In this volume, Costache endeavours to map the world as it was understood and experienced by the early Christians. Progressing from initial fears, they came to adopt a more positive view of the world through successive shifts of perception. This did not happen overnight. Tracing these shifts, Costache considers the world of the early Christians through an interdisciplinary lens, revealing its meaningful complexity. He demonstrates that the early Christian worldview developed at the nexus of several perspectives. What facilitated this process was above all the experience of contemplating nature. When accompanied by genuine personal transformation, natural contemplation fostered the theological interpretation of the world as it had been known to the ancients.

This short book discusses the latest in terms of cosmology’s knowns and unknowns and sets out to ascertain the potential of Orthodox Christian theology for accommodating the current scientific view of the universe. It also addresses one of cosmology’s unknowns, the destiny of the self in the vastness of space, a topic that has caused angst since the dawn of modern science. The book examines, accordingly, the signs of a “New Copernican Turn” within contemporary culture, favouring the self and its meaningful encounters with the infinite universe, at the forefront of which being the quest for a physics that views something akin to the self as undergirding reality, not as an inconsequential byproduct of natural phenomena. The book further shows that theological, spiritual, and religious forms of nature contemplation and wonder facilitate the self’s creative intersection with the universe. It amounts to an exercise in science-engaged Orthodox theology that takes contemporary cosmology as a starting point. The intended audience of this book is scholars and researchers of science and religion, religious studies, philosophers, and theologians.

Surveying theological literature produced in the Christian East from the first through the 20th century, Eastern Christianity in its Texts explores different theological themes (analytical and mystical), genres (epistles, treatises, and poetry), and milieux (Greek, Armenian, Western and Eastern Syriac, Russian and Romanian). The book illustrates the evolution of the Orthodox thought, how it influenced and was influenced by intellectual, social, and political environments. It demonstrates a theology in context, and yet displays consistency in the traditions spread through different epochs and countries. The book is divided in five parts, each standing for an epoch with distinct features: formation of the Christian identity in the era before Constantine, golden age of theology in the period of Late Antiquity, the pinnacle of erudism and mysticism in the eastern Middle Ages, wrestling with the Modernity imported from the West in the 18th-19th centuries, and finally theological polyphony in the 20th century.

The fall of Communism in Eastern Europe opened up a new future—for theology, too, not least in Romania, perhaps of all Orthodox nations the most open to the West. Young Romanian Orthodox theologians seized the opportunity to study and research in the West, availing themselves of mentors and resources hitherto denied them; some have settled in the West, others returned home. This welcome volume displays a theological revival as young Romanian theologians draw on tradition and address new problems. We can discern here a welcome confidence in the Orthodox tradition, no longer on the defensive nor concerned to mark itself off from the theology of the ‘West’. It is a ‘generous Orthodoxy’ (a term that has been used of the theological approach of the late Metropolitan Kallistos), ready to share its treasures with other Christians and eager to learn from them and engage with them.

Covenant and the People of God gathers twenty-four essays from friends and colleagues of Messianic Jewish theologian and New Testament scholar Mark S. Kinzer, in honor of his seventieth birthday. The essays are organized around two central themes that have animated Kinzer’s work: the nature of the covenant and what it means to be the people of God. The volume includes fascinating discussions of some of the most sensitive areas related to Jewish-Christian dialogue, post-supersessionist interpretation of Scripture, and the theological shape of Messianic Judaism. Among the contributors are scholars working in North America, Europe, and Israel. They include: Gabriele Boccaccini, Douglas A. Campbell, Holly Taylor Coolman, Gavin D’Costa, Jean-Miguel Garrigues, Douglas Harink, Richard Harvey, Vered Hillel, Jonathan Kaplan, Daniel Keating, Amy-Jill Levine, Antoine Lévy, Gerald McDermott, Michael C. Mulder, David M. Neuhaus, Isaac W. Oliver, Ephraim Radner, Jennifer M. Rosner, David J. Rudolph, Thomas Schumacher, Faydra L. Shapiro, R. Kendall Soulen, Lee B. Spitzer, and Etienne Vetö.

The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).

The Studia Philonica Annual is a scholarly journal devoted to the study of Hellenistic Judaism, particularly the writings and thought of the Hellenistic-Jewish writer Philo of Alexandria (circa 15 BCE to circa 50 CE).

A thoroughly revised, greatly expanded edition of the most important documentary history of European witchcraft ever published.

The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury arts, and masonry, as both reflections and agents of those changes. Jas' Elsner's ground-breaking account discusses both Roman and early Christian art in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, he presents a fresh and challenging interpretation of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. This second edition includes a new discussion of the Eurasian context of Roman art, an updated bibliography, and new, full colour illustrations.

The Book of Revelation has always been a mysterious and intriguing book, describing in symbolic terms the confrontation between the Disciples of Christ and the powers - political and supernatural - that hold sway over the current age. Fundamentalists have been attracted to the book and have sought to decipher its strange symbols as coded prophecy of future events. But as Pablo Richard shows in Apocalypse, the most powerful readings of the Book of Revelation are through the eyes of the oppressed, living out their Christian faith in the context of the modern empire. It is they who identify most strongly with Revelation's ultimate message of hope and life in the midst of death and persecution. Apocalypse first provides a general introduction to the reading of Revelation by examining three keys for its understanding: the historical, he sociological, and the literary-structural. The book then goes on to explore the whole of the Book of Revelation, following the book's own structure. Each section provides a line-by-line reading of the text, establishing the literal meaning before applying the interpretive keys already established.