A crack team of Bookhunters must recover a priceless book, stolen from the Oakland Public Library, within three days.

They came after the Diseray. Some were terrors ripped from our collective imaginations, remnants of every mythology across the world. And some were like nothing anyone had ever dreamed up, even in their worst nightmares. Monsters. Long ago, the barriers between our world and the Otherworld were ripped open, and it's taken centuries to bring back civilization in the wake of the catastrophe. Now, the luckiest Cits live in enclosed communities,behind walls that keep them safe from the hideous creatures fighting to break through. Others are not so lucky. To Joyeaux Charmand, who has been a Hunter in her tight-knit mountain community since she was a child, every Cit without magic deserves her protection from dangerous Othersiders. Then she is called to Apex City, where the best Hunters are kept to protect the most important people. Joy soon realizes that the city's powerful leaders care more about luring Cits into a false sense of security than protecting them. More and more monsters are getting through the barriers,and the close calls are becoming too frequent to ignore. Yet the Cits have no sense of how much danger they're in-to them, Joy and her corp of fellow Hunters are just action stars they watch on TV. When an act of sabotage against Joy takes an unbearable toll, Joy uncovers a terrifying conspiracy in the city. There is something much worse than the usual monsters infiltrating Apex. And it may be too late to stop them?

_________________________________ 'A beautifully realised and thought-provoking thriller.' THE TIMES 'A taut, thrilling runaround' GUARDIAN 'Reminiscent of Robert Harris's high-concept conspiracy thrillers' FINANCIAL TIMES _________________________________ A WORLD HALF IN DARKNESS. A SECRET SHE MUST BRING TO LIGHT. 2059. The world has stopped turning. One half suffers an endless frozen night; the other, nothing but burning sun. Only in a slim twilit region between them can life survive. In an isolationist Britain, scientist Ellen Hopper receives a letter from a dying man. It contains a powerful and dangerous secret. One that those in power will kill to conceal... _________________________________ THE LAST DAY: an utterly original debut thriller, perfect for readers who loved Robert Harris' Fatherland, Emily St. John Mandel's Station 11, and The Wall by John Lanchester. _________________________________ 'Wonderful: boldly imagined and beautifully written - the best future-shock thriller for years.' LEE CHILD 'A tantalizing, suspenseful odyssey of frustration, deceit, treachery, torture, hope, despair and ingenious sleuthing... Murray has so thoroughly thought through the ramifications of his conceit and conjured up such a dramatic plot and stellar cast of characters that he might have set a new standard for such tales.' WASHINGTON POST 'A stunningly original thriller set in the world of tomorrow that will make you think about what's happening today.' HARLAN COBEN 'I read this hungrily ... Its intelligence and bravura characterisation will have you turning page after page. A fabulous achievement.' STEPHEN FRY 'A brilliant debut ... Fans of Robert Harris will love it' DAILY EXPRESS 'To say it's gripping is an understatement - I cancelled all my weekend plans to finish it' SARA PASCOE 'In his fascinating debut, Murray has crafted something original ... an interesting new twist on a post-apocalyptic tale.' KIRKUS 'Downright impossible to stop reading. The science is believable, the near-future world feels as real as our own, the characters are lively, and the plot is suspenseful. A near-perfect alternate-future thriller.' BOOKLIST 'Dark, believable and brilliantly written' JENNY COLGAN 'A thrilling page-turner, and a reminder to treasure our sunsets and sunrises while we still have them. I couldn't put this book down!' CHRISTINA DALCHER, author of VOX 'I loved the premise of this high-concept thriller ... a compelling read with some well-placed observations on the darkness of human nature and survival. The Last Day will keep you gripped to the very last page' C.J. TUDOR

In New York Times bestselling author Mercedes Lackey's action-packed sequel to Hunter, a storm is headed to Apex City, and unless Joy and the Hunters put up the fight of their lives, it might just sweep them all away. Joy knows she'll be facing more dangerous Othersiders than ever before as a new member of the Elite Hunter unit, but if anyone is up to the challenge it's her. Then the rules change. The leaders of Apex must come together to protect the city, but tensions have never been higher between the Hunters and the powerful PsiCorps, with each group competing to be the primary protector of the city. Chaos erupts when Ace, the murderous Hunter who tried to kill Joy at her Elite trials, escapes from the Army's captivity and defects to the Othersiders. Joy has no idea what Ace might be capable of with the help of the cunning Folk, but she may be about to find out as Othersider forces are gaining strength and momentum just beyond the barriers.

Part revenge tale, part fairy tale—an electrifying story of marriage, infidelity and power by the author of the #1 Indie Next Pick, The End We Start From. A MILLIONS Most Anticipated Book of the Month A Best Book of Fall for ESQUIRE A VOGUE Novel Editors Recommend for Fall A LITERARY HUB 20 books that are laced with sinister magic Lucy and Jake live in a house by a field where the sun burns like a ball of fire. Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy’s husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage—she will hurt him three times. As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return. Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal. “A beautiful, poetic account of [a] marriage, and also an insightful character study . . . And when it borders on a dark fairy tale, The Harpy soars.” —NPR

The hunter arrives in an isolated community in the Tasmanian wilderness with a single purpose in mind: to find the last thylacine, the tiger of fable, fear and legend. The man is in the employ of the mysterious 'Company', but his sinister purpose is never revealed and as his relationship with a grieving mother and her two children becomes more ambiguous, the hunt becomes his own. Leigh's Tasmania is a place where the wilderness can still claim lives; where the connection between people and the land is at best uneasy and cannot be trusted. In prose of exceptional clarity and elegance, Julia Leigh creates an unforgettable picture of a man obsessed by an almost mythical animal in a damp dangerous landscape. The Hunter is the work of a compelling storyteller and a truly remarkable literary stylist.

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .

Turbo-journalist Carroll delivers the shocking truth about the man she calls "the whoopie cushion under the seat of power". This unflinchingly decadent biography is one of the juiciest, sexiest, and funniest to come along in a long time. 16 pages of photos.

The End Is NighMonsters are everywhere, lurking in the shadows, masquerading as upstanding citizens or hiding in plain sight. They murder, abuse and oppress humanity. They have to be stopped, at any price. A new force emerges among hunters, a new creed never seen before. These chosen are bent on obliterating the supernatural -- and anyone who gets in their way. Are these wanton killers the world's messiahs ... or destroyers?Stand or FallHunter Book: Wayward is part of a Hunter: The Reckoning series dedicated to the creeds, the character types of the imbued. Waywards are one of the two lost hunter creeds, a group of maniacs and psychopaths -- even by monsters' standards. Learn what it takes to drive these hunters over the edge -- or to make them the most prophetic among the chosen. For adults only.