In his candid and engaging new book How I Got to be Whoever it is I Am, successful actor, author, and activist, Charles Grodin, looks back at the major events and private moments that have shaped his life. And, since Grodin is one of the best storytellers around, he can't help but entertain while offering insight gained from a wealth of experience. The combination of being impeached as class president by his fifth grade teacher (and then winning many school elections thereafter) with being thrown out of Hebrew School for asking too many questions (only to find a much better teacher as a result) informed Grodin's view of himself and made him adept at dealing with rejection--an important skill for an actor. Grodin's success in plays in high school and adventures in college theater led him to a career in acting, studying with the great teachers like Uta Hagen and Lee Strasberg. Grodin shares behind-the-scenes tales of working on plays like Same Time Next Year and movies like The Heartbreak Kid and Midnight Run--even how close he came to playing the lead in The Graduate. His stories feature the many actors, directors, writers, and producers, with whom he's worked, such as Robert DeNiro, Dustin Hoffman, Johnny Carson, Orson Welles, Warren Beatty, and other colorful characters. Grodin's greatest work isn't limited to stage and screen, however. He has been an award winning talk show host and commentator on Sixty Minutes II, and he reveals insights about the political and personal side of journalism and some of the larger-than-life characters he's interviewed. Still, it is the personal aspects of Grodin's life that are truly revealing and funny. He shares intimate anecdotes of humorous dating experiences during the carefree 70s along with stories of what it was like to be a young actor then with friends and colleagues like Robert Redford, Gene Wilder, and Dustin Hoffman. But it is Grodin's tales of the lives he's helped save with his relentless advocacy work that make you realize what a great guy Charles Grodin really is. We are lucky that the nice guy his friends call, "Chuck" brings us along to share a little of his journey of how he got to be who he really is! The author is donating 100 percent of his royalties from sales of this book to Mentoring USA, a New York City based nonprofit that forges powerful, transformative connections for young people through the advocacy and involvement of mentors.

In his candid and engaging new book HOW I GOT TO BE WHOEVER IT IS I AM, successful actor, author, and activist, Charles Grodin, looks back at the major events and private moments that have shaped his life. And, since Grodin is one of the best storytellers around, he can't help but entertain while offering insight gained from a wealth of experience. The combination of being impeached as class president by his fifth grade teacher (and then winning many school elections thereafter) with being thrown out of Hebrew School for asking too many questions (only to find a much better teacher as a result) informed Grodin's view of himself and made him adept at dealing with rejection--an important skill for an actor. Grodin's success in plays in high school and adventures in college theater led him to a career in acting, studying with the great teachers like Uta Hagen and Lee Strasberg. Grodin shares behind-the-scenes tales of working on plays like Same Time Next Year and movies like The Heartbreak Kid and Midnight Run--even how close he came to playing the lead in The Graduate. His stories feature the many actors, directors, writers, and producers, with whom he's worked, such as Robert DeNiro, Dustin Hoffman, Johnny Carson, Orson Welles, Warren Beatty, and other colorful characters. Grodin's greatest work isn't limited to stage and screen, however. He has been an award winning talk show host and commentator on Sixty Minutes II, and he reveals insights about the political and personal side of journalism and some of the larger-than-life characters he's interviewed. Still, it is the personal aspects of Grodin's life that are truly revealing and funny. He shares intimate anecdotes of humorous dating experiences during the carefree 70s along with stories of what it was like to be a young actor then with friends and colleagues like Robert Redford, Gene Wilder, and Dustin Hoffman. But it is Grodin's tales of the lives he's helped save with his relentless advocacy work that make you realize what a great guy Charles Grodin really is. We are lucky that the nice guy his friends call, "Chuck" brings us along to share a little of his journey of how he got to be who he really is! The author is donating 100 percent of his royalties from sales of this book to Mentoring USA, a New York City based nonprofit that forges powerful, transformative connections for young people through the advocacy and involvement of mentors.

Despite the differences between children around the world, there are similarities that join us together, such as pain, joy, and love. Inside they are the same.

