The year was 1965. The Beatles, Elvis Presley, and The Righteous Brothers filled the airwaves. Television shows like "The Adventures of Ozzy and Harriett" and "The Andy Griffith Show" mirrored the innocence of life in the dusty city of Tucson, Az. But the sunbaked desert surrounding Tucson was hiding a sinister secret. A psychopath named Charles Schmid, later nicknamed the "Pied Piper of Tucson" by Life Magazine, would steal that innocence away, along with the lives of three beautiful teenage girls. In this firsthand account written in 1967, Richard Bruns shares the evolution of his friendship with Schmid, the details of getting involved way in over his head, and how he finally summoned the courage to blow the whistle to end the deadly rampage that shocked the nation and changed the city of Tucson forever.

Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.

The story of a boy growing up in Indianapolis at the turn of the century.

Poetry expressing criticism of social, political and cultural life is a vital integral part of Persian literary history. Its principal genres - invective, satire and burlesque - have been very popular with authors in every age. Despite the rich uninterrupted tradition, such texts have been little studied and rarely translated. Their irreverent tones range from subtle irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry (10th century) up to the age of Jâmi (15th century), traditionally considered the last great classical Persian poet. In addition to their historical and linguistic interest, many of these poems deserve to be read for their technical and aesthetic accomplishments, setting them among the masterpieces of Persian literature.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Uncertainty surrounds the use of publicity as a means of controlling corporate crime. On the one hand, some agree with Justice Brandeis's dictum that light is "the best of disinfectants...the most efficient policeman." On the other hand, many believe that corporations' internal affairs are effectively shrouded with a thick fog that prevents the light of public scrutiny from reaching them. The Impact of Publicity on Corporate Offenders is the first study to go beyond the rhetoric, through an examination of corporate experience. Fisse and Braithwaite have carried out a qualitative inquiry concerning 17 large corporations involved in publicity crises. Based mainly on interviews, the inquiry includes company employees and former employees, union officials, officers of government regulatory agencies, competitors, independent accountants, government prosecutors, public interest activists, judicial officers, stockbrokers, and other experts.

It was Life and Time magazines that turned a local story from Tucson, Arizona, into a national abomination. Reporters came from all over, to be sure, but on March 4, 1966, Life printed an ominous photo of the desert landscape where three girls had disappeared and the story of Charles Howard Schmid, Jr., or "Smitty," became international news. He had been arrested four months earlier on November 11, just after marrying a fifteen-year-old girl whom he'd met on a blind date. The article was published even before the juries in two separate trials had decided his fate. Dubbed "The Pied Piper of Tucson," for his ability to get girls to fall for him, he stood five feet, four inches tall, but added three more inches by padding his stack-heeled cowboy boots with rags and tin cans. He also dyed his reddish-brown hair black, used pancake make-up, whitened his lips, and applied a fake mole to his left cheek-a "beauty" mark. Arrogant and narcissistic, he came from a wealthy family, so he used the niceties he could buy to impress young high school girls. He adopted the droopy-eyed look associated with Elvis, his idol, and acquired a rock musician's mystique. His tiny house on his parents' property was the scene of many parties. Tucson society was not merely shaken by the murders of three of their young women but by what the details of those murders revealed about its adolescent population-sex clubs, drinking parties, blackmail, cover-ups for murder, and even connections with the crime underworld. Parents suddenly became more strict, more aware now that their kids weren't safe and maybe weren't even behaving properly. When kids looked to someone like Charles Schmid for answers, there was something terribly wrong.

This book probes the efforts at manipulation individuals face daily in this information age and the tactics of persuaders from many sectors of society using various forms of Orwellian "doublespeak." The book contains the following essays: (1) "Notes toward a Definition of Doublespeak" (William Lutz); (2) "Truisms Are True: Orwell's View of Language" (Walker Gibson); (3) "Mr. Orwell, Mr. Schlesinger, and the Language" (Hugh Rank); (4) "What Do We Know?" (Charles Weingartner); (5) "The Dangers of Singlespeak" (Edward M. White); (6) "The Fallacies of Doublespeak" (Dennis Rohatyn); (7) "Doublespeak and Ethics" (George R. Bramer); (8) "Post-Orwellian Refinements of Doublethink: Will the Real Big Brother Please Stand Up?" (Donald Lazere); (9) "Worldthink" (Richard Ohmann); (10)"'Bullets Hurt, Corpses Stink': George Orwell and the Language of Warfare" (Harry Brent); (11) "Political Language: The Art of Saying Nothing" (Dan F. Hahn); (12) "Fiddle-Faddle, Flapdoodle, and Balderdash: Some Thoughts about Jargon" (Frank J. D'Angelo); (13) "How to Read an Ad: Learning to Read between the Lies" (D. G. Kehl); (14) "Subliminal Chainings: Metonymical Doublespeak in Advertising" (Don L. F. Nilsen); (15) "Doublespeak and the Polemics of Technology" (Scott Buechler); (16) "Make Money, Not Sense: Keep Academia Green" (Julia Penelope); (17) "Sensationspeak in America" (Roy F. Fox); and (18) "The Pop Grammarians--Good Intentions, Silly Ideas, and Doublespeak" (Charles Suhor). Three appendixes are attached: "The George Orwell Awards,""The Doublespeak Award," and "The Quarterly Review of Doublespeak." (MS)

Don't Wake Me: The Ballad Of Nihal Armstrong is the unforgettable true story of a mother and her disabled son; a dramatic and poetic testimony of one woman's tireless battles in the struggle for her son's rights. Translating the raw experience of motherhood into a powerful verse monologue, Rahila Gupta reveals the challenges, impediments and frustrations of being repeatedly misunderstood – and of battles won against all the odds.