The hit sitcom _Husbands_ tells the story of famous gay newlyweds Brady and Cheeks, who sparked a media firestorm when they woke up legally wed after a drunken Vegas weekend. But undoing their "I Dos" with a quickie divorce would only undermine the hard-fought battle for equality, so they decide to give this marriage thing a go. After all, they were doing okay when they were dating . . . Now, a mystical wedding gift launches the couple on a series of adventures a tongue-in-cheek journey through iconic genre realms filled with obstacles that threaten to tear them apart. Written by Husbands creators Jane Espenson (_Buffy the Vampire Slayer_) and Brad Bell, this comic-book continuation of the sitcom phenom sends Brady and Cheeks into a superhero showdown, a fairytale fantasy, a Holmesian mystery, an epic galactic battle, a madcap high school romp, and a saucy secret-spy thrill ride. Issue #2: A fantasy fairytale starring a prince, a knight, and a pauper! Based on the hit sitcom, _Husbands_! Written by show creators Jane Espenson and Brad Bell (AKA Cheeks)!

Written by Husbands creators Jane Espenson (Buffy the Vampire Slayer) and Brad Bell, this is the comic-book continuation of the sitcom phenom. Husbands tells the story of famous gay newlyweds Brady and Cheeks, who sparked a media firestorm when they woke up legally wed after a drunken Vegas weekend. Now, a mystical wedding gift launches the couple on a series of adventures-a tongue-in-cheek journey through iconic genre realms-filled with obstacles that threaten to tear them apart. Follow Brady and Cheeks into a superhero showdown, a fairytale fantasy, a Holmesian mystery, an epic galactic battle, a madcap high school romp, and a saucy secret-spy thrill ride. Includes bonus "making of" material and a special introduction.

From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.

A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.

First published in 1927.