We live in the age of the retouchable selfie. For those navigating the world of social media, the issue of how one presents oneself to the world has never been more critical. Psychological studies have shown the high impact of this selfie culture on the mental health of young people especially. How might the long tradition of the Christian gaze, found in scripture, art, theology and philosophy speak into this selfie generation? What, in this context, might be the significance of the doctrine of humankind’s creation in God’s image, or of the incarnation? On a more practical level, how might the monastic tradition of the ‘chaste gaze’ challenge or reinforce the selfie-culture? Putting such theological and ethical questions into dialogue with psychological studies and philosophical understandings, the book offers an important pastoral and scholarly resource for anyone seeking to understand theologically one of the most profound developments of the digital age.

You know that no matter what anybody says, appearance matters—at least to everyone you know. But is it just about choosing the right hair and clothes? Or underneath are you wondering if you will be accepted by this person or not be lumped in that group of people? Sometimes you wonder who you really are. Susan Lutz helps you understand the ...

Gayle Hayman is the Martha Stewart of beauty, fashion, and lifestyle. The co-founder of Giorgio, Beverly Hills, Hayman has dressed everyone from Barbra Streisand to Princess Grace, and was the inspiration for Judith Krnatz's Scruples. In How Do I Look?, she condenses a lifetime of experience in style into the only beauty book a woman will ever need. 30 line drawings. 8-page color insert.

Glamour's "Beauty Sleuth" reveals tricks of the trade to help you look fabulously high-end—in any economy. Andrea Pomerantz Lustig has spent twenty years as a beauty editor, and her contact list is packed with the names of the most exclusive stylists in the business.In How to Look Expensive, she combines her own experience with highly coveted secrets she's learned from the experts to help readers achieve buttery highlights, luminous skin, flawless makeup, and more, all on a budget. Delivering red-carpet looks without putting readers in the red, tips include: • How to get expensive-looking hair color at an inexpensive salon • Superluxe DIY skincare cocktails for less than $20 • The cheap cosmetic secrets of expensive makeup artists • Tips for princess-perfect skin on a pauper’s budget • “Work Your Beauty Budget” sections that help you make the most of every dollar With How to Look Expensive, every woman can afford to get gold-card gorgeous, and reap the self-confidence that comes with it.

In 2003, as the newly named editor in chief of Us Weekly magazine, Janice Min was busy documenting a seismic cultural shift: the making of the "Hollywood Mom." Think Angelina Jolie, Victoria Beckham, Halle Berry, and Beyoncé—stars who proudly displayed their pregnancies, shed the baby weight overnight, and helped turn the once-frumpy bump industry into seriously big business. In the blink of an eye, it seemed, "skinny jeans" had replaced "mom jeans." Bugaboos had become status symbols. Motherhood itself had become an exciting style statement. And then—just eight weeks after her big promotion—Janice discovered that she was pregnant, too. "I started ogling, with morbid fascination, the photographs that flooded my office—red-carpet and paparazzi shots of celebrities in bikinis and bandage dresses mere weeks after giving birth," she writes. "I'd stare at my own ever-expanding body. Then I'd stare at Heidi Klum (who gave birth one month before my due date and managed to bounce back before I'd even hit the delivery room). How did these women do it? I wondered." How to Look Hot in a Minivan was born. With her trademark self-deprecating style and tongue-in-cheek humor, Janice set out to debunk some of Hollywood's biggest mommy myths. Then she brought together the industry's biggest experts in fitness, fashion, beauty, and all-things-baby to divulge the secrets behind the stars' seemingly effortless postpartum style. Serving up practical, honest, and often surprising advice for new moms everywhere, Janice and her arsenal of experts reveal: • The 10 Wardrobe Essentials every chic mom should own • How to style red carpet-worthy hair, even on school days • The secrets to hiding a postnatal stomach pooch • The truth behind the C-tuck (Do celebrity moms sometimes slim down courtesy of a combination cesarean section-tummy tuck?) • Hollywood's Biggest Losers (What did it really take for stars like Kate Hudson, Milla Jovovich, and Poppy Montgomery to lose the baby weight?) In How to Look Hot in a Minivan, Min dispels the idea that looking great post-pregnancy is only for the rich, the pampered, and the lucky. With Min's guilt-free, stay-sane strategies, moms everywhere can look and feel like stars—whether their baby is six months or sixteen years.

Poetry. Asian & Asian American Studies. Through a series of flash poetry/non-fiction pieces, Sennah Yee's debut full-length book HOW DO I LOOK? paints a colourful portrait of a woman both raised and repelled by the media. With pithy, razor-sharp prose, Sennah dissects and reassembles pop culture through personal anecdotes, crafting a love- hate letter to the media and the microaggressions that have shaped how she sees herself and the world. HOW DO I LOOK? is a raw and vulnerable reflection on identities real and imagined.

In How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.

The groundbreaking style-guide from bestseller author Charla Krupp on how to look 10 pounds lighter, 10 years younger and 10 times sexier every day, all year--in summer, winter, at the gym, even in a swimsuit! You'll never get dressed the same way again once you discover: Smart, easy ways to hide arm flap, a big bust, a muffin top, back fat, Buddha belly, a big booty, wide hips, thunder thighs, and heavy calves-and that's only half the book. Which fabrics, colors, and styles make women look fat Absolutely the best shades, shapes, and brilliant buys to make the pounds invisible Clever solutions for special fashion situations--workout gear, evening wear, and even swimsuits! Which products, fashions, and services you shouldn't waste your money on The top ten tips that will make you look thinner by tonight! So, if you've ever put on a piece of clothing and asked "Does this make me look fat?" Finally, here is the book that will answer your question.

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.