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This book is a cultural history of the nineteenth-century songster: pocket-sized anthologies of song texts, usually without musical notation. It examines the musical, social, commercial and aesthetic functions songsters served and the processes by which they were produced and disseminated, the repertory they included, and the singers, printers and entrepreneurs that both inspired their manufacture and facilitated their consumption. Taking an international perspective, chapters focus on songsters from Ireland, North America, Australia and Britain and the varied public and private contexts in which they were used and exploited in oral and print cultures.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Includes its Report, 1896-1945.

Reprint of the original, first published in 1874.

A panoramic collection of essays written by both established and emerging scholars, American Discord examines critical aspects of the Civil War era, including rhetoric and nationalism, politics and violence, gender, race, and religion. Beginning with an overview of the political culture of the 1860s, the collection reveals that most Americans entered the decade opposed to political compromise. Essays from Megan L. Bever, Glenn David Brasher, Lawrence A. Kreiser Jr., and Christian McWhirter discuss the rancorous political climate of the day and the sense of racial superiority woven into the political fabric of the era. Shifting focus to the actual war, Rachel K. Deale, Lindsay Rae Privette, Adam H. Petty, and A. Wilson Greene contribute essays on internal conflict, lack of compromise, and commitment to white supremacy. Here, contributors adopt a broad understanding of “battle,” considering environmental effects and the impact of the war after the battles were over. Essays by Laura Mammina and Charity Rakestraw and Kristopher A. Teters reveal that while the war blurred the boundaries, it ultimately prompted Americans to grasp for the familiar established hierarchies of gender and race. Examinations of chaos and internal division suggest that the political culture of Reconstruction was every bit as contentious as the war itself. Former Confederates decried the barbarity of their Yankee conquerors, while Republicans portrayed Democrats as backward rubes in need of civilizing. Essays by Kevin L. Hughes, Daniel J. Burge, T. Robert Hart, John F. Marszalek, and T. Michael Parrish highlight Americans’ continued reliance on hyperbolic rhetoric. American Discord embraces a multifaceted view of the Civil War and its aftermath, attempting to capture the complicated human experiences of the men and women caught in the conflict. These essays acknowledge that ordinary people and their experiences matter, and the dynamics among family members, friends, and enemies have far-reaching consequences.