A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.

This is a fascinating and beautifully written book on what philosophy can tell us about humour and about what it is to be human. It will fascinate and intrigue anyone with a sense of humour.

Humour has been discovered in every known human culture and thinkers have discussed it for over two thousand years. Humour can serve many functions; it can be used to relieve stress, to promote goodwill among strangers, to dissipate tension within a fractious group, to display intelligence, and some have even claimed that it improves health and fights sickness. In this Very Short Introduction Noel Carroll examines the leading theories of humour including The Superiority Theory and The Incongruity Theory. He considers the relation of humour to emotion and cognition, and explores the value of humour, specifically in its social functions. He argues that humour, and the comic amusement that follows it, has a crucial role to play in the construction of communities, but he also demonstrates that the social aspect of humour raises questions such as 'When is humour immoral?' and 'Is laughing at immoral humour itself immoral?'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'To write a book is hard; to write a funny book is harder; to write a funny book both wise and funny is the prerogative of Mr. Mikes' The Times _________________________ If you want to succeed here you must be able to handle the English sense of humour. So proclaims George Mikes' timeless exploration of this curious phenomenon. Whether it's understatement, self-deprecation or plain cruelty, the three elements he identifies as essential to our sense of humour, being witty here is a way of life. Perfectly placed as an adopted Englishman himself, Mikes delivers his shrewd advice - helpfully divided into 'Theory' and 'Practice' - with a comic precision that does his chosen country proud. Drawing on a trove of examples from our rich comic canon, from Orwell ("Every joke is a tiny revolution") to Oscar Wilde, this is the essential handbook for natives and foreigners alike. Mrs Kennedy: "I don't think, Mr Churchill, that I have told you anything about my grandchildren." Winston Churchill: "For which, madam, I am infinitely grateful."

Humour is a funny thing - everyone knows it but no-one knows what it is. This book addresses the question 'What is humour?' by first untangling the definitions of humour, amusement and funniness before then providing a new theory of humour which draws upon recent research in philosophy, psychology, linguistics and neuroscience. The theory is built up without assuming any prior knowledge and illustrated through humorous examples which are both entertaining and educational for anyone curious about what makes things funny. The book is then an accessible illumination of joking matters from dinner tables to online platforms to comedy clubs.

A doorstopper of a collection of the very best of both contemporary and classic British wit and humour. From Monty Python's 'Nudge, nudge, wink, wink, say no more . . .' to Dan Antopolski's 'Hedgehogs. Why can't they just share the hedge?'. From George Bernard Shaw to Michael McIntyre, from Eric Morecombe to Omid Djalili, and from Oscar Wilde to Jimmy Carr, a side-splitting look at Britain, the British and life in general. Including these gems from Britain's finest comedians: I was delighted to learn that my friend's schadenfreude was not as satisfying as mine. Armando Iannucci. I went on a girls' night out recently. The invitation said 'dress to kill'. I went as Rose West. Zoe Lyons For a while I was the perfect mother. Then the Pethidine wore off. Jenny Eclair. My girlfriend was complaining last night that I never listen to her. Or something like that. Jack Dee. Why do dogs always race to the door when the doorbell rings because it's hardly ever for them? Harry Hill. Arse-gravy of the very worst kind. Stephen Fry on The Da Vinci Code. You have to come up with this shit every year. Last week I just wrote "I still love you, see last year's card for full details." Michael McIntyre on Valentines Day. I went to the doctor and he said, 'You've got hypochondria.' I said, 'Not that as well!'Tim Vine. I have the body of an eighteen year old. I keep it in the fridge. Spike Milligan. When someone close to you dies, move seats. Peter Kay. My neighbour asked if he could use my lawnmower and I told him of course he could, so long as he didn't take it out of my garden. Eric Morecambe. My dad's dying wish was to have his family around him. I can't help thinking he would have been better off with more oxygen. Jimmy Carr. Eighty-two point six per cent of statistics are made up on the spot. Vic Reeves. A bird in the hand invariably shits on your wrist. Billy Connolly. Getting divorced isn't like a bereavement at all, because if he's died, I'd have had me mortgage paid, and I could've danced on his grave. Sarah Millican. My greatest hero is Nelson Mandela: incarcerated for 25 years, he was released in 1990, he's been out about 18 years now and he hasn't re-offended. Ricky Gervais. If you want to confuse a girl, buy her a pair of chocolate shoes. Milton Jones. Phil Collins is losing his hearing, making him the luckiest man at a Phil Collins Concert. Simon Amstell. We'll continue our investigation into the political beliefs of nudists. We've already noticed a definite swing to the left. Ronnie Barker. A guy walks into the psychiatrist wearing only Clingfilm for shorts. The psychiatrist says, "Well, I can clearly see your nuts. Tommy Cooper

