Francesco Colonna's weird, erotic, allegorical antiquarian tale, "Hypnerotomachia Poliphili", together with all of its 174 original woodcut illustrations, has been called the first "stream of consciousness" novel and was one of the most important documents of Renaissance imagination and fantasy. The author -- presumed to be a friar of dubious reputation -- was obsessed by architecture, landscape and costume (it is not going too far to say sexually obsessed) and its woodcuts are a primary source for Renaissance ideas.

A critical-theoretical reading of the strange, dreamlike work of Leon Battista Alberti.

“One part The Da Vinci Code, one part The Name of the Rose and one part A Separate Peace . . . a smart, swift, multitextured tale that both entertains and informs.”—San Francisco Chronicle NEW YORK TIMES BESTSELLER Princeton. Good Friday, 1999. On the eve of graduation, two friends are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili, a Renaissance text that has baffled scholars for centuries. Famous for its hypnotic power over those who study it, the five-hundred-year-old Hypnerotomachia may finally reveal its secrets—to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled—until a vital clue is unearthed: a long-lost diary that may prove to be the key to deciphering the ancient text. But when a longtime student of the book is murdered just hours later, a chilling cycle of deaths and revelations begins—one that will force Tom and Paul into a fiery drama, spun from a book whose power and meaning have long been misunderstood. BONUS: This edition includes an excerpt from Dustin Thomason's 12.21. “Profoundly erudite . . . the ultimate puzzle-book.”—The New York Times Book Review

PLEASE NOTE THAT THIS BOOK IS ONLY THE 2ND HALF OF ONE SINGLE BOOK. IN ORDER TO HAVE A COMPLETE TEXT, READERS ARE SUGGESTED TO CONSIDER ALSO VOLUME I, AVAILABLE HERE http://bookstore.xlibris.com/Products/SKU-0081451017/default.aspx AFTER YEARS OF FIELD RESEARCH AND DEVELOPMENT, THIS IS A SECOND BOOK OF WHAT SEEMS TO BECOME A SERIES OF PUBLICATIONS. THE INTENT IS TO RECONSTRUCT THE ARCHITECTURE AND LANDSCAPES DESCRIBED IN THE HYPNEROTOMACHIA POLIPHILI WITH THE AID OF DIGITAL MEDIUMS. THIS ENIGMATIC INCUNABULUM WITH ITS 172 WOODCUTS, FIRST PUBLISHED IN VENICE IN 1499 BY THE VENETIAN PRESS OF ALDUS MANUTIUS, HAS FASCINATED HISTORIANS, PATRONS, AND ESPECIALLY ARCHITECTS EVER SINCE ITS ANONYMOUS PUBLICATION. A RENEWED INTEREST FOR THIS LEGENDARY RENAISSANCE TEXT HAS EMERGED WITH MODERN TRANSLATIONS READILY NOW AVAILABLE IN ITALIAN, ENGLISH, AND SPANISH, NOT TO MENTION ITS USE AS THE CENTRAL THEME FOR CALDWELL AND THOMASON’S BESTSELLER, THE RULE OF FOUR, NOW TO BECOME A MAJOR MOTION PICTURE. THE STORY BEGINS WITH POLIPHILUS, WHO FALLS ASLEEP AND DREAMS THAT HE IS SEARCHING FOR HIS LOST LOVE, POLIA. WHILE UNDER HER BELOVED SPELL, HE ENGAGES ON AN EROTIC PILGRAMAGE THROUGH ANTIQUITY, DISCOVERING INCREDIBLE ARCHITECTURE, GARDENS AND LANDSCAPES ALL ENVISIONED AND DESCRIBED IN MINUTE, TECHNICAL, AND ARTISTIC DESCRIPTION. PART TREATISE, PART NARRATIVE, THIS BOOK INTRODUCES A VAST ARRAY OF ARCHITECTURAL EXAMPLES AND LANDSCAPE DESIGNS WHICH WERE TOO VISIONARY FOR ITS TIME. WITH MORE THAN 160 ORIGINAL ARTWORK ILLUSTRATIONS, THIS WORK IS PRESENTED HERE AS AN ATTEMPT TO SHARE A NEW DECIPHERING OF THIS LABYRINTHINE TEXT AFTER YEARS OF OBSCURITY, BRINGING TO LIFE AND GIVING SIGNIFICANCE TO ITS FANTASTIC ARCHITECTURE AND ALLEGORICAL VISIONS.

Shirley Jackson meets The Virgin Suicides, set at an all-girls orphanage.

Departing from the conventional genres of architectural writing, this book is a completely original reflection on the erotics of architecture. Perez-Gomez retells the love story of the famous Renaissance novel/treatise Hypnerotomachia Poliphili in late twentieth-century terms. The original work, long a cult book among architects, takes place in a forest. In the retelling, the forest has been replaced by the high- tech environment of appliances and airports. Both versions exist somewhere in the borderland between fiction, theory, and pornography.

The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.

The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.

"In this marvelous, learned, and friendly volume, Helen Barolini traces the contours of his career and reveals Aldus and the Aldine press in historical and cultural context; she admirably conveys the magic of an age in which the book as we know it was invented.