A collection of head-on portraits and quotes in which men and women whose mixed racial heritage includes Asian or Pacific Island descent discuss what their heritage means to them and how it defines them.

A vivid depiction of the racism suffered by a mixed-race family in rural South Dakota.

You will always be the first... A touching tribute to baby's early milestones -- those unforgettable moments that will always be cherished. From first smiles to first cuddles and even to that first kiss, here's a loving ode to every child's -- and parent's -- momentous "firsts."

A celebration of JA culture: facts, recipes, songs, words, and memories that every JA will want to share. From immigration to discrimination and internment, and then to reparations and a high rate of intermarriage, Americans of Japanese descent share a long and sometimes painful history, and now fear their unique culture is being lost. Gil Asakawa's celebration of what makes JAs so special is an entertaining blend of facts and features, of recipes, songs, and memories that every JA will want to share with friends and family. Included are interviews with famous JAs and a look at how it's hip to be Japanese, from manga to martial arts, plus a section on Japantown communities and tips for JA's scrapbooking their families and traveling to Japan to rediscover their roots.

A mother-daughter story about the strong pull of tradition, and the lure and cost of breaking free of it. When Shoko decided to marry an American GI and leave Japan, she had her parents' blessing, her brother's scorn, and a gift from her husband-a book on how to be a proper American housewife. As she crossed the ocean to America, Shoko also brought with her a secret she would need to keep her entire life... Half a century later, Shoko's plans to finally return to Japan and reconcile with her brother are derailed by illness. In her place, she sends her grown American daughter, Sue, a divorced single mother whose own life isn't what she hoped for. As Sue takes in Japan, with all its beauty and contradictions, she discovers another side to her mother and returns to America unexpectedly changed and irrevocably touched.

"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

Artist Kip Fulbeck continues his project, begun in 2001, of photographing persons who identify as “Hapa”—of mixed Asian/Pacific Islander descent—as a means of promoting awareness and positive acceptance of multiracial identity. As a follow-up to "kip fulbeck: part asian, 100% hapa", his groundbreaking 2006 exhibition, hapa.me pairs the photographs and statements from that exhibition with contemporary portraits of the same individuals and newly written statements, showing not only their physical changes in the ensuing years, but also changes in their perspectives and outlooks on the world.

When Ming Da's Chinese grandpa comes to visit, he overcomes his initial embarrassment at his grandfather's traditions and begins to appreciate him.

In her first work of literary nonfiction, Sharon H. Chang reflects critically on her Asian American, Mixed Race, and activist identity through the prism of returning to Hawai'i as a tourist. While visiting O'ahu and Kaua'i she considers childhood trips to Maua'i and the Big Island, pop culture and Hollywood movies of her youth that perpetuated Hawaiian stereotypes, and what it means that she has been stereotyped as a "Hawai'i Girl" her whole life though she has never lived on the islands. But what begins as a journey to unpack the ways she has been perceived and treated as a multiracial woman evolves into much more as Sharon learns the real impacts of colonization and corporate tourism on Hawai'i and uncovers what her Asian multiracial "mainland" identity actually looks like in relationship to the land, its Indigenous peoples, and the Native Hawaiian Sovereignty Movement.