“WE NEED TO TALK.” In this urgent and insightful book, public radio journalist Celeste Headlee shows us how to bridge what divides us--by having real conversations BASED ON THE TED TALK WITH OVER 10 MILLION VIEWS NPR's Best Books of 2017 Winner of the 2017 Silver Nautilus Award in Relationships & Communication “We Need to Talk is an important read for a conversationally-challenged, disconnected age. Headlee is a talented, honest storyteller, and her advice has helped me become a better spouse, friend, and mother.” (Jessica Lahey, author of New York Times bestseller The Gift of Failure) Today most of us communicate from behind electronic screens, and studies show that Americans feel less connected and more divided than ever before. The blame for some of this disconnect can be attributed to our political landscape, but the erosion of our conversational skills as a society lies with us as individuals. And the only way forward, says Headlee, is to start talking to each other. In We Need to Talk, she outlines the strategies that have made her a better conversationalist—and offers simple tools that can improve anyone’s communication. For example: BE THERE OR GO ELSEWHERE. Human beings are incapable of multitasking, and this is especially true of tasks that involve language. Think you can type up a few emails while on a business call, or hold a conversation with your child while texting your spouse? Think again. CHECK YOUR BIAS. The belief that your intelligence protects you from erroneous assumptions can end up making you more vulnerable to them. We all have blind spots that affect the way we view others. Check your bias before you judge someone else. HIDE YOUR PHONE. Don’t just put down your phone, put it away. New research suggests that the mere presence of a cell phone can negatively impact the quality of a conversation. Whether you’re struggling to communicate with your kid’s teacher at school, an employee at work, or the people you love the most—Headlee offers smart strategies that can help us all have conversations that matter.

AN INSTANT NEW YORK TIMES BESTSELLER "Provocative and appealing . . . well worth your extremely limited time." —Barbara Spindel, The Wall Street Journal The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks. Nobody needs telling there isn’t enough time. We’re obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we’re deluged with advice on becoming more productive and efficient, and “life hacks” to optimize our days. But such techniques often end up making things worse. The sense of anxious hurry grows more intense, and still the most meaningful parts of life seem to lie just beyond the horizon. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the challenge of how best to use our four thousand weeks. Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern fixation on “getting everything done,” Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing how many of the unhelpful ways we’ve come to think about time aren’t inescapable, unchanging truths, but choices we’ve made as individuals and as a society—and that we could do things differently.

Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

Forty years ago, Toolan composed the words and music of the famous hymn I Am the Bread of Life, performed in 25 languages worldwide. Today, Toolan is one of the most respected writers of religious hymns in the world; the story behind her work sparks creativity in other artists and musicians. (Motivation)

Fifty years after they first came together and changed the sound of rock 'n' roll, the Grateful Dead remain one of rock's most beloved bands -- a musical and cultural phenomenon that spans generations and paved the way for everything from the world of jam bands and the idea of independently released music to social networking. Much has been written about the band, but nothing quite as vibrant and vivid as So Many Roads. Drawing on new interviews with surviving members and people in their inner circle -- along with the group's extensive archives and his own research from years of covering the group -- David Browne, longtime music journalist and contributing editor at Rolling Stone, does more than merely delve into the Dead's saga. By way of an altogether unique structure -- each chapter centered around a significant or pivotal day in their story -- he lends this epic musical and cultural story a you-are-there feel unlike any other book written about the band. So Many Roads takes us deep into the world of the Dead in ways that will be eye-opening even to the most rabid Deadheads. Readers will find themselves inside their communal home in Haight-Ashbury during the band's notorious 1967 bust; behind the scenes in the studio, watching the Dead at work (and play); backstage at the taping of the legendary "Touch of Grey" video and at their final shows; and in the midst of the Dead's legendary band meetings. Along the way, readers will hear not only from the Dead but also from friends, colleagues, lovers, and crew members, including some who've never spoken to the press before. The result is a remarkably detailed and cinematic book that paints a strikingly fresh portrait of one of rock's greatest and most enduring institutions and sheds new light -- for fans and newcomers alike -- on the band's music, dynamics, and internal struggles. "There is nothing like a Grateful Dead concert," read the legendary bumper stickers. Similarly, there's nothing like So Many Roads, which explores all-new routes on the band's long, strange trip.