Where nature writing meets humor—a raucous, hilarious look at life in the high desert of Nevada, from the author of Raising Wild and Rants from the Hill. Edward Abbey encouraged his readers to “be loyal to what you love, be true to the Earth, and fight your enemies with passion and laughter.” Here is Michael Branch’s response. Full of clear-eyed explorations of the natural world, witty cultural observations, and heart-warming family connections, How to Cuss in Western is a cranky and hilarious love letter of sorts to the western Great Basin Desert of Nevada.

Here in one volume is a complete guide to cowboy-speak. Like many of today's foreign language guides, this handy book is organized not alphabetically but situationally, lest readers find themselves in Texas at a loss for words.

A humorous, trenchant and fascinating examination of how Western culture's taboo words have evolved over the millennia

The never-before-told story of the horned rabbit—the myths, the hoaxes, and the entirely real scientific breakthroughs it has inspired—and how it became a cultural touchstone of the American West. Just what is a jackalope? Purported to be part jackrabbit and part antelope, the jackalope began as a local joke concocted by two young brothers in a small Wyoming town during the Great Depression. Their creation quickly spread around the U.S., where it now regularly appears as innumerable forms of kitsch—wall mounts, postcards, keychains, coffee mugs, shot glasses, and so on. A vast body of folk narratives has carried the jackalope’s fame around the world to inspire art, music, film, even erotica! Although the jackalope is an invention of the imagination, it is nevertheless connected to actual horned rabbits, which exist in nature and have for centuries been collected and studied by naturalists. Around the time the two young boys were creating the first jackalope in Wyoming, Dr. Richard Shope was making his first breakthrough about the cause of the horns: a virus. When the virus that causes rabbits to grow “horns” (a keratinous carcinoma) was first genetically sequenced in 1984, oncologists were able to use that genetic information to make remarkable, field-changing advances in the development of anti-viral cancer therapies. The most important of these is the human papillomavirus (HPV) vaccine, which protects against cervical and other cancers. Today, jackalopes are literally helping us cure cancer. For fans of David Quammen’s The Song of the Dodo, Jon Mooallem’s Wild Ones, or Jeff Meldrum's Sasquatch, Michael P. Branch's remarkable On the Trail of the Jackalope is an entertaining and enlightening road trip through the heart of America.

The New York Times bestseller now in paperback. One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power--and why we love them so much. Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech--the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger. Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.

Let the squeamish beware! Watch Your F*cking Language takes a no-holds-barred approach to taboo words and expressions. It shows you how to use them to your advantage -- and have fun doing so. Building on the lessons learned in English as a Second F*cking Language, this book emphasizes traditional English swears as well as powerful (and hidden) expressions from other cultures and languages. Through numerous examples, it puts the real language of real people into context: FLOYD: I just heard a Dan Quayle speech. It was really f*cking confusing. RUBY: I just got back from a Mongolian cluster f*ck. It was really confusing f*cking. The name of the game is communication, and Watch Your F*cking Language shows readers how to hammer home their messages with confidence and gusto. Among its features: *Numerous examples of proper (and so-called improper) usage *An Idioms section that emphasizes the niceties of swearing *A "Need to Know, "Nice to Know," and "Forget It" system for identifying swear words *A Final F*cking Exam

“If Thoreau drank more whiskey and lived in the desert, he’d write like this.”—High Country News Welcome to the land of wildfire, hypothermia, desiccation, and rattlers. The stark and inhospitable high-elevation landscape of Nevada’s Great Basin Desert may not be an obvious (or easy) place to settle down, but for self-professed desert rat Michael Branch, it’s home. Of course, living in such an unforgiving landscape gives one many things to rant about. Fortunately for us, Branch—humorist, environmentalist, and author of Raising Wild—is a prodigious ranter. From bees hiving in the walls of his house to owls trying to eat his daughters’ cat—not to mention his eccentric neighbors—adventure, humor, and irreverence abound on Branch’s small slice of the world, which he lovingly calls Ranting Hill.

Clarence Mulford's 'Riding in the Wild West' is a collection of 10 classic Western adventures that immerses readers into the rugged and untamed landscapes of the Old West. Mulford's writing style is characterized by vivid descriptions, realistic dialogue, and fast-paced action scenes that captivate the reader from start to finish. Each story is a thrilling journey filled with cowboys, outlaws, and dusty trails, offering a glimpse into the challenges and triumphs of life on the frontier. Mulford's storytelling prowess shines through in these timeless tales of courage, loyalty, and justice, making this compilation a must-read for fans of the Western genre. The book's literary context reflects the enduring popularity of Western fiction and its ability to transport readers to a bygone era of adventure and excitement. Clarence Mulford, known for creating the iconic character Hopalong Cassidy, draws upon his own experiences in the West to craft authentic and engaging narratives that resonate with readers of all ages. With its blend of action, suspense, and old-fashioned values, 'Riding in the Wild West' is a testament to Mulford's skill as a master storyteller and a fitting tribute to the legacy of Western literature.

This book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic.