Come along with David Hinton on a series of walks through the wild beauty of Hunger Mountain, near his home in Vermont—excursions informed by the worldview he’s imbibed from his many years translating the classics of Chinese poetry and philosophy. His broad-ranging discussion offers insight on everything from the mountain landscape to the origins of consciousness and the Cosmos, from geology to Chinese landscape painting, from parenting to pictographic oracle-bone script, to a family chutney recipe. It’s a spiritual ecology that is profoundly ancient and at the same time resoundingly contemporary. Your view of the landscape—and of your place in it—may never be the same.

Sunvault is the first anthology to broadly collect solarpunk short fiction, artwork, and poetry. A new genre for the 21st Century, solarpunk is a revolution against despair. Focusing on solutions to environmental disasters, Sunvault features 29 writers, including Kristine Ong Muslim, Daniel Jose Older, Nisi Shawl, Lavie Tidhar, and A.C. Wise.

"Supernatural suspense at its finest . . . It will scare the pants off you." —The New York Times Book Review Evil is invisible, and it is everywhere. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the isolated travelers to the brink of madness. Though they dream of what awaits them in the West, long-buried secrets begin to emerge, and dissent among them escalates to the point of murder and chaos. As members of the group begin to disappear, the survivors start to wonder if there really is something disturbing, and hungry, waiting for them in the mountains...and whether the evil that has unfolded around them may have in fact been growing within them all along.

"Hunger and Shame" is a passionate account of child malnutrition in a relatively wealthy populace, the Chagga in Mt. Kilimanjaro, Tanzania. Views of family members, health workers and government officials provide insights into the complex of ideas, institutions and human fallibility that sustain the shame of malnutrition in the mountains. Discussing the moral and practical dilemmas posed by the presence of malnourished children in the community, the authors explore the shame associated with child hunger in relation to social organization, colonial history and the global economy. Their discussions challenge the reader to ask fundamental questions concerning ethics, the politics of poverty and shame and social relations.

Snow Mountain Passage is a powerful retelling of the most dramatic of our pioneer stories—the ordeal of the Donner Party, with its cast of young and old risking all, its imprisoning snows, its rumors of cannibalism. James Houston takes us inside this central American myth in a compelling new way that only a novelist can achieve. The people whose dreams, courage, terror, ingenuity, and fate we share are James Frazier Reed, one of the leaders of the Donner Party, and his wife and four children—in particular his eight-year-old daughter, Patty. From the moment we meet Reed—proud, headstrong, yet a devoted husband and father—traveling with his family in the "Palace Car," a huge, specially built covered wagon transporting the Reeds in grand style, the stage is set for trouble. And as they journey across the country, thrilling to new sights and new friends, coping with outbursts of conflict and constant danger, trouble comes. It comes in the fateful choice of a wrong route, which causes the group to arrive at the foot of the Sierra Nevada too late to cross into the promised land before the snows block the way. It comes in the sudden fight between Reed and a drover—a fight that exiles Reed from the others, sending him solo over the mountains ahead of the storms. We follow Reed during the next five months as he travels around northern California, trying desperately to find means and men to rescue his family. And through the amazingly imagined "Trail Notes" of Patty Reed, who recollects late in life her experiences as a child, we also follow the main group, progressively stranded and starving on the Nevada side of the Sierras. Snow Mountain Passage is an extraordinary tale of pride and redemption. What happens—who dies, who survives, and why—is brilliantly, grippingly told.

Drawing on years of investigative reporting, Wyatt Williams offers a powerful look at why we kill and eat animals. In order to understand why we eat meat, the restaurant critic and journalist investigated factory farms, learned to hunt game, worked on a slaughterhouse kill floor, and partook in Indigenous traditions of whale eating in Alaska. In Springer Mountain, he tells about his experiences while charting the history of meat eating and vegetarianism. Williams shows how mysteries springing up from everyday experiences can lead us into the big questions of life while examining the irreconcilable differences between humans and animals. Springer Mountain is a thought-provoking work, one that reveals how what we eat tells us who we are.

Jack Dempsey Cliff travels to Kodiak, Alaska, in search of the father who had walked out when Jack was just a baby, but what he finds instead is a disturbing and desperate glimpse at humanity though the eyes of the strangers he meets in barrooms

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

Love at First Book is a sweet, romantic YA short story in verse.From across the coffee shopLorelei catches a stanzaof heart-stopping description of a boy with a book in his back pocket. And that might have been her last line if he didn't leave it behind with a poem tucked between the pages. A poem about a candy-striper with bright hair and an angel's voice who reads to hospital patients like Lorelei does.