Important American periodical dating back to 1850.

Utopia’s Pirates satirizes the founders and agents of Political Zionism and the deceptive and violent means they employed in establishing their militant Rat Utopia in the Holy Land. The process involved illegal immigration, smuggling of arms, bombings, kidnapping, sabotage, and massacres - all culminating in driving the British out of the land and forcing the indigenous inhabitants to flee for their lives. What was finally achieved has been falsely paraded as the only democracy in the Middle East, when in fact it is the only apartheid state in the region. Will this sham Utopia last for a thousand years? Utopia’s Pirates is a satire about Zionist terrorism, interspersed with propaganda slogans, humorous verses, and lines taken from recognisable songs.

Written at the intersection of culture, politics & the city, particularly in the context of corporate globalization, 'Utopia's Ghost' challenges dominant theoretical paradigms & opens new avenues for architectural scholarship & cultural analysis.

This collection of essays explores the hotel as a site of modernity, a space of mobility and transience that shaped the transnational and transcultural modernist activity of the first half of the twentieth century. As a trope for social and cultural mobility, transitory and precarious modes of living, and experiences of personal and political transformation, the hotel space in modernist writing complicates binaries such as public and private, risk and rootedness, and convention and experimentation. It is also a prime location for modernist production and the cross-fertilization of heterogeneous, inter- and trans- literary, cultural, national, and affective modes. The study of the hotel in the work of authors such as E. M. Forster, Katherine Mansfield, Kay Boyle, and Joseph Roth reveals the ways in which the hotel nuances the notions of mobilities, networks, and communities in terms of gender, nation, and class. Whereas Mary Butts, Djuna Barnes, Anaïs Nin, and Denton Welch negotiate affective and bodily states which arise from the alienation experienced at liminal hotel spaces and which lead to new poetics of space, Vicki Baum, Georg Lukács, James Joyce, and Elizabeth Bishop explore the socio-political and cultural conflicts which are manifested in and by the hotel. This volume invites us to think of “hotel modernisms” as situated in or enabled by this dynamic space. Including chapters which traverse the boundaries of nation and class, it regards the hotel as the transcultural space of modernity par excellence.

"A book of angles. These poems come from one bend in the mind, then another, from one tilt in the heart, then another. . . . Deliciously agile."--Tim Seibles From "Accident": Gray was the truck cab, black its body. Yellow the taxi in front, red the surround of the traffic signal./The tomato-faced driver eyed his watch, behind schedule with green dreams of money and lust's blue fantasies. For him, the signal was still a singing canary./For the man and woman the light had changed. Robert Miltner'sAgainst the Simple won the Wick Poetry Chapbook Award.

In the nineteenth century, restaurants served French food to upper-class Americans with aristocratic pretensions, but by the turn of the century, even the best restaurants cooked ethnic and American foods for middle-class urbanites. In Turning the Tables, Andrew P. Haley examines how the transformation of public dining that established the middle class as the arbiter of American culture was forged through battles over French-language menus, scientific eating, cosmopolitan cuisines, unescorted women, un-American tips, and servantless restaurants.

Following in their best-selling series of Battlefield Guides this is a companion volume to the Holts Western Front South Guide. Between the two, they cover the main WW1 Western Front battlefields. This book covers 15 of the most significant battles of the northern area from Nieuwport to just north of The Somme.Whether travelling on the ground or in the mind, the reader is carefully guided through the battlefields with a mixture of succinct military history, cameo memories and stories of VCs and other personalities, interspersed with references to the literature and poetry of the war.This guidebook is based on Tonie and Valmai Holt's 30 years experience of researching, guiding tours and writing about the area, with their unique blend of male and female points of view. It is written to the high standards that have come to be expected of these highly respected authors who are credited with pioneering the modern battlefield tour and whose guide books are referred to as 'The Bibles' . This new edition contains: Brief Historical Background and Summary of each battle, Opening Moves and What Happened, with appropriate quotations Sketch Map for each battle showing battle lines, routes etc and all points of interest described on each timed itinerary Large Sketch Map putting the battlefields (north and south) into perspective Memorials, Museums, Sites of Interest (bunkers, craters etc) War Grave Cemeteries Allied and German GPS Location for every recommended stop War Graves and Commemorative Associations Cameos about individual personalities Useful Tourist Information Where to stay and eat

Having one foot in North America and one in Europe, the author inevitably, compares these two continents, their surroundings, their people, and their modus vivendi. The interpretation of happenings on these continents as they relate to one life's adventure is the scope of this work, which is, before everything else, a collage of personal biography, illuminated by flashes of the remarkable historical moments preceding the emigration. There are, moreover, interpretations of impressions colored with romantic, enchanting mysticism, and alternatively, subjective impressions of immigrants who came to America to find a better life and expected, to some extent, to find a promised land on a platter. In either case, impressions are based on predispositions of what immigrants from the old country envisioned American to be like. However, gratia is not a prerequisite; it does not exist in the meaning of emi, nor immi gratia. Is this memoir an unprejudiced evaluation and objective notation of experiences as they were, or a biased overflow of emotions, ridicule and sarcasm, or delight and adornment? What is the difference between autobiography, memoir, and diary, versus a fictitious, rather historical novel in the first place? A degree of deviation from factual reality? A conglomerate relatively dry when transferred onto paper, this cacophony, without regard to categorization, may enlighten the mind of one American, or one potential immigrant, by informing or reforming the picture of the mirage of a once-magical "New World" or the romanticism of the "Old One."