Many are haunted and obsessed by their own eventual deaths, but perhaps no one as much as Sue William Silverman. This thematically linked collection of essays charts Silverman’s attempt to confront her fears of that ultimate unknown. Her dread was fomented in part by a sexual assault, hidden for years, that led to an awareness that death and sex are in some ways inextricable, an everyday reality many women know too well. Through gallows humor, vivid realism, and fantastical speculation, How to Survive Death and Other Inconveniences explores this fear of death and the author’s desire to survive it. From cruising New Jersey’s industry-blighted landscape in a gold Plymouth to visiting the emergency room for maladies both real and imagined to suffering the stifling strictness of an intractable piano teacher, Silverman guards her memories for the same reason she resurrects archaic words—to use as talismans to ward off the inevitable. Ultimately, Silverman knows there is no way to survive death physically. Still, through language, commemoration, and metaphor, she searches for a sliver of transcendent immortality.

Many are haunted and obsessed by their own eventual deaths, but perhaps no one as much as Sue William Silverman. This thematically linked collection of essays charts Silverman’s attempt to confront her fears of that ultimate unknown. Her dread was fomented in part by a sexual assault, hidden for years, that led to an awareness that death and sex are in some ways inextricable, an everyday reality many women know too well. Through gallows humor, vivid realism, and fantastical speculation, How to Survive Death and Other Inconveniences explores this fear of death and the author’s desire to survive it. From cruising New Jersey’s industry-blighted landscape in a gold Plymouth to visiting the emergency room for maladies both real and imagined to suffering the stifling strictness of an intractable piano teacher, Silverman guards her memories for the same reason she resurrects archaic words—to use as talismans to ward off the inevitable. Ultimately, Silverman knows there is no way to survive death physically. Still, through language, commemoration, and metaphor, she searches for a sliver of transcendent immortality.

“A heart-wrenching page-turner told with warmth and humor.”—People Magazine (Pick of the Week) “A rich testament to the power of second chances.”—Women’s World A Publishers Weekly and USA Today Bestseller! From the New York Times bestselling author of Good Luck with That comes a new novel about a blue-blood grandmother and her black-sheep granddaughter who discover they are truly two sides of the same coin. Emma London never thought she had anything in common with her grandmother Genevieve London. The regal old woman came from wealthy and bluest-blood New England stock, but that didn't protect her from life's cruelest blows: the disappearance of Genevieve's young son, followed by the premature death of her husband. But Genevieve rose from those ashes of grief and built a fashion empire that was respected the world over, even when it meant neglecting her other son. When Emma's own mother died, her father abandoned her on his mother's doorstep. Genevieve took Emma in and reluctantly raised her--until Emma got pregnant her senior year of high school. Genevieve kicked her out with nothing but the clothes on her back...but Emma took with her the most important London possession: the strength not just to survive but to thrive. And indeed, Emma has built a wonderful life for herself and her teenage daughter, Riley. So what is Emma to do when Genevieve does the one thing Emma never expected of her and, after not speaking to her for nearly two decades, calls and asks for help?

From the author of Happy Birthday or Whatever, an outright hilarious and heartfelt collection of personal essays about everything from underwear to musical theater. ANNIE CHOI HATES MUSICAL THEATER. SHE THINKS SANDWICHES ARE BORING. She likes camping, except for the outdoors part. At fifteen, her father made her read the entire car manual before allowing her to sit in the driver’s seat. Her neighbor, who has no cur­tains, is always naked. And she once chased down a man who stole her handbag. All this is to say that Choi is one part badass and one part curmudgeon, with a soft spot for savage bears. Mostly she wants to ask the world: WTF?! Written in Choi’s strikingly original and indignant voice, Shut Up, You’re Welcome paints a revealing portrait of Annie in all her quirky, compelling, riotous glory. Each of Choi’s personal essays begins with an open letter to someone (babies) or something (the San Fernando Valley) she has a beef with. From the time her family ditched her on Christmas to her father’s attach­ment to the World's Ugliest Table, Choi weaves together deeply personal experiences with laugh-out-loud observations, all of which will delight and entertain you.

Everyone has a story to tell. Fearless Confessions is a guidebook for people who want to take possession of their lives by putting their experiences down on paper—or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers. The rise of interest in memoir recognizes the power of the genre to move and affect not just individual readers but society at large. Sue William Silverman covers traditional writing topics such as metaphor, theme, plot, and voice and also includes chapters on trusting memory and cultivating the courage to tell one's truth in the face of forces—from family members to the media—who would prefer that people with inconvenient pasts and views remain silent. Silverman, an award-winning memoirist, draws upon her own personal and professional experience to provide an essential resource for transforming life into words that matter. Fearless Confessions is an atlas that contains maps to the remarkable places in each person's life that have yet to be explored.

Because I Remember Terror, Father, I Remember You destroys our complacency about who among us can commit unspeakable atrocities, who is subjected to them, and who can stop them. From age four to eighteen, Sue William Silverman was repeatedly sexually abused by her father, an influential government official and successful banker. Through her eyes, we see an outwardly normal family built on a foundation of horrifying secrets that long went unreported, undetected, and unconfessed.

Memoir of Sue William Silverman, a self-described "white Anglo-Saxon Jew" who grew up going to a Christian school. Discusses how she grew up a fan of Pat Boone before Boone became a Tea Party member.

Now a Lifetime Television original movie airing April 2008 with Sally Pressman, star of Army Wives. In this powerful memoir, a woman learns to value herself—as a whole person rather than as a sexual object. Sue William Silverman tells of her roller-coaster life of sex and self-destructive behavior. Finally, addicted to danger itself, she seeks the help of a trusted therapist to discover what love really means.

A Coretta Scott King Author Honor and Boston Globe / Horn Book Honor winner!"Powerful.... Johnson writes about the long shadows of the past with such ambition that any reader with a taste for mystery will appreciate the puzzle Candice and Brandon must solve." -- The New York Times Book ReviewWhen Candice finds a letter in an old attic in Lambert, South Carolina, she isn't sure she should read it. It's addressed to her grandmother, who left the town in shame. But the letter describes a young woman. An injustice that happened decades ago. A mystery enfolding its writer. And the fortune that awaits the person who solves the puzzle.So with the help of Brandon, the quiet boy across the street, she begins to decipher the clues. The challenge will lead them deep into Lambert's history, full of ugly deeds, forgotten heroes, and one great love; and deeper into their own families, with their own unspoken secrets. Can they find the fortune and fulfill the letter's promise before the answers slip into the past yet again?

Winner of a 2023 Independent Publisher Book Award (IPPY) for Autobiography/Memoir “Kerbeck’s juicy memoir tells riveting tales [with] the thrill of a spy novel. . . Kerbeck bares all of his wild business secrets within the world of corporate espionage” — Foreword Reviews "Robert Kerbeck has mastered the art of social engineering, or what he calls 'rusing', and taken it to a whole new level." — Frank Abagnale, author of Catch Me If You Can B-list actor, A-list corporate spy. . . In the world of high finance, multibillion-dollar Wall Street banks greedily guard their secrets. Enter Robert Kerbeck, a working actor who made his real money lying on the phone, charming people into revealing their employers’ most valuable information. In this exhilarating memoir that will appeal to fans of The Wolf of Wall Street and Catch Me If You Can, unsuspecting receptionists, assistants, and bigshot executives all fall victim to “the Ruse.” After college, Kerbeck rushed to New York to try to make it as an actor. But to support himself, he’d need a survival job, and before he knew it, while his pals were waiting tables, he began his apprenticeship as a corporate spy. As his acting career started to take off, he found himself hobnobbing with Hollywood luminaries: drinking with Paul Newman, taking J.Lo to a Dodgers game, touring E.R. sets with George Clooney. He even worked with O.J. Simpson the week before he became America’s most notorious double murderer. Before long, however, his once promising acting career slowed while the corporate espionage business took off. The ruse job was supposed to have been temporary, but Kerbeck became one of the world’s best practitioners of this deceptive—and illegal—trade. His income jumped from tens of thousands to hundreds of thousands to millions of dollars a year. Until the inevitable crash… Kerbeck shares the lies he told, the celebrities he screwed (and those who screwed him), the cons he ran, and the money he made—and lost—along the way.