"I Am Black But Comely" investigates the contributions of Black people in Scripture and it is absolutely exciting. This book looks from Genesis to Revelation on the presence of black people in Scripture, God's black messengers in Scripture, puts to silence the false teachings on the supposed "Curse of Ham", looks at racism, looks at the original color of man, the color of God, and the color that God's people will be for the ages to come. We are a new species now, old things are passed away and all things become new. The heart of this book is to give honor where honor is due in the great contributions of black people in God's great plan of redemption, expose any hidden racism in all of our hearts, and give us the correct vision to see each other as God sees us as we prepare ourselves for the ages to come and as we, being one people, eagerly wait to be changed into our glorified bodies!

I Am Black But Comely investigates the contributions of black people in Scripture. This book looks from Genesis to Revelation to give honor where honor is due in the great contributions of back people in God's glorious plan of redemption.

In telling the story of the Bible's birth and journey from ancient East to modern West, Romer explores legendary characters of the Old and New Testaments and depicts biblical sites whose names have resounded throughout history. (A) panorama worth viewing.--New York Times Book Review. Illustrations.

Born the son of a clergyman on October 18, 1662, Matthew Henry was ordained into the British Presbyterian Church where he held the pastorate in Chester from 1687 to 1712. He was widowed, married again and had 10 children, three whom died in infancy. Henry died in 1714. Henry began work on his commentary as "Notes On The New Testament" in 1704 and the monumental work was completed shortly before his death in 1714. Remembered as a caring pastor, a passionate lover of the Word of God, and a man of great personal integrity, Matthew Henry has left his mark on the hearts of countless Christians who seek a deeper understanding of the riches that Scripture contains. This edition of Matthew Henry's Commentary on the Whole Bible uses the King James text and is abridged from the original six volumes while faithfully retaining all of the vibrant themes of that classic work. Everything here is in Matthew Henry's own words and nothing relevant to today's reader has been omitted.

How old is prejudice against black people? Were the racist attitudes that fueled the Atlantic slave trade firmly in place 700 years before the European discovery of sub-Saharan Africa? In this groundbreaking book, David Goldenberg seeks to discover how dark-skinned peoples, especially black Africans, were portrayed in the Bible and by those who interpreted the Bible--Jews, Christians, and Muslims. Unprecedented in rigor and breadth, his investigation covers a 1,500-year period, from ancient Israel (around 800 B.C.E.) to the eighth century C.E., after the birth of Islam. By tracing the development of anti-Black sentiment during this time, Goldenberg uncovers views about race, color, and slavery that took shape over the centuries--most centrally, the belief that the biblical Ham and his descendants, the black Africans, had been cursed by God with eternal slavery. Goldenberg begins by examining a host of references to black Africans in biblical and postbiblical Jewish literature. From there he moves the inquiry from Black as an ethnic group to black as color, and early Jewish attitudes toward dark skin color. He goes on to ask when the black African first became identified as slave in the Near East, and, in a powerful culmination, discusses the resounding influence of this identification on Jewish, Christian, and Islamic thinking, noting each tradition's exegetical treatment of pertinent biblical passages. Authoritative, fluidly written, and situated at a richly illuminating nexus of images, attitudes, and history, The Curse of Ham is sure to have a profound and lasting impact on the perennial debate over the roots of racism and slavery, and on the study of early Judaism, Christianity, and Islam.

Transforming Scriptures is the first sustained treatment of African American women writers' intellectual, even theological, engagements with the book Northrop Frye referred to as the “great code” of Western civilization. Katherine Clay Bassard discusses how such texts respond as a collective “literary witness” to the use of the Bible for purposes of social domination.