In I Am a Red Dress, acclaimed writer and performer Anna Camilleri confronts the ghosts of her past as she seeks to find her rightful place in the world. Part memoir, part storytelling, Anna writes with passion and conviction about family and identity, and how the wounds of personal history can be healed through the imagination. These eloquent stories and narratives speak to the heart of three generations of women--Anna, her mother, and her grandmother--as they dealt with a cycle of family abuse; in them, the red dress appears as a symbol of defiance and empowerment. Throughout the book, Anna unravels memory that is inextricably tied to culture, class, and tradition, in a strong and beautiful voice that bravely asserts its right to be heard.

Family conflict has traditionally been studied by researchers who are at a safe intellectual distance from the families under their study. In Skeletons in the Closet, and in line with feminist research methodologies, the hierarchical distance between researcher and subject is broken down. All of the contributors to this volume are academics, and all are closely related to the families they write about. Skeletons in the Closet consists of ten essays about unresolved or unresolvable family conflicts. The contributors start from the assumption that families—whether legal-marriage families, common-law marriage families, single-parent families, multiple-generation families, same-sex partnerships, or adoptive families—are cradles of intense emotion. That intensity, they argue, may translate into conflict, competition, domination, abuse, exploitation, or even hate. This book explores those areas most likely to grip family members in unresolved interpersonal strife, as well as the strategies people use to solve the issues and the shame and isolation that conflict brings in societies that normatively expect family life to be one of joy, mutual sharing, and caring. This first-hand narration of family conflict by social scholars has much to contribute to sociological studies of the family, both methodologically and theoretically. The introduction and conclusion place family conflict within sociological and social psychological theories and methods.

Sons of the Movement documents the female-to-male (FtM) transition process from an insider's point of view, and details the limitations of both surgical procedures and pronouns. Bobby Noble challenges both the expectations of masculinity and white masculinity. As a result, this text is equally invested in creating both gender trouble and race trouble, calling for a new provocative analysis of the field of gender studies.

Rethinking Society in the 21st Century is a critical collection of readings that provides students with a foundational knowledge base in sociology. The fourth edition has been thoroughly updated to include significant Canadian content, with a greater focus on indigeneity, gender, and sexuality and a new section dedicated to social movements, social change, and emerging fields. This anthology introduces students to the fundamental elements of sociology with a balance of classical theory—Marx, Weber, Durkheim, Mills—and more contemporary approaches found in the works of Michel Foucault and Dorothy Smith. Building on this theoretical grounding, the text outlines core concepts in sociology as well as major social institutions such as families, the economy and labour, education, health care, and media. Covering a wide breadth of topics, including chapters on animals, the environment, crime, trans issues, class, ethnicity, and race, this new edition explores critical debates in Canadian society with an emphasis on intersectional approaches to social inequalities. This volume is rich with pedagogical features that promote critical understanding, including detailed introductions that speak to the contextual history of the source material and discussion questions for each section. Uniquely designed for introductory courses, Rethinking Society in the 21st Century is the ideal reader for Canadian students of sociology.

First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Undercurrents engages the critical rubric of "queer" to examine Hong Kong's screen and media culture during the transitional and immediate postcolonial period. Helen Hok-Sze Leung draws on theoretical insights from a range of disciplines to reveal parallels between the crisis and uncertainty of the territory's postcolonial transition and the queer aspects of its cultural productions. She explores Hong Kong cultural productions � cinema, fiction, popular music, and subcultural projects � and argues that while there is no overt consolidation of gay and lesbian identities in Hong Kong culture, undercurrents of diverse and complex expressions of gender and sexual variance are widely in evidence. Undercurrents uncovers a queer media culture that has been largely overlooked by critics in the West and demonstrates the cultural vitality of Hong Kong amidst political transition.

In the second edition of this remarkable and comprehensive anthology, many of Canada's leading sexuality studies scholars examine the fundamental role that sexuality has played—and continues to play—in the building of our nation, and in our national narratives, myths, and anxieties about Canadian identity. Thoroughly updated, this new edition features twenty-six new chapters on topics including Indigenous kinship, Blackness, masculinity, disability, queer resistance, and sex education. Covering both historical and contemporary perspectives on nation and community, law and criminal justice, organizing and activism, health and medicine, education, marriage and family, sport, and popular culture and representation, the essays also take a strong intersectional approach, integrating analyses of race, class, and gender. This interdisciplinary collection is essential for the Canadian sexuality studies classroom, and for anyone interested in the mythologies and realities of queer life in Canada. FEATURES: - Sixty percent new and expanded content with twenty-six new chapters - Thoroughly updated to reflect a strong emphasis on the diversity of queer experiences and identities in Canada - Each chapter includes a brief introduction, written for this collection by the author, that provides helpful context about their work for both students and teachers

In I Am a Red Dress, acclaimed writer and performer Anna Camilleri confronts the ghosts of her past as she seeks to find her rightful place in the world. Part memoir, part storytelling, Anna writes with passion and conviction about family and identity, and how the wounds of personal history can be healed through the imagination. These eloquent stories and narratives speak to the heart of three generations of women - Anna, her mother, and her grandmother - as they dealt with a cycle of family abuse; in them, the red dress appears as a symbol of defiance and empowerment. Throughout the book, Anna unravels memory that is inextricably tied to culture, class, and tradition, in a strong and beautiful voice that bravely asserts its right to be heard.