From Thomas Hobbes' fear of the power of laughter to the compulsory, packaged "fun" of the contemporary mass media, Billig takes the reader on a stimulating tour of the strange world of humour. Both a significant work of scholarship and a novel contribution to the understanding of the humourous, this is a seriously engaging book' - David Inglis, University of Aberdeen This delightful book tackles the prevailing assumption that laughter and humour are inherently good. In developing a critique of humour the author proposes a social theory that places humour - in the form of ridicule - as central to social life. Billig argues that all cultures use ridicule as a disciplinary means to uphold norms of conduct and conventions of meaning. Historically, theories of humour reflect wider visions of politics, morality and aesthetics. For example, Bergson argued that humour contains an element of cruelty while Freud suggested that we deceive ourselves about the true nature of our laughter. Billig discusses these and other theories, while using the topic of humour to throw light on the perennial social problems of regulation, control and emancipation.

WALL STREET JOURNAL, LOS ANGELES TIMES, AND USA TODAY BESTSELLER • Anyone—even you!—can learn how to harness the power of humor in business (and life), based on the popular class at Stanford’s Graduate School of Business. Don’t miss the authors’ TED Talk, “Why great leaders take humor seriously,” online now. “The ultimate guide to using the magical power of funny as a tool for leadership and a force for good.”—Daniel H. Pink, #1 New York Times bestselling author of When and Drive We are living through a period of unprecedented uncertainty and upheaval in both our personal and professional lives. So it should come as a surprise to exactly no one that trust, human connection, and mental well-being are all on the decline. This may seem like no laughing matter. Yet, the research shows that humor and laughter are among the most valuable tools we have at our disposal for strengthening bonds and relationships, diffusing stress and tension, boosting resilience, and performing when the stakes are high. That’s why Jennifer Aaker and Naomi Bagdonas teach the popular course Humor: Serious Business at the Stanford Graduate School of Business, where they help some of the world’s most hard-driving, blazer-wearing business minds infuse more humor and levity into their work and lives. In Humor, Seriously, they draw on findings by behavioral scientists, world-class comedians, and inspiring business leaders to reveal how humor works and—more important—how you can use more of it, better. Aaker and Bagdonas unpack the theory and application of humor: what makes something funny, how to mine your life for material, and simple ways to identify and leverage your unique humor style. They show how to use humor to rebuild vital connections; appear more confident, competent, and authentic at work; and foster cultures where levity and creativity can thrive. President Dwight David Eisenhower once said, “A sense of humor is part of the art of leadership, of getting along with people, of getting things done.” If Dwight David Eisenhower, the second least naturally funny president (after Franklin Pierce), thought humor was necessary to win wars, build highways, and warn against the military-industrial complex, then you might consider learning it too.

A collection of short humorous stories by 20th century British and American writers.

First published in 1961, this is the autobiography of Harpo Marx, the silent comedian of The Marx Brothers fame. Writing of his life before, during, and after becoming famous by incorporating lovely and humorous stories and anecdotes, Harp Marx tells of growing up in a rough neighborhood and being poor, being bullied and dropping out of school, teaching himself to read, write, tell time, and to play the piano and harp. He speaks of his close relationships with his family members, particularly his mother and brother Leonard (Chico), who would become his partner-in-crime on screen, and the profound effect that the death of his parents Sam and Minnie had on him. Filled with insider tales of his antics on and off stage, and the hard graft he and his brothers put into reaching their level of success, the reader becomes privy to a rare glimpse into Marx’ thoughts on everything and everyone he had the privilege of working with. The book reveals the friendships he forged and the blows he was dealt in show-business, and of his marriage to his wife, actress Susan Fleming, with whom he adopted four children and built a ranch on which they lived happily ever after, along with numerous animals. A thoroughly enjoyable read. “This is a riotous story which is reasonably mad and as accurate as a Marx brother can make it. Despite only a year and a half of schooling, Harpo, or perhaps his collaborator, is the best writer of the Marx Brother. Highly recommended.”—Library Journal “A funny, affectionate and unpretentious autobiography done with a sharply professional assist from Rowland Barber.”—New York Times Book Review “This is a racy autobiography by the mute Marx Brother with the rolling eyes, oversized pants and red wig who could send a glissando reeling over his harp.[...] It is enjoyable reading and polished writing...”—Kirkus Review