship, an American trader's cheerful outlook is repeatedly shadowed by paralyzing unease. In these stories of the surreal mundanity of office life and obscure tensions at sea, Melville's darkly modern sensibility plunges us into a world of irony and mystery, where nothing is as it first appears.

"An extremely interesting novelist, and a genuinely original one." - J. B. Priestley "One of the most interesting and one of the most important novelists now writing in England." - Hugh Walpole "At his best, he writes as well as any living man." - L.A.G. Strong One dark, foggy night, the eminent novelist Ivor Trent is on his way to a flat in a sordid London lodging house where he plans to begin work on his newest book, undisturbed by his friends, who all believe him to have gone abroad. On his way there, he glimpses a figure in the fog and is struck with terror when he realizes it is a man from the future. He collapses on the front step of the house, where the proprietor finds him, raving and delirious. Meanwhile, Arthur Rendell, a lonely widower who found solace in one of Trent's novels, determines to find out more about the writer and takes a room in the same house, where he meets Trent's friends, associates, and lovers. To Rosalie Vivian, Trent is a god; to Vera Thornton, he is a devil; to Denis Wrayburn, he heralds a new race of supermen. But who is Ivor Trent, really? And what is the explanation of the terrible vision he experienced in the fog? Rendell intends to find out, but he is unprepared for the devastating truth. Expanding on the themes first explored in his masterpiece "I Am Jonathan Scrivener" (1930) (also available from Valancourt Books), "This Was Ivor Trent" (1935) was a success in both England and America and was one of the best-known novels of Claude Houghton (1889-1961). Though admired by writers as diverse as P. G. Wodehouse, Henry Miller, J. B. Priestley, and Graham Greene, Houghton has fallen into neglect in the past half-century and awaits rediscovery by a new generation of readers. This edition is newly typeset from the first London edition and includes a new introduction by Mark Valentine.

England, 1932. The nation had just begun to recover from the wounds of the First World War when economic catastrophe struck with the Great Depression. It is against this background that Vernon Dexter arrives at the old manor house at Greystones, home of the notorious philanderer Sir Keith Petersley and his eccentric wife Lady Isabelle, to tutor their disabled son Eric. As he meets each of the strange members of the Petersley clan and gets caught up in the exciting dramas that unfold at Greystones, we see that the Petersleys are more than just a family: they are representative of an entire way of English life that is on the verge of extinction, to be replaced by a new age of chaos and greed. Inexplicably neglected today, Claude Houghton (1889-1961) was one of the finest English novelists of the interwar period. Though he is best known for novels like "I Am Jonathan Scrivener" (1930), psychological thrillers infused with philosophy and mysticism, in "Chaos Is Come Again" (1932), his theme is more overtly political. In light of the economic crises of recent years, today's readers will find Houghton's novel eerily prescient and his predictions about a society dominated by capitalistic greed remarkably accurate. "A criticism of life today, full of ideas and dramatic moments; it is genuine in its psychology and thrilling in its action." - "The Times" "I read "Chaos Is Come Again" with intense interest. It has not a dull page in it." - Compton Mackenzie "Had Emily Bronte written "Heartbreak House" the result might have been rather like Mr. Claude Houghton's richly inventive "Chaos Is Come Again."" - Norman Collins"

What really happened the night Edie died? Years later, her best friend Lindsay will learn how unprepared she is for the truth in this “impressive debut” (People) from the New York Times bestselling author of the Reese’s Book Club pick We Were Never Here. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BuzzFeed • Glamour • Real Simple • Marie Claire • Library Journal • Booklist • CrimeReads In 2009, Edie had New York’s social world in her thrall. Mercurial and beguiling, she was the shining star of a group of recent graduates living in a Brooklyn loft and treating New York like their playground. When Edie’s body was found near a suicide note at the end of a long, drunken night, no one could believe it. Grief, shock, and resentment scattered the group and brought the era to an abrupt end. A decade later, Lindsay has come a long way from the drug-addled world of Calhoun Lofts. She has devoted best friends, a cozy apartment, and a thriving career as a magazine’s head fact-checker. But when a chance reunion leads Lindsay to discover an unsettling video from that hazy night, she starts to wonder if Edie was actually murdered—and, worse, if she herself was involved. As she rifles through those months in 2009—combing through case files, old technology, and her fractured memories—Lindsay is forced to confront the demons of her own violent history to bring the truth to light.

Tells the story of a hunchback who is a failed writer that has no luck with women. He is a self-described "Bartleby", named after the Herman Melville character; someone who, when asked to reveal information about themselves, will respond that they "would prefer not to."

Smart and socially gifted, Adam and Cynthia Morey are perfect for each other. With Adam’s rising career in the world of private equity, a beautiful home in Manhattan, gorgeous children, and plenty of money, they are, by any reasonable standard, successful. But for the Moreys, their future of boundless privilege is not arriving fast enough. As Cynthia begins to drift, Adam is confronted with a choice that will test how much he is willing to risk to ensure his family’s happiness and to recapture the sense that the only acceptable life is one of infinite possibility. The Privileges is an odyssey of a couple touched by fortune, changed by time, and guided above all else by their epic love for each other. BONUS: This edition contains a The Privileges discussion guide.