Annie is a landmark play that has made many contributions to musical theater, including the song "Tomorrow." The original play was staged more than two thousand times on Broadway, and it has been presented continuously around the world by touring companies and local theater groups. It has been made into big-screen and television movies and has gone through several revivals. Its greatest achievement was to restore the musical to prominence, opening the way for the staging of the greatest blockbusters ever performed. This book describes the path the play took from concept to the stage, its Broadway run, its influence, and the people who made the show a success.

The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, from The Jazz Singer to The Wizard of Oz, Roberta, and Into the Woods.

An Obie Award-winning playwright's passionate ode to film and the theater that happens in between.

The week after Thanksgiving. A bed and breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching. John, an uncanny play by Annie Baker, was first seen Off-Broadway in 2015. The play had its UK premiere at the National Theatre, London, in 2018, in a production directed by James Macdonald. Annie Baker's other plays include Pulitzer Prize-winning The Flick, The Antipodes, Circle Mirror Transformation, The Aliens, and an adaptation of Chekhov's Uncle Vanya. She has won many other awards, including a Guggenheim Fellowship and a MacArthur Grant.

After eleven years at an orphanage, Annie longs for a family to call her own. So when the wealthy Oliver Warbucks invites Annie to spend the Christmas holiday at his New York mansion, it’s a dream come true. Could it be that Mr. Warbucks is the family she’s waited for all along? Fifty million people of all ages have been delighted by stage and screen productions of Annie, and now some of the youngest fans can enjoy the story of everyone’s favorite little orphan as she experiences Christmas like never before!

Dana Reardon was sure her life ended too the day her husband, Michael, was killed. One year later, with the help of friend Brady Williams, she vows to accept Michael's death, gain back her health, and find a job. Brady had been Michael's law partner and best friend. Falling in love with Brady was not what Dana expected. Learning that he was in love with her was even more of a shock. They felt they were betraying Michael's memory when they made plans for their future together. When Dana's twin sister, Della, comes into the picture Dana and Brady have to put their feelings on hold. Brady is convinced that Della is trouble and almost loses Dana to prove it. Dana is sure she has lost Brady, because of not believing in him, even though she is carrying his child. She has loving memories of her deceased husband, but now she's in love with Brady. She has learned that you can love two men at the same time because Love Never Dies.

"A masterpiece of deft, taut, economical writing. Hardy introduces, defines and develops characters with laser-like precision, creating sympathetic, likable folks the audience can't help caring about and a fast-moving and engaging story with a good dose of humor." Milwaukee Journal Sentinel "Showrunners take note. Hardy...takes the best elements of contemporary cultural references, social media, and pop science and turns them into something more than the sum of those parts-an out-of-this-world, all-ages celebration of nerdiness, empowerment, and love." DC Theatre Scene "An adventure that takes you to the very edge of existence and back.... An intimate story about the potential that lies in all of us... you'll find yourself stargazing." Broadwayworld.com, DC "The cool thing about Hardy's script is how it falls in the in-between. The journey of Annie Jump would mean as much to a teen as it would a grown-up, and we need more theater like that. ANNIE JUMP AND THE LIBRARY OF HEAVEN aims to bridge the gap in theater-going age groups and link up fresh, youthful audiences to that mysterious, perhaps-undiscovered universe of the stage." Broadwayworld.com, MKE "...positively jaw-dropping... It's not often that science fiction makes it to a local stage. Thanks to Hardy and Renaissance, the genre is ushered to the Broadway Theatre Center with wonder, respect and a great deal of genuine emotion." The Small Stage "Playwright Reina Hardy writes with economy and authority. She is an excellent storyteller who has the audience rooting for Annie and her father throughout the production... A show like this doesn't come along all that often. " Totaltheater.com

Liza begins to doubt her feelings for Annie after someone finds out about their relationship, and realizes, after starting college, that her denial of love for Annie was a mistake. Reprint.