Analyses texts drawn from the Bleek and Lloyd Archive, arguably one of the most important collections for the understanding of South African cultural heritage and in particular the traditions of the /Xam, South Africas first people. Initially appearing in a now rare 1986 edition and here re-issued for the first time, the doctoral thesis on which the book is based became the catalyst for much scholarly research. The book offers an analysis of the entire corpus of /Xam narratives found in the Bleek and Lloyd collection, focusing particularly on the cycle of narratives concerning the trickster /Kaggen (Mantis). These are examined on three levels from the 'deep structures' with resonances in other areas of /Xam culture and supernatural belief, through the recurring patterns of narrative composition apparent across the cycle and finally touching on the observable differences in the performances by the various /Xam collaborators. Hewitt's text remains the only comprehensive and detailed study of /Xam narrative, and it has become itself the object of study by researchers and PhD candidates in South Africa, the United Kingdom, Canada and elsewhere. This new edition at last makes Hewitt's important work more widely available. It will be a welcome addition to the recently burgeoning literature on the place of the /Xam hunter-gatherers in the complex history of South African culture and society.

These beautiful and timeless stories from the African Bush were gathered more than a century ago and have touched thousands of readers ever since. The South African-born author, Sir Laurens van der Post, revered them and helped to make them known throughout the world. For this special new edition, Gregory McNamee has adapted the original nineteenth-century English translations to create modern versions of the stories for readers without a prior knowledge of the Bushman ways of life. The stories in this book carry universal observations and truths and, with their historical and ethnographic roots in the African Bushman culture, they are fascinating and educational for readers and listeners of all ages. They bear powerful testimony to a desert people living at one with Nature.

Specimens of Bushman Folk-lore was published by Dr. W.H.I. Bleek only after he'd overcome many great difficulties (and great they were in late 1800s South Africa). So complete is this volume that Dr. Bleek even provides explanations on how to make the many click sounds that are endemic to the Bushman language. Good luck wrapping your tongue around them! This 260 page volume contains 84 stories about Bushman myths and legends, including interpretations of the natural world, animal fables, the story of the first man, and customs, superstitions, and more. There are stories about girls and frogs, hyenas that seek revenge, the wind, and the making of arrows. There are also stories about the origin of the stars Sirius and Canopus, the treatment of bones, prayers to the moon, and a man who mistakenly ordered his wife to cut off his ears. Of special interest is the story of one Bushman's first ride on the train from Mowbray to Cape Town, which describes his treatment at the hands of the local police and the imposition of the white man's laws upon him and his people. The old adage "Everything changes, everything stays the same," comes to mind. So curl up with this treasure of ancient Africa, this documentation of a changing world, and engross yourself in a culture that has no place for MP3 players, video games, or television. A percentage of every book sold will help fund the education of an underprivileged person in South Africa. SPECIAL NOTE: Rock art and archaeological evidence indicates that the San Bushmen once occupied countries as far north as Libya, Egypt, Sudan, and Ethiopia, with some evidence of occupation in Kenya. Over time, environmental conditions and the negroid races pushed the Bushmen further and further south-today, they can now only be found in the countries of Southern Africa. Even now, the Bushmen's traditional way of life is further threatened by government regulations and policies that seek to restrict their nomadic tradition and "encourage" them to assume a more pastoral lifestyle.

Winner of the Governor General's Award A Library Journal Best Book of 2001 Part autobiography and part social history, Nega Mezlekia's Notes from the Hyena's Belly offers an unforgettable portrait of Ethiopia, and of Africa, during the 1970s and '80s, an era of civil war, widespread famine, and mass execution. "We children lived like the donkey," Mezlekia remembers, "careful not to wander off the beaten trail and end up in the hyena's belly." His memoir sheds light not only on the violence and disorder that beset his native country, but on the rich spiritual and cultural life of Ethiopia itself. Throughout, he portrays the careful divisions in dress, language, and culture between the Muslims and Christians of the Ethiopian landscape. Mezlekia also explores the struggle between western European interests and communist influences that caused the collapse of Ethiopia's social and political structure—and that forced him, at age 18, to join a guerrilla army. Through droughts, floods, imprisonment, and killing sprees at the hands of military juntas, Mezlekia survived, eventually emigrating to Canada. In Notes from the Hyena's Belly he bears witness to a time and place that few Westerners have understood.

There are many collections of African oral traditions, but few as carefully organized as The Uncoiling Python. Harold Scheub, one of the world’s leading scholars of African oral traditions and folklore, explores the ways in which oral traditions have served to combat and subvert colonial domination in South Africa. From the time colonial forces first came to southern Africa in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of oral tradition as a means of survival. In open insurrections and other subversive activities Africans resisted the daily humiliations of colonial rule, but perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

Set in the aftermath of the genocide in Rwanda, this novel dramatizes the difficulty of rebuilding a society that has been devastated by war. The main character, Musonera, is a survivor whose sad story is all too typical: he is the only member of his family to remain alive. Determined to resist the temptation to become lost in self-pity and bitterness, he accepts a job as a local sector leader and resolves to put all his energy into bringing about a new atmosphere of reconciliation--a daunting task in the face of so much entrenched hatred and so many raw memories. Musonera's wife, Harriet, wishes he would not leave her so often to carry out his official duties, and as the odds stack up against him, he despairs over the complex issues that have to be tackled when a country has a long history of feuding groups.

This new edition of the long-out-of print classic collection of Bushman tales provides a fascinating look into the life of these little-known people. As Megan Biesele writes in her Foreword: The fact that a family of trained linguists and their associates sat down between 1870 and 1884 with a group of /Xam people who had been temporarily sprung free of imprisonment in Cape Town's Breakwater Prison has immense potential consequences. San people today, like indigenous peoples all over the world, are quietly organizing educational futures for themselves which will make fine use of this record of the intellectual history of their culture. This edition reproduces the English text of the 1911 edition and is richly illustrated with photographs.

After narrowly avoiding a personal disaster, she-wolf Alyssa Morgan can’t wait to leave her wolf pack and start her life over. Trying to rebuild her shattered self-esteem, she swears off relationships. When she accepts a job at Stone’s gym, working for three hunky were-hyena brothers, she discovers the hardest thing she ever had to do wasn’t leaving her pack, but keeping them at arm’s length. Dante, Cairo, and Mason Stone have been unlucky in love. As were-hyenas, they need to share a mate, and they hadn’t found the right woman… until Alyssa walks through the door. But the sweet she-wolf is anything but interested in a relationship with them. Oppressed within her wolf pack, she doesn’t see herself as worthy of their affection. When her life is threatened and they almost lose her, they decide it’s time to convince her that she is their mate and they are perfect for each other. This story contains one she-wolf trying to find herself, three overprotective were-hyenas with love on their minds, m/f/m/m interaction, neck biting, and symbolic tattoos.

"Spend a day and night in the savanna! Learn about this grassy habitat through the interesting animals that call it home. Nibble a breakfast of sky-high leaves with a giraffe. Then construct towering mounds with termites. At sunset, shriek and prowl for prey with a pack of hyenas. After dark, go on a high-speed hunt with a cheetah. What will tomorrow bring in the savanna?"--