Graham Humphreys' career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. It's easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With more than 40 years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings, and color studies.

From 1895 to 1937, 93 men were hanged at California's Folsom State Prison, and this book is the first to tell all of their stories, recounting long-forgotten tales of murder and swift justice, or sometimes, swift injustice that hanged an innocent man. Based on a treasury of historical information that has been hidden from the public for nearly 70 years, the full stories of these 93 executed men are presented in this collection including their origins, their crimes, the investigations that brought them to justice, their trials, and their deaths at the gallows. This wealth of previously unpublished historical detail gives a vivid view of the sociology of early 20th-century crime and of the resulting prison life. Readers take a trip back in time to the hard-boiled early 20th-century California that inspired the novels of Dashiell Hammett and countless other crime writers. Illustrated throughout with authentic and haunting prison photographs of each of the condemned men, the crimes and punishments of a vanished era are brought into a sharp and realistic light.

The ultimate companion to unlock what lurks Inside No. 9 Welcome, reader, to the experience of a lifetime: a behind-the-scenes tour of the remarkable Bafta award-winning series. This show-by-show guide reveals the genesis of each episode's idea through to the scripting, casting, design, direction, and production - where you'll have access to the minds and imaginations of creators Reece Shearsmith and Steve Pemberton. Filled with the show's dark humour and behind-the-scenes photographs, production stills, mood boards and concept drawings, you'll find yourself delighted and disturbed in equal measure. Every episode from the first five series will be covered by interviews with key creatives and discussion of the inspiration and creation behind every moment. Are you ready to step through the door marked No. 9?

Reproduction of the original: Sir William Wallace by A. F. Murison

James Berry's book, 'My Experiences as an Executioner,' delves into the dark and morbid world of capital punishment through the eyes of a seasoned executioner. Berry's writing is straightforward and devoid of unnecessary embellishment, reflecting the harsh realities of his profession. The book provides a glimpse into the psychological toll of taking human lives in the name of justice, offering a unique perspective on a controversial practice. Set against the backdrop of a time when public executions were common, Berry's narrative serves as a chilling reminder of the consequences of violence and the cost of administering justice. His stark prose and attention to detail create a haunting account of life and death in the executioner's domain. James Berry's personal experiences as an executioner shape the narrative of his book, shedding light on the moral and ethical dilemmas faced by those who carry out society's most unforgiving duties. His insights into the inner workings of the executioner's mind reveal the complexities of a role often shrouded in secrecy and taboo. With 'My Experiences as an Executioner,' Berry challenges readers to confront uncomfortable truths about the justice system and the individuals tasked with enforcing it. This book is a must-read for anyone interested in the historical and psychological aspects of capital punishment, offering a rare glimpse into a world few dare to explore.

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

Professor Bellamy places the theory of treason in its political setting and analyses the part it played in the development of legal and political thought in this period. He pays particular attention to the Statute of Treason of 1352, an act with a notable effect on later constitutional history and which, in the opinion of Edward Coke, had a legal importance second only to that of Magna Carta. He traces the English law of treason to Roman and Germanic origins, and discusses the development of royal attitudes towards rebellion, the judicial procedures used to try and condemn suspected traitors, and the interaction of the law of treason and constitutional ideas.

This book provides an overview of capital punishment in Japan in a legal, historical, social, cultural and political context. It provides new insights into the system, challenges traditional views and arguments and seeks the real reasons behind the retention of capital punishment in Japan.