A young man describes his torment as he struggles to reconcile the diverse influences of Western culture and the traditions of his own Japanese heritage.

Turning an anthropological eye toward cyberspace, Human No More explores how conditions of the online world shape identity, place, culture, and death within virtual communities. Online worlds have recently thrown into question the traditional anthropological conception of place-based ethnography. They break definitions, blur distinctions, and force us to rethink the notion of the "subject." Human No More asks how digital cultures can be integrated and how the ethnography of both the "unhuman" and the "digital" could lead to possible reconfiguring the notion of the "human." This provocative and groundbreaking work challenges fundamental assumptions about the entire field of anthropology. Cross-disciplinary research from well-respected contributors makes this volume vital to the understanding of contemporary human interaction. It will be of interest not only to anthropologists but also to students and scholars of media, communication, popular culture, identity, and technology.

Turning an anthropological eye toward cyberspace, Human No More explores how conditions of the online world shape identity, place, culture, and death within virtual communities. Online worlds have recently thrown into question the traditional anthropological conception of place-based ethnography. They break definitions, blur distinctions, and force us to rethink the notion of the “subject.” Human No More asks how digital cultures can be integrated and how the ethnography of both the “unhuman” and the “digital” could lead to possible reconfiguring the notion of the “human.” This provocative and groundbreaking work challenges fundamental assumptions about the entire field of anthropology. Cross-disciplinary research from well-respected contributors makes this volume vital to the understanding of contemporary human interaction. It will be of interest not only to anthropologists but also to students and scholars of media, communication, popular culture, identity, and technology.

The poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. Mine has been a life of much shame. I can’t even guess myself what it must be to live the life of a human being. Portraying himself as a failure, the protagonist of Osamu Dazai’s No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness. Still one of the ten bestselling books in Japan, No Longer Human is an important and unforgettable modern classic: “The struggle of the individual to fit into a normalizing society remains just as relevant today as it was at the time of writing.” (The Japan Times)

This final volume of the critically acclaimed series, reveals Yozo Ohba's quick and tragic demise. After what appears to be a brief period of marital bliss from the budding cartoonist, a shocking revelation reopens deep emotional wounds leading him towards reclusion and eventual self destruction. A modern classic which explores the mind of an alienated man who feels he is a spectator in his own life. Based on the novel by Osamu Dazai, Usamaru Furuya has breathed new life into the classic with his beautiful graphic art.

Human No Longer, a vampire novel by Kathryn Meyer Griffith: Jenny and Jeff Sanders become victims of a bizarre crime; leaving Jeff dead and Jenny in a temporary coma. She returns to her children. With Jeff’s death she must move back to her childhood home, a haunted farmhouse, in Summer Haven, Florida, where once they destroyed a family of vampires. Jenny has no appetite. She’s edgy. Her eyes hurt. She thinks it could be trauma or grief. Until one night she can’t resist the night woods or the overpowering urge to drink warm animals’ blood–and accepts the truth. Her attackers were vampires. Now she’s becoming what she once reviled. She can’t abandon her children but must find a way to live in the human world. At night she hunts, in the day hides what she’s becoming and attempts to fit in. Then townspeople begin dying. Like years before. With her blackouts, she fears she may be the killer, or is it her vampire attackers? For they've found her and demand she joins them–or her family will die. She resists until they kidnap her children. Then she has to find a way to outwit and ultimately destroy them. ***

Mine has been a life of much shame. I can’t even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death. Osamu Dazai’s immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo’s mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche. -- VIZ Media

The X-Men awaken to find all the world’s humans gone. From normal everyday folks to the Avengers and Fantastic Four, all homo sapiens have disappeared. It’s up to the disparate sides of the X-Men to come together, get to the bottom of this mystery and find a way to get the humans back. But do all of the mutants want their human brethren to return? From best-selling author and classic X-MEN scribe MIKE CAREY and superstar artist SALVADOR LARROCA comes the first X-MEN OGN since the classic X-MEN: GOD LOVES, MAN KILLS.

Despite public support for the death penalty, a remarkable number of countries in different parts of the world have banned capital punishment in all its forms, regardless of the nature of the crime or the criminal. Arguing that international norms are often a critical source of ideas for change in state policy, but that impact varies greatly, Sangmin Bae offers a systemic explanation of how, when, and under what conditions a country complies with international norms. She examines four countries that reached different stages of norm compliance with respect to the death penalty—Ukraine, South Africa, South Korea, and the United States. Focusing on the role of political leadership and domestic political institutions, Bae clarifies the causal mechanisms that lead to state compliance or noncompliance with the norm.

An unknown planet emerges from inside a wormhole, and its discoverer, Dr. Oguro, christens the body “Remina” after his own daughter. His finding is met with great fanfare, and Remina herself rises to fame. However, the object picks up speed as it moves along in its curious course, eliminating planets and stars one after another, until finally Earth itself faces extinction... Is the girl Remina the true cause of the catastrophe? A masterwork of horror from Junji Ito, unfolding on a universal scale. -- VIZ Media