"How Green Was My Valley" is Richard Llewellyn's bestselling -- and timeless -- classic and the basis of a beloved film. As Huw Morgan is about to leave home forever, he reminisces about the golden days of his youth when South Wales still prospered, when coal dust had not yet blackened the valley. Drawn simply and lovingly, with a crisp Welsh humor, Llewellyn's characters fight, love, laugh and cry, creating an indelible portrait of a people.

A Study Guide for Richard Llewellyn's "How Green Was My Valley," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

The international-bestselling winner of the National Book Award and the basis for the Academy Award–winning film directed by John Ford. Huw Morgan remembers the days when his home valley was prosperous, verdant, and beautiful—before the mines came to town. The youngest son of a respectable mining family in South Wales, he is now the only one left in the valley, and his reminiscences tell the story of a family and a town both defined and ruined by the mines. Huw’s story is both joyful and heartrending—a portrait of a place and a people existing now only in memory. Full of memorable characters, richly crafted language, and surprising humor, How Green Was My Valley is the first of four books chronicling Huw’s life, including the sequels Up into the Singing Mountain, Down Where the Moon is Small, and Green, Green My Valley Now. “The reader emerges from these tense pages strangely aglow with sharing the happiness of the characters . . . The simplicity of the language and its delicately strange flavor give the book added charm.” —Chicago Tribune

A poignant coming-of-age novel set in a Welsh mining town, Richard Llewellyn's How Green Was My Valley is a paean to a more innocent age, published in Penguin Modern Classics Growing up in a mining community in rural South Wales, Huw Morgan is taught many harsh lessons - at the kitchen table, at Chapel and around the pit-head. Looking back on the hardships of his early life, where difficult days are faced with courage but the valleys swell with the sound of Welsh voices, it becomes clear that there is nowhere so green as the landscape of his own memory. An immediate bestseller on publication in 1939, How Green Was My Valley quickly became one of the best-loved novels of the twentieth century. Poetic and nostalgic, it is an elegy to a lost world. Richard Dafydd Vivian Llewellyn Lloyd (1906-1983), better known by his pen name Richard Llewellyn, claimed to have been born in St David's, Pembrokeshire, Wales; after his death he was discovered to have been born of Welsh parents in Hendon, Middlesex. His famous first novel How Green Was My Valley (1939) was begun in St David's from a draft he had written in India, and was later adapted into an Oscar-winning film by director John Ford. None But the Lonely Heart, his second novel, was published in 1943, and subsequently made into a film starring Cary Grant and Ethel Barrymore. As well as novels including Green, Green My Valley Now (1975) and I Stand on a Quiet Shore (1982), Llewellyn wrote two highly successful plays, Poison Pen and Noose If you enjoyed How Green Was My Valley, you might like Barry Hines' A Kestrel for a Knave, also available in Penguin Modern Classics. 'Vivid, eloquent, poetical, glowing with an inner flame of emotion' The Times Literary Supplement

The Librarian of Congress has just announced that How Green Was My Valley has been chosen as one of the 25 films to be entered into the National Film Registry as a national treasure. -dust jacket.

This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture.

The winner of four Academy Awards for directing, John Ford is considered by many to be America’s greatest native-born director. Ford helmed some of the most memorable films in American cinema, including The Grapes of Wrath, How Green Was My Valley, and The Quiet Man, as well as such iconic westerns as Stagecoach, My Darling Clementine, She Wore a Yellow Ribbon, The Searchers, and The Man Who Shot Liberty Valance. In The John Ford Encyclopedia, Sue Matheson provides readers with detailed information about the acclaimed director’s films from the silent era to the 1960s. In more than 400 entries, this volume covers not only the films Ford directed and produced but also the studios for which he worked; his preferred shooting sites; his World War II documentaries; and the men and women with whom he collaborated, including actors, screenwriters, technicians, and stuntmen. Eleven newly discovered members of the John Ford Stock Company are also included. Encompassing the entire range of the director’s career—from his start in early cinema to his frequent work with national treasure John Wayne—this is a comprehensive overview of one of the most highly regarded filmmakers in history. The John Ford Encyclopedia will be of interest to professors, students, and the many fans of the director’s work.

Providing a searing insight and honest portrayal of post-industrial communities ravaged by decades of abandonment, How Black Was My Valley is the story of lives defined by poverty, catastrophe and the fading dreams of better futures. How Black Was My Valley is a people's history of the former mining communities of South Wales. Weaving together the personal with the political, it offers a damning depiction of the hardship and suffering, the tragedy and pain, as a politically abandoned people went from powering the British Empire and the Great Wars, to a broken post-industrial community, lost in time. It travels with devastating and yet humane insight across the dark shadows of the valley’s history. In doing so, it deals with disaster and resistance; memory and landscapes of despair; the brutal past and the neglected present; hardship and poverty; unemployment and isolation; lack of opportunity and the normalisation of hopelessness; death and suffering; structural violence and everyday subjugation; onto the crises of white male subjectivity and the exponential rise in drug abuse and personal suicide, whose troubling effects can no longer be easily contained within its mountainous walls. This is not a story of resilience. Instead, readers are taken on a journey into an open wound, whose once silent screams can no longer be ignored.

James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns—from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers —Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.