One kingdom. One crown. One family. “Maybe it’s time the great House of Rey came to an end. After all, what are we now? Just a house of rage and sorrow.” Esmae once wanted nothing more than to help her golden brother win the crown of Kali but that dream died with her best friend. Alexi broke her heart, and she vowed to destroy him for it. And with her sentient warship Titania beside her, how can she possibly fail? As gods, beasts, and kingdoms choose sides, Alexi seeks out a weapon more devastating than even Titania. Past lives threaten the present. Old enemies claim their due. And Esmae cannot outrun the ghosts and the questions that haunt her. What really happened to her father? What was the third boon her mother asked of Amba? For in the shadows, lurking in wait, are secrets that will swallow her whole. The House of Rey is at war. And the entire galaxy will bleed before the end.

Named one of the best 25 space opera books by BookRiot! The first book in a scifi retelling of the Mahabrahata. When Esmae wins a contest of skill, she sets off events that trigger an inevitable and unwinnable war that pits her against the family she would give anything to return to. In a universe of capricious gods, dark moons, and kingdoms built on the backs of spaceships, a cursed queen sends her infant daughter away, a jealous uncle steals the throne of Kali from his nephew, and an exiled prince vows to take his crown back. Raised alone and far away from her home on Kali, Esmae longs to return to her family. When the King of Wychstar offers to gift the unbeatable, sentient warship Titania to a warrior that can win his competition, she sees her way home: she’ll enter the competition, reveal her true identity to the world, and help her famous brother win back the crown of Kali. It’s a great plan. Until it falls apart. Inspired by the Mahabharata and other ancient Indian stories, A Spark of White Fire is a lush, sweeping space opera about family, curses, and the endless battle between jealousy and love.

“A rare gem of a sequel . . . Each page drips with action and moral complexities.” —Natasha Ngan, New York Times bestselling author of Girls of Paper and Fire, on A House of Rage & Sorrow A prince without his kingdom. A kingdom without its princess. The destruction of the stars themselves. War is destroying the galaxy. Esmae has vanished without a trace. A terrifying, ravenous beast is devouring the stars one by one. Titania is offered a gift that may well be a curse. Alexi, the exiled prince, is asked to pay a heavy price for his mistakes. And far, far away, on a dark, mysterious planet, a sleeping god stirs awake. War or family. Pride or peace. As the end of the world draws ever closer, Esmae and Alexi must decide how far they’ll go to win—and who they’ll sacrifice along the way. Celebrated author Sangu Mandanna promises a gripping conclusion to the Celestial Trilogy in A War of Swallowed Stars.

An unflinching portrayal of the Korean immigrant experience from an extraordinary new talent in fiction. Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present. In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter. In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.

"A pinch of Potter blended with a drop of [Cassandra Clare's] Infernal Devices." --JUSTINE MAGAZINE "Plot twists so good they will leave you reeling." --TRACI CHEE, New York Times bestselling author of The Reader IT'S TIME FOR HER POWER TO RULE. As Henrietta nervously awaits her marriage to Lord Blackwood, she discovers that Sorrow-Fell is not a safe haven from the bloodthirsty Ancients. It's a trap. So with her friend Maria and Magnus, the young man who once stole her heart, at her side, Henrietta plots a dangerous journey straight into the enemy's lair. Some will live. Some will die. All will be tested. In this stunning conclusion to the Kingdom on Fire series, Henrietta must choose between the love from her past, the love from her present, and a love that could define her future. The fate of the kingdom rests on her decision: Will she fall or rise up to become the woman who saves the realm? Praise for Jessica Cluess's A Shadow Bright and Burning, Kingdom on Fire, Book 1: "This is a novel that gives off light and heat." --The New York Times "Vivid characters, terrifying monsters, and world building as deep and dark as the ocean." --VICTORIA AVEYARD, #1 New York Times bestselling author of Red Queen "Devastatingly magical and monstrously romantic." --STEPHANIE GARBER, New York Times bestselling author of Caraval "Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world's best hope! Jessica Cluess is an awesome storyteller!" --TAMORA PIERCE, #1 New York Times bestselling author

Poor women's lives and stories of the street, etched into a narrative of the heart.

A Canadian playwright's rise to fame amid the terrors of the AIDS era. Brad Fraser suffered an impoverished and abusive childhood, living with his teenage parents in motel rooms and shacks on the side of the highway in Alberta and Northern British Columbia. He grew to be one of the most celebrated, and controversial, Canadian playwrights, his work produced to acclaim all over the world. All the Rage chronicles Brad Fraser's rise as he breaks with his past and enrolls as a performing arts student. He is pulled into the newly developing Canadian theatre scene, where he shows great promise. But his early career is one of challenge after challenge, some of which result from his upbringing and prejudice against his queerness. But just as many challenges arise from his combative personality and willingness to challenge the establishment. Few Canadian artists have been as abrasive, notorious and polarizing as Fraser was in his youth. Woven through this tale of artistic development is his journey as a queer man coming into himself during the most exhilarating period in the Gay Liberation Movement, and the dawn of a global health crisis. What should have been a triumphant time in a young, successful playwright's life was blighted with the terrifying emergence of AIDS, and the sickness and death of comrades and lovers. This is both the story of an artist's evolution and an important work of gay history that has rarely been recounted from a Canadian perspective. Written with Fraser's trademark wit and candour, All the Rage is unsparing, sometimes shocking and always enthralling.

"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.

For fans of the Aru Shah and Serpent's Secret series, this action-packed fantasy-adventure sees a girl's drawings of Indian mythology spring to vivid life--including the evil god who seeks to enter the real world and destroy it. Kiki Kallira has always been a worrier. Did she lock the front door? Is there a terrible reason her mom is late? Recently her anxiety has been getting out of control, but one thing that has always soothed her is drawing. Kiki's sketchbook is full of fanciful doodles of the rich Indian myths and legends her mother has told her over the years. One day, her sketchbook's calming effect is broken when her mythological characters begin springing to life right out of its pages. Kiki ends up falling into the mystical world she drew, which includes a lot of wonderful discoveries like the band of rebel kids who protect the kingdom, as well as not-so-great ones like the ancient deity bent on total destruction. As the one responsible for creating the evil god, Kiki must overcome her fear and anxiety to save both worlds--the real and the imagined--from his wrath. But how can a girl armed with only a pencil defeat something so powerful?

The New York Times Book Review Editors' Choice • The engrossing true-crime classic from one of Australia’s most acclaimed writers, that follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure •"This House of Grief, in its restraint and control, bears comparison with In Cold Blood."—Kate Atkinson, author of Big Sky and Shrines of Gaiety On the evening of Father’s Day, 2005, separated husband Robert Farquharson was driving his three young sons back to their mom’s house when the car veered off the road and plunged into a dam. Farquharson survived the crash, but his boys drowned. Was this a tragic accident, or an act of revenge? The court case that followed became a national obsession—a macabre parade of witnesses, family members, and the defendant himself, each forced to relive the unthinkable for an audience of millions. In This House of Grief, celebrated writer Helen Garner tells the definitive and deeply absorbing story of it all, from crash to final verdict. Through a panoply of perspectives, including her own as a member of the public, Garner captures the exacting procedure and brutal spectacle of Australia’s criminal justice system. The result is a richly textured portrait—of a man and his broken life, of a community wracked by tragedy, and of the long and torturous road to closure. Considered a literary institution in Australia, Helen Garner’s incisive nonfiction evokes the keen eye of the New Journalists. Brisk, candid, and never dismissive of its flawed subjects, This House of Grief is a masterwork of literary journalism.