"The Brooklyn Philharmonic is one of the most innovative and respected symphony orchestras of modern times. Maurice Edwards provides a personal and comprehensive history of this institution. How Music Grew in Brooklyn includes more than two dozen historical photographs and illustrations and an eighty-page appendix providing detailed listing of the orchestra's programs, including the Marathons."--BOOK JACKET.

Embark on a melodic journey through the ages with Ethel R. Peyser and Marion Bauer's illuminating exploration, "How Music Grew: From Prehistoric Times to the Present Day." Traverse the symphony of human history as you unravel the evolution of sound, rhythm, and harmony from ancient origins to contemporary compositions. As Peyser and Bauer's narrative unfolds, immerse yourself in the rich tapestry of musical traditions that have shaped cultures around the world. From the primal beats of early percussion to the intricate melodies of classical symphonies, witness the transformative power of music across civilizations and centuries. But amidst the crescendo of musical innovation, a compelling question arises: How has music transcended time and space to become a universal language that speaks to the human soul? Explore the innate connection between music and humanity, delving into the psychological, social, and spiritual dimensions of musical expression. Are you ready to tune into the harmonies of history and discover the rhythmic heartbeat of civilization in "How Music Grew"? Indulge in succinct, captivating paragraphs that guide you through the vibrant mosaic of musical evolution. From ancient rituals to modern symphonies, each chapter offers a window into the dynamic interplay between culture, creativity, and human experience. Join the chorus of voices echoing through the ages. Dive into "How Music Grew" and experience the timeless allure of melody, rhythm, and harmony that unites us all. Don't miss your chance to own a symphony of knowledge. Purchase "How Music Grew" today and embark on a harmonious journey through the annals of musical history.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

"From celebrated music writer Dan Ozzi comes a comprehensive chronicle of the punk music scene's evolution from the early nineties to the mid-aughts, following eleven bands as they dissolved, "sold out," and rose to surprise stardom. From its inception, punk music has been identified by two factors: its proximity to "authenticity," and its reliance on an antiestablishment ethos. Yet, in the mid- to late '90s, major record labels sought to capitalize on punk's rebellious undertones, leading to a schism in the scene: to accept the cash flow of the majors, or stick to indie cred?Sellout chronicles the evolution of the punk scene during this era, focusing on prominent bands as they experienced the last "gold rush" of the music industry. Within it, music writer Dan Ozzi follows the rise of successful bands like Green Day and Jimmy Eat World, as well as the implosion of groups like Jawbreaker and At the Drive-In, who buckled under the pressure of their striving labels. Featuring original interviews and personal stories from members of eleven of modern punk's most (in)famous bands, Sellout is the history of the evolution of the music industry, and a punk rock lover's guide to the chaotic darlings of the post-grunge era. "--

“[Chertkow and Feehan] are the ideal mentors for aspiring indie musicians who want to navigate an ever-changing music industry.” —Billboard Magazine You can make a living with music today. The secret is to tap multiple income streams. Making Money With Music gives you over 100 revenue streams and the knowledge on how to tap them. Whether you're a solo artist, band, DJ, EDM producer, or other musician, this book gives you strategies to generate revenue, grow your fan base, and thrive in today's technology-driven music environment. Plus, it lists hundreds of services, tools, and critical resources you need to run your business and maximize income. Making Money With Music will show you: How to tap over 100 income streams 7 business strategies you can implement immediately How to start your music business for $0. How to register your music to collect all of the royalties you are owed worldwide. 13 ways to compete with free and build experiences to drive fan loyalty and engagement into everything you do to increase your revenue. 45 categories of places to get your music heard and videos seen so you can get discovered, grow your fanbase, generate royalties, and boost licensing opportunities. 10 methods for raising money so you can fund your music production and projects. ...and more. Written by the authors of the critically-acclaimed modern classic The Indie Band Survival Guide (1st & 2nd Editions), Making Money With Music is the third installment in The Indie Band Survival Guide series, and will help you build a sustainable music business no matter what kind of music you make, where you live, and whether you're a novice or professional musician. Improve your income by implementing these ideas for your music business today.

NEW YORK TIMES BESTSELLER • David Byrne’s incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social, or technological—now updated with a new chapter on digital curation. “How Music Works is a buoyant hybrid of social history, anthropological survey, autobiography, personal philosophy, and business manual”—The Boston Globe Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.

IN reading any history of the development of music as an art one must ever bear in mind the fact that music was also developing at the same time as a popular mode of expression, and that the two processes were separate. The cultivation of modern music as an art was begun by the medieval priests of the Roman Catholic Church, who were endeavoring to arrange a liturgy for their service, and it is due to this fact that for several centuries the only artistic music was that of the Church, and that it was controlled by influences which barely touched the popular songs of the times. In the course of years the two kinds of music came together, and important changes were made. But any account of the development of modern music as an art is compelled to begin with the story of the medieval chant. In the beginning the chants of the Christian Church, from which the medieval chant was developed, were without system. They were a heterogeneous mass of music derived wholly from sources which chanced to be near at hand. The early Christians in Judea must naturally have borrowed their music from the worship of their forefathers, who were mostly Jews. The Christians in Greece naturally adapted Greek music to their requirements, while those in Rome made use of the Roman kithara (lyre) songs, which in their turn were borrowed from the Greeks. Christ and the apostles at the Last Supper chanted one of the old Hebrew psalms. Saint Paul speaks also of "hymns and spiritual songs," by one of which designations he certainly means the hymns of the early Christians founded on Roman lyre songs. It is also on record that the Christian communities of Alexandria as early as 180 A. D. were in the habit of repeating the chant of the Last Supper with an accompaniment of flutes, and Pliny, the Younger (62-110 A. D.), describes the custom of singing hymns to the glory of Christ.

This memoir is “an emotional journey that will make you laugh, cry, and everything in between” (Wanda Sykes) as it explores comedian, writer, and producer Cristela Alonzo’s childhood as a first-generation Mexican American in Texas and her dreams to pursue a career in comedy. When Cristela Alonzo and her family lived as squatters in an abandoned diner, they only had two luxuries: a television and a radio. These became her pop cultural touchstones and a guiding light that ushered her forward. In Music to My Years, Cristela shares her experiences and struggles of being a first-generation American, her dreams of becoming a comedian, and how it feels to be a creator in a world that often minimizes people of color and women. Her stories range from the ridiculous—like the time she made her own tap shoes out of bottle caps or how the theme song of The Golden Girls landed her in the principal’s office—to the sobering moments, like how she turned to stand-up comedy to grieve the heartbreaking loss of her mother and how, years later, she’s committed to giving back to the community. Each significant moment of the book relates to a song, and the resulting playlist is deeply moving, resonant, and unforgettable. Music to My Years is “a timely reminder that regardless of economic status, race, or gender, love is the connection that ties together all humanity” (Booklist).