DigiCat Publishing presents to you this special edition of "Humoresque: A Laugh on Life with a Tear Behind It" by Fannie Hurst. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Fannie Hurst (1889-1968) was an American novelist. She was born in Hamilton, Ohio, the only surviving child of a well-to-do Jewish family. She spent the first twenty years of her life in St. Louis, Missouri, where she attended Washington University in St. Louis and graduated in 1909. In 1921, she was among the first to join the Lucy Stone League, an organization that fought for women to preserve their maiden names. She was active in the Urban League, and was appointed to the National Advisory Committee to the Works Progress Administration in 1940. She was also a delegate to the World Health Organization in 1952. Hurst is now best known for the screen adaptations of her works, such as the 1934 film Imitation of Life.

Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit's diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr'actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.

This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.

This work brings to readers of English a comprehensive and engaging treatment of one of America's greatest, if largely forgotten, film directors. Dumont's celebrated 1993 study, translated from the French by Jonathan Kaplansky, offers complete coverage of Borzage's entire career--the more than 100 films he made and the effect of those films on movie audiences, especially between 1920 and 1940. Lavishly illustrated with 120 photographs, the book also contains a complete filmography, a chronological bibliography, and an index.

Vols. for 1932- include a list of English novels since 1914.