The classic, critical and humorous study of cultural imperialism and children's literature; how the Disney fantasy world reproduces the "American Dream" fantasy world, and the disastrous effect of Disney comics and other "mass" cultural merchandise on the development of the so-called "Third" World. In 1973 this work was banned and burned in Chile, and later the English edition was banned for more than a year by the US government. In comic book format with cartoon examples, introduction by David KUNZLE on the Disney world, a bibliography of left writings on cultural imperialism and the comics, and an appendix by John Shelton LAWRENCE on the book's US censorship and the legal-political issues involved in the right to criticize Disney

First published in 1971 in Chile, where the entire third printing was dumped into the ocean by the Chilean Navy and bonfires were held to destroy earlier editions, How to Read Donald Duck reveals the capitalist ideology at work in our most beloved cartoons. Focusing on the hapless mice and ducks of Disney--curiously parentless, marginalized, always short of cash--Ariel Dorfman and Armand Mattelart dissect the narratives of dependency and social aspiration that define the Disney corpus. Disney recognized the challenge, and when the book was translated and imported into the U.S. in 1975, managed to have all 4,000 copies impounded. Ultimately, 1,500 copies of the book were allowed into the country, the rest of the shipment was blocked, and until now no American publisher has dared re-release the book, which sold over a million copies worldwide and has been translated into seventeen languages. A devastating indictment of a media giant, a document of twentieth-century political upheaval, and a reminder of the dark undercurrent of pop culture, How to Read Donald Duck is once again available, together with a new introduction by Ariel Dorfman.

Donald buys a house.

Donald and his nephews visit Grandma on the farm and the reader gets to smell some of the fragrances of that place.

Censored and condemned, this is a highly controversial Marxist critique of how our favourite cartoons are vehicles for capitalist ideology.

Examines the development of the Donald Duck comics using 10 comic strips which have appeared in newspapers and comic books over the years.

With the help of his magic stick Louie retrieves Huey's magic table and Dewey's magic donkey and proves to Uncle Donald that there is such a thing as magic.

Tired of his dull, old mailbox which seems to bring nothing but bills and advertisements, Donald Duck buys a very unusual mailbox from a traveling antique dealer.

"Celebrate 85 years of Donald Duck!"--Back cover.