Ted Orlando is a seasoned and dedicated photographer who started out as Ansel Adams's assistant. Orlando was a member of the inner sanctum of photographers who transformed photography, he saw it all. And yet the book has more than this, it is the record of a life dedicated to a medium, of a young man struggling to become an artist in his own right and be a success. Orland's images, beautifully reproduced in this volume are arresting in their allusions, impressive in their breadth, and rich in their visual vocabulary. It also contains Orland's letters and a running diary of sorts that takes the reader into the holy temple of those fervent years when the anointed gathered along the California coast. -- Publisher description.

Leader of the first tourist expedition into Yosemite in 1855, James Mason Hutchings became a tireless promoter of the valley-and of himself. Seeking to create an alternative to California's Gold Rush social chaos, Hutchings whetted the public enthusiasm for this unspoiled land by mass producing a lithograph of Yosemite Falls, while his Hutchings' California Magazine beat the drum for tourism. But because of his later legal imbroglios over the park, Hutchings was effectively written out of its history, and today he is largely viewed as an opportunist who made a career out of exploiting Yosemite. Now Jen Huntley removes the tarnish from Hutchings's image. She portrays him instead as a "connector" who brought artists to Yosemite and Yosemite to Americans, and uses his career as a lens through which to view the contests and debates surrounding the creation of Yosemite, and, by extension, America's emerging ethic of land conservation. Blending environmental and cultural history, she tracks Hutchings's professional trajectory amidst significant changes in nineteenth-century America, from technological advances in printing to the growth of tourism, from the birth of modern environmental movements to battles over public lands. Huntley uses Hutchings's legal battles with the government over ownership of land in the Yosemite Valley to analyze larger battles over public land management and national identity. She also explores the role of urban San Francisco in designating Yosemite a public park, shows how the Civil War transformed Yosemite from a regional icon to a national symbol of post-war redemption, and takes a closer look at Hutchings's relationship with John Muir. Making Yosemite sheds light on the role of power, class dynamics, and the late-century ideal of individualism in the shaping of modern America's sacred landscapes. Hutchings emerges here as a visionary communicator who cleverly tapped into midcentury Americans' attitudes toward spectacular scenery to create a sense of place-based identity in the American Far West. Huntley's revisionist approach rediscovers Hutchings as a key player in the histories of American media, tourism, and environmentalism, and suggests new terrain for scholars to consider in writing the histories of our national parks, conservation, and land policy.

In 1855, Englishman James Mason Hutchings contrived theidea of publishing a magazine to popularize California, which hecalled Hutchings' Illustrated California. The enterprising carpenter,gold miner, publisher and promoter introduced the magazineto attract immigrants, as well as to make money. Thomas AlmondAyres, a California Gold Rush-era artist, most famous for drawingthe first rendering of Yosemite Valley, was hired. The monthlymagazine was published in San Francisco from July 1856 to June1861, for a total of five volumes. Hutchings' Illustrated playedan important role in popularizing California in general as wellas popularizing a number of well-known legendary stories of theWest, including the Pony Express, Grizzly Adams, Peg-leg Smithand Snowshoe Thompson.

Newell D. Chamberlain was born in 1880 and spent his early years in San Francisco. In 1926 he established Camp Midpines, so named because it was "amidst the pines and midway between Merced and Yosemite." In the 1930s he compiled this chronicle of events during and after the Gold Rush -- drawing on newspapers of the time and interviews with early pioneers and their children. The result is this kaleidoscopic view of life in a dramatic era in the history of California. Illustrated with many historic photographs, some of which have not previously been published. Book jacket.

A vivid, searching journey into California's capture of water and soil—the epic story of a people's defiance of nature and the wonders, and ruin, it has wrought Mark Arax is from a family of Central Valley farmers, a writer with deep ties to the land who has watched the battles over water intensify even as California lurches from drought to flood and back again. In The Dreamt Land, he travels the state to explore the one-of-a-kind distribution system, built in the 1940s, '50s and '60s, that is straining to keep up with California's relentless growth. The Dreamt Land weaves reportage, history and memoir to confront the "Golden State" myth in riveting fashion. No other chronicler of the West has so deeply delved into the empires of agriculture that drink so much of the water. The nation's biggest farmers—the nut king, grape king and citrus queen—tell their story here for the first time. Arax, the native son, is persistent and tough as he treks from desert to delta, mountain to valley. What he finds is hard earned, awe-inspiring, tragic and revelatory. In the end, his compassion for the land becomes an elegy to the dream that created California and now threatens to undo it.

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The journal seems to contain information for everyone regardless of one's interest...Each page of this almost six hundred page journal is crammed with facts and descriptions. So much of interest is contained in every entry that each re-reading will reveal many interesting incidents or observations not quite grasped on the first perusal....This book will be a valuable source to all students of California or United States history and to the casual readers as well.