Publishing alongside the world premiere of Christopher Nolan's third Batman film "The Dark Knight Rises", Will Brooker's new book explores Batman's twenty-first century incarnations. Brooker's close analysis of "Batman Begins" and "The Dark Knight" offers a rigorous, accessible account of the complex relationship between popular films, audiences, and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did "Batman Begins" end when "The Dark Knight began? Does its story include the Gotham Knight DVD, or the 'Why So Serious' viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by "The Dark Knight", or are they an intrinsic part of the character? Do all of these various manifestations feed into a single Batman metanarrative? This will be a vital text for film students and academics, as well as legions of Batman fans.

Publishing alongside the world premiere of Christopher Nolan's third Batman film "The Dark Knight Rises", Will Brooker's new book explores Batman's twenty-first century incarnations. Brooker's close analysis of "Batman Begins" and "The Dark Knight" offers a rigorous, accessible account of the complex relationship between popular films, audiences, and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did "Batman Begins" end when "The Dark Knight began? Does its story include the Gotham Knight DVD, or the 'Why So Serious' viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by "The Dark Knight", or are they an intrinsic part of the character? Do all of these various manifestations feed into a single Batman metanarrative? This will be a vital text for film students and academics, as well as legions of Batman fans.

A dramatic and dark interpretation of Batman. After a decade's absence, Batman returns to fight the ubiquitous crime and criminals of Gotham City.

For countless centuries, I've been the assassin for the infamous Merlin, even though the woman who birthed me sits at the right hand of our enemy, Morgen le Fey. Now both my mother and Morgen have decided that it's time I take my place on their side of this conflict. Normally, telling them no wouldn't be a problem, except for the fact that the good guys I protect think that I'm an even worse demon than the ones we fight. Hmm, maybe they're right. I have to say that I do enjoy maiming anyone who gets in my way. At least until my mother gives me a simple choice: join Morgen's Circle of the Damned or see an innocent woman die. I'm all for saving the innocent, but Merewyn isn't as innocent as she seems. And she's none too fond of the fact that her fate is in my dubious hands. Personally I'm all for taking the easy way out, but leaving her to Morgen is rough, even for me. Now the only way to save both our lives is to face the evilest forces ever known—my mother and Morgen. And two people who know nothing of trust must learn to rely on each other or die: provided we don't kill each other first.

Christopher Nolan’s caped crusader trilogy—Batman Begins, The Dark Knight, and The Dark Knight Rises—is considered by many to be one of the finest translations of comic book characters to the big screen. The second film in the series, The Dark Knight, was both a critical and commercial success, featuring an Oscar-winning performance by Heath Ledger as the Joker. The score—by Academy Award winner Hans Zimmer and eight-time Oscar nominee James Newton Howard—also received accolades, including a Grammy. Intricately interwoven with the sound design—and incorporating Mel Wesson’s ground-breaking ambient music design, —Zimmer’s and Howard’s music gives the film an added layer of ominous tones that makes palpable the menace facing Gotham City. In Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide, Vasco Hexel delves into the composers’ backgrounds to reveal the many facets of meaning in the highs and lows of the score. This book also highlights the working methods of Zimmer and Howard and how they collaborated with each other and the filmmaking team to create such a memorable soundtrack. By drawing on unprecedented access to some of the key creators of the film, the author provides unique insights into the score’s composition. Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide will be of interest to cinema and music scholars, as well as fans of both composers.

Hunting the one who 'killed' him, the Spook knows that someone in the house is the one responsible for his death. And as Batman prepares to rip open the supernatural-seeming villain's shroud of secrets, he finds one person within the group is helping the Spook. 'Spook' part 3.

Don't miss this 144-page collection featuring the 6-issue miniseriesreuniting one of the great Batman creative teams of the 1970s! In DARKDETECTIVE, The Joker enters a gubernatorial election using the campaign slogan"Vote for me or I'll kill you!" Will it persuade voters?

Featuring art by Mike Mignola! Batman's battle with a deranged killer in an old Gotham City graveyard leads to the shattering of an ancient crypt and the unleashing of an incredible supernatural force that threatens to consume the Dark Knight's sanity, his life...and his very soul!

Blades concludes as a final showdown with the serial killer Mr. Lime leaves Batman wounded and forced into a duel with rival crime-fighter, the swash-buckling Cavalier!

(Book). At nearly six hundred pages, The Dark Knight Trilogy , a behemoth of script and storyboards, captures on the page the dark mythic expanse of the cinematic Batman. These definitive, vibrant film blueprints published on the heels of the final film's closely guarded release are destined to be enshrined on every fan's bedside table, studied in universities, and emulated by filmmakers.