Stuart gets a job as a junior curator at the museum where his great-uncle Tony's magical workshop objects are on display and embarks on a new mystery that challenges him to find the great magician's hidden will.

Enter a wonderful world filled with real magic, mystery … and danger. As if being small for his age and also having S. Horten as his name isnt bad enough, now 10-year-old Stuart is forced to move far away from all his friends.But on his very first day in his new home, Stuarts swept up in an extraordinary adventure: the quest to find his great-uncle Tony--a famous magician who literally disappeared off the face of the earth--and Tonys marvelous, long-lost workshop. Along the way, Stuart reluctantly accepts help from the annoying triplets next door… and encounters trouble from another magician whos also desperate to get hold of Tonys treasures. A quirky, smart, charming page-turner, Hortens Miraculous Mechanisms will enchant young readers--as well as teachers, librarians, and parents. Long-listed for the Carnegie Medal (2012) and the Guardian Childrens Fiction Prize (2011)

"Stuart Horten -- ten years old and small for his age -- moves to the dreary town of Beeton, far away from all his friends. And then he meets his new next-door neighbours, the unbearable Kingley triplets, and things get even worse. But in Beeton begins the strangest adventure of Stuart's life as he is swept up in quest to find his great-uncle's lost workshop -- a workshop stuffed with trickery and magic. There are clues to follow and puzzles to solve, but what starts as fun ends up as danger, and Stuart begins to realise that he can't finish the task by himself ..."--Dust jacket. Suggested level: primary, intermediate.

This magical follow-up to Hortens Miraculous Mechanisms continues Stuarts amazing adventures--with more enchantment, more