"Take the fatal shot," said Horseshoe. He must have laid down his rifle because I remember him helping to steady my own. "Easy now, you'll own this forever—" I stared the thing in the eye and squeezed the trigger. It threw back its head, rising up. It gasped for breath, spitting more blood. It barked at the sky. Then it fell, head thumping against the deck. Its serpentine neck slumped. The rest of its blood spread over the boards and rolled around our boots and flowed between the planks. I was the first to step forward, looking down at the thing through drifting smoke. Its remaining eye seemed to look right back. I got down on my knees to look closer. The thing exhaled, causing the breathing holes at the top of its head, behind its eyes, to bubble. I waited for it to inhale, staring into its eye—I could see myself there as well as the others, could see the sky and the scattered clouds. The whole world seemed contained in that moist little ball. Then the eye rolled around white—it shrunk, drying, and the thing's neck constricted. And it died. Horseshoe slapped my back, massaged my neck. "How's it feel, little buddy?" But I didn't know what I felt. I could only stare at the eye, now empty.

"Take the fatal shot," said Horseshoe. He must have laid down his rifle because I remember him helping to steady my own. "Easy now, you'll own this forever-" I stared the thing in the eye and squeezed the trigger.It threw back its head, rising up. It gasped for breath, spitting more blood. It barked at the sky. Then it fell, head thumping against the deck. Its serpentine neck slumped. The rest of its blood spread over the boards and rolled around our boots and flowed between the planks.I was the first to step forward, looking down at the thing through drifting smoke.Its remaining eye seemed to look right back. I got down on my knees to look closer. The thing exhaled, causing the breathing holes at the top of its head, behind its eyes, to bubble. I waited for it to inhale, staring into its eye-I could see myself there as well as the others, could see the sky and the scattered clouds. The whole world seemed contained in that moist little ball. Then the eye rolled around white-it shrunk, drying, and the thing's neck constricted. And it died.Horseshoe slapped my back, massaged my neck. "How's it feel, little buddy?"But I didn't know what I felt. I could only stare at the eye, now empty.

Unbeknownst to the colonists on Ryushi, the planet is the setting for hunting games between the Predators and the prey they have bred for this purpose, and Machiko Noguchi and the other ranchers must fight for survival.

“A necessary addition to the literature on Latin America’s Pentecostals, whose number exceeds 100 million . . . a highly readable text.” —Times Higher Education “It’s not a process,” one pastor insisted, “rehabilitation is a miracle.” In the face of addiction and few state resources, Pentecostal pastors in Guatemala City are fighting what they understand to be a major crisis. Yet the treatment centers they operate produce this miracle of rehabilitation through extraordinary means: captivity. These men of faith snatch drug users off the streets, often at the request of family members, and then lock them up inside their centers for months, sometimes years. Hunted is based on more than ten years of fieldwork among these centers and the drug users that populate them. Over time, as Kevin Lewis O’Neill engaged both those in treatment and those who surveilled them, he grew increasingly concerned that he, too, had become a hunter, albeit one snatching up information. This thoughtful, intense book will reframe the arc of redemption we so often associate with drug rehabilitation, painting instead a seemingly endless cycle of hunt, capture, and release. “O’Neill uses his dramatic story of the manhunt to rethink Foucauldian pastoral power . . . [an] utterly brilliant book.” —PoLAR: Political and Legal Anthropology Review “The theme of Kevin Lewis O’Neill’s fascinating book, Hunted—i.e., drug addicts kidnapped and held in involuntary confinement in treatment centers run by Guatemalan Pentecostals—may strike readers as so outré or outrageous as to provoke a reaction . . . Hunted consists in brilliant participant-observer reportage.” —Pneuma

Man the Hunted argues that primates, including the earliest members of the human family, have evolved as the prey of any number of predators, including wild cats and dogs, hyenas, snakes, crocodiles, and even birds. The authors' studies of predators on monkeys and apes are supplemented here with the observations of naturalists in the field and revealing interpretations of the fossil record. Eyewitness accounts of the 'man the hunted' drama being played out even now give vivid evidence of its prehistoric significance. This provocative view of human evolution suggests that countless adaptations that have allowed our species to survive (from larger brains to speech), stem from a considerably more vulnerable position on the food chain than we might like to imagine. The myth of early humans as fearless hunters dominating the earth obscures our origins as just one of many species that had to be cautious, depend on other group members, communicate danger, and come to terms with being merely one cog in the complex cycle of life.

A disparate group of human protagonists from Dark Horse's past thirty years of Predator are set on a collision course with their most hated enemy--rendered in frenetic, violent detail by artist Francisco Ruiz Velasco! Since time immemorial, the aliens known as Predators have come to Earth to hunt us. Now a group of survivors of those visits have begun a hunt of their own. This is the year that humanity turns the tables on the Predators! When Enoch Nakai is recruited by a privately funded group of former soldiers, drug runners, and FBI agents to investigate the killers from beyond the stars, he sees it as a chance to strike back at the creatures who derailed his life. But the team's destination--a South Pacific island paradise--hides a terror no one expects!

Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".

The world's attention is focused painfully on a brutal third-world civil war, a merciless sectarian conflict sparing neither soldier nor civilian, grandmother nor child. But amidst the terror and carnage, where great nations and powerful interests jockey for position and advantage, another blood feud rages in the shadows, one no more humane but decidedly less human. Two warring tribes from the stars have chosen Earth's killing fields as their arena, with each clan sworn to eradicate the other... and all who stand between them. Each is the other's prey, each the other's Predator. The hunt resumes as Dark Horse Books unleashes Predator once again into the graphic-fiction jungle. Features the creative team of writer John Arcudi (Aliens, B.P.R.D., Doom Patrol) and artist Javier Saltares (Aliens vs. Predator, Ghost Rider). * Collects the hit 2009 Predator miniseries.

The #1 New York Times best-selling author of Infected delivers medieval carnage as a pre-industrial society fights extinction at the hands of a massive infestation of Xenomorphs. Ataegina was an isolated world of medieval castles, varied cultures, and conquests, vibrant until the demons rose and spread relentless destruction. Swarms of lethal creatures with black husks, murderous claws, barbed tails and dreaded "tooth-tongues" raged through the lowlands, killing ninety percent of the planet's population. Terrified survivors fled to hidden mountain keeps where they eke out a meager existence. When a trio of young warriors discovers a new weapon, they see a chance to end this curse. To save humanity, the trio must fight their way to the tunnels of Black Smoke Mountain--the lair of the mythical Demon Mother. Alien: Phalanx TM & © 2019 Twentieth Century Fox Film Corporation. All rights reserved.

The Hunter team is shocked by the return of Raphael Herrera, the former drug trafficker presumed to have been killed on Tehua Island. Can he be trusted, or has he made a deal with Stargazer agents? But those concerns are set aside when word comes of Predator activity in Central America! In the jungles of Belize, Cartel soldiers are being wiped out attempting to smuggle heroin into the US. The Hunters follow the trail of bodies, while a newly arrived team of Russians begin their own hunt for the Predators. An unexpected player from Dark Horse's very first Predator series watches from the shadows . . . providing the Hunters with an advantage amongst the violence and bloodshed. Writer Chris Warner (the artist from the original Predator comics from 1989) teams with artist Brian Thies (Predator: Life and Death, Star Wars: Legacy)! Collects Predator: Hunters III #1-#4.