A stunning debut about a young teenager on the brink and a parent desperate to find the truth before it's too late. Thirteen year old Callie is accused of bullying at school, but Rebecca knows the gentle girl she's raised must be innocent. After Callie is exonerated, she begins to receive threatening notes from the girl who accused her, and as these notes become desperate, Rebecca feels compelled to intervene. As she tries to save this unbalanced girl, Rebecca remembers her own intense betrayals and best-friendships as a teenager, when her failure to understand those closest to her led to tragedy. She'll do anything to make this story end differently. But Rebecca doesn’t understand what’s happening or who is truly a victim, and now Callie is in terrible danger. This raw and beautiful story about the intensity of adolescent emotions and the complex identity of a teenage girl looks unflinchingly at how cruelty exists in all of us, and how our worst impulses can estrange us from ourselves - or even save us.

Princess Hyacinth is bored and unhappy sitting in her palace every day because, unless she is weighed down by specially-made clothes, she will float away, but her days are made brighter when kite-flying Boy stops to say hello.

"People throw the word 'classic' about a lot, but A Drowned Maiden's Hair genuinely deserves to become one." — Wall Street Journal Maud Flynn is known at the orphanage for her impertinence, so when the charming Miss Hyacinth and her sister choose Maud to take home with them, the girl is as baffled as anyone. It seems the sisters need Maud to help stage elaborate séances for bereaved, wealthy patrons. As Maud is drawn deeper into the deception, playing her role as a "secret child," she is torn between her need to please and her growing conscience -- until a shocking betrayal makes clear just how heartless her so-called guardians are. Filled with tantalizing details of turn-of-the-century spiritualism and page-turning suspense, this lively historical novel features a winning heroine whom readers will not soon forget.

Las Vegas feline sleuth Midnight Louie witnesses the appearance of a corpse in the pools around the Oasis Hotel, a dead man with ties to both boyfriends of his redheaded, high-heeled human companion, Temple Barr.

The hilarious first book in a middle-grade fantasy trilogy about the magical rivers that run through the sewers of London and shape history in ways you'd never learn in school. Magic is real. History is a big, fat lie. Hyacinth Hayward’s mother has just been kidnapped by lumpy gray monsters in post office uniforms. But why? Well, before Hyacinth moved from Illinois to London, she read up on the city’s history. Too bad for her. Because the books are wrong. The truth is, London was built on magical rivers, and all the major events in its past have been about people trying to control the magic. And her family is somehow tied to it. In the chase to get her mom back, Hyacinth encounters a giant intelligent pig in a bathing suit, a boy with amnesia, an adorable tosher (whatever that is), a sarcastic old lady, and a very sketchy unicorn. Somehow Hyacinth has to figure out who to trust, so she can save her mom and, oh yeah, not cause a second Great Fire of London.

"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.

In this fascinating and wide-ranging book, Yoko Kawaguchi explores the Western portrayal of Japanese women—and geishas in particular—from the mid-nineteenth century to the present day. She argues that in the West, Japanese women have come to embody certain ideas about feminine sexuality, and she analyzes how these ideas have been expressed in diverse art forms, ranging from fiction and opera to the visual arts and music videos. Among the many works Kawaguchi discusses are the art criticism of Baudelaire and Huysmans, the opera Madama Butterfly, the sculptures of Rodin, the Broadway play Teahouse of the August Moon, and the international best seller Memoirs of a Geisha. Butterfly’s Sisters also examines the impact on early twentieth-century theatre, drama, and dance theory of the performance styles of the actresses Madame Hanako and Sadayakko, both formerly geishas.

Working Girls: Fiction, Sexuality, and Modernity investigates the significance of a new form of sexual identity at the end of the nineteenth and beginning of the twentieth century. Young women of the lower-middle and working classes were increasingly abandoning domestic service in favour of occupations of contested propriety. They inspired both moral unease and erotic fascination. Working Girls considers representations of four highly glamorised yet controversial types of women worker: telegraphists and typists (in newly-feminised offices), shop assistants (in the new department stores), and barmaids (in the new 'gin palaces' of major British cities). Economically emancipated (more or less) and liberated (more or less) from the protection and constraints of home and family, shop-girls, barmaids, typists, and telegraphists became mass media sensations. They energised a wide range of late-Victorian and Modernist fiction. This study will bring late-Victorian and Modernist British writers into intimate conversation with a substantial new archive of ephemeral sources often regarded as remote from high art and its concerns: popular fiction; music hall and musical comedy; beauty pageants and fairground exhibitions; visual art and early film; careers manuals; magazine and periodical journalism; moral reform crusades, Royal Commissions, and attempts at protective legislation. Working Girls argues that these seductive yet perilous young women helped writers negotiate anxieties about the state of literary culture in the United Kingdom. Crucially, they preoccupy novelists who were themselves beleaguered by anxieties over cultural capital, the shifting pressures of the literary marketplace, or controversies about the morality of fiction (often leading to the threat of censorship). In articulating questions about sexual integrity, Working Girls articulate often submerged questions about textual integrity and the role of the modern novel.

An enchanting collection containing books seven and eight of #1 New York Times bestselling author Julia Quinn’s beloved Regency-set Bridgerton novels, now a series created by Shondaland for Netflix —It’s in His Kiss and On the Way to the Wedding—as well as the first book in her Bridgerton Prequel series, Because of Miss Bridgerton. It’s in His Kiss Gareth St. Clair’s ignoble father is determined to ruin his inheritance. Gareth’s sole bequest is an old family diary, which may hold the key to his future. The problem is it’s written in Italian. Hyacinth Bridgerton has offered to translate. She’s fiendishly smart, devilishly outspoken, and according to Gareth, best in small doses. But there’s something equally charming and vexing about her that draws him in. As they delve into the mysterious text, these two might discover that the answers they seek lie in each other . . . and that there is nothing as simple—or as complicated—as a single, perfect kiss. On the Way to the Wedding Gregory Bridgerton believes he has found his dream woman. Unfortunately, the ravishing Miss Hermione Watson is in love with another. Her best friend, the ever-practical Lady Lucinda Abernathy, wants to save Hermione from a disastrous alliance, and offers to help Gregory win her heart. In the process, Lucy falls in love—with Gregory! But she is already engaged, and her uncle is not inclined to let her out of the betrothal. Now, on the way to the wedding, Gregory must risk everything to ensure that when it comes time to kiss the bride, he is the only man standing at the altar… Because of Miss Bridgerton Everyone expects Billie Bridgerton to marry one of the Rokesby brothers. As a child, tomboyish Billie ran wild with Edward and Andrew. There is only one Rokesby Billie absolutely cannot tolerate. George may be the heir to the earldom, but he’s arrogant, annoying, and she’s certain he detests her. She can’t stand the sight of him either. But when Billie and George are quite literally thrown together, sparks begin to fly. They just might discover that the one person they can’t abide is the one person they can’t live without...