In the early nineteenth century, enslaved Africans are not allowed to gather together in groups. For Simmy and his family, that means they must worship in secret. If they are caught, the punishment will be terrible. Simmy's job is to watch for danger while the others pray and sing as the Spirit moves them. Will he be able to keep the hush harbor safe?

While Simmy watches for danger from high in a tree, other slaves gather in a hidden spot in the woods to sing and pray together in their own way, risking their lives in pursuit of religious freedom. Includes historical facts about hush, or brush, arbors and the churches that grew from them.

"As Keepin' it Hushed will illustrate, African American hush harbor rhetoric (AAHHR) remains a powerful aspect of African American rhetoric containing and conveying African American epistemes and rationalities central to African American life and culture and to what Black folks are puttin' down. Away from the disciplining gaze of whiteness. This rhetoric emerges from camouflaged spaces and places.... Enslaved and free African Americans referred to these spatialities as hush harbors" -- from the introduction.

***Longlisted for the Center for Fiction First Novel Prize*** ***A Most Anticipated Book in The Rumpus?*** A resistance group takes America's racial reckoning into its own hands in this powerful, stirringly original debut novel After the murder of an unarmed Black teenager by the hands of the police, protests spread like wildfire in Bliss City, New Jersey. A full-scale resistance group takes control of an abandoned housing project and decides to call it Hush Harbor in homage to the secret spaces their enslaved ancestors would gather in to pray. Jeremiah Prince, alongside his sister Nova, are leaders of the revolution, but have ideological differences regarding how the movement should proceed. When a new mayor with ties to white supremacists threatens the group’s pseudo-sanctuary and locks the city down, the collective must come to a decision for their very survival. Haunting, provocative, heart-pounding and tender, Hush Harbor presents a high-stakes world grounded on the thought-provoking premise: What would you sacrifice in the name of justice?

How slaves created the organized black church while still under the oppression of bondage.

A powerfully moving novel from a three-time Newbery Honor-winning author Evie Thomas is not who she used to be. Once she had a best friend, a happy home and a loving grandmother living nearby. Once her name was Toswiah. Now, everything is different. Her family has been forced to move to a new place and change their identities. But that's not all that has changed. Her once lively father has become depressed and quiet. Her mother leaves teaching behind and clings to a new-found religion. Her only sister is making secret plans to leave. And Evie, struggling to find her way in a new city where kids aren't friendly and the terrain is as unfamiliar as her name, wonders who she is. Jacqueline Woodson weaves a fascinating portrait of a thoughtful young girl's coming of age in a world turned upside down A National Book Award Finalist

A NEW YORK TIMES BESTSELLER! Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat--by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them--everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world. And together, they can grow braver and more ready for the rest of their lives.

Examines the barbershop as a rhetorical site in African American culture across genres, including fiction, film, poetry, and theater. In Keepin’ It Hushed: The Barbershop and African American Hush Harbor Rhetoric, Vorris L. Nunley investigates the role of the hush harbor (a safe place for free expression among African American speakers) as a productive space of rhetorical tradition and knowledge generation. Nunley identifies the barbershop as an important hush harbor for black males in particular and traces the powerful cultural trope and its hidden tradition of African American knowledge through multiple texts. From Dunbar’s "We Wear the Mask" to the recent Barbershop movies and the provocative rhetoric of Reverend Jeremiah Wright, Nunley’s study touches on a range of time periods and genres. Nunley’s introduction connects African American Hush Harbor Rhetoric (AAHHR) to everyday considerations of what may or may not be spoken in public and how African American speakers manage numerous hidden transcripts. In the first three chapters, Nunley charts different iterations of hush harbors and their function in the context of residual and emergent rhetorical traditions. He investigates public sphere theory and its application (and misapplication) to black civil society and hush harbors and connects AAHHR to nommo, the power of the word. In chapters 4 and 5, Nunley examines the ubiquity of the hush harbor trope in African American culture and considers barbershops as pedagogical sites, using literature, poetry, philosophy, and film to make his case. In chapter 6, he analyzes the Barbershop movie in detail, arguing that the movie’s commodified, neoliberal version of AAHHR did not represent a hush harbor, although that was ostensibly the aim. Keepin’ It Hushed concludes with a presentation of a hush harbor pedagogy in chapter 7 and a distinctive analysis of hush harbor oriented speeches by then-Senator Obama and Rev. Jeremiah Wright. Rhetoricians and readers interested in African American life and culture will appreciate the cogent analysis in Nunley’s volume.

"A new novel from John Hart"--

African American Rhetoric(s): Interdisciplinary Perspectives is an introduction to fundamental concepts and a systematic integration of historical and contemporary lines of inquiry in the study of African American rhetorics. Edited by Elaine B. Richardson and Ronald L. Jackson II, the volume explores culturally and discursively developed forms of knowledge, communicative practices, and persuasive strategies rooted in freedom struggles by people of African ancestry in America. Outlining African American rhetorics found in literature, historical documents, and popular culture, the collection provides scholars, students, and teachers with innovative approaches for discussing the epistemologies and realities that foster the inclusion of rhetorical discourse in African American studies. In addition to analyzing African American rhetoric, the fourteen contributors project visions for pedagogy in the field and address new areas and renewed avenues of research. The result is an exploration of what parameters can be used to begin a more thorough and useful consideration of African Americans in rhetorical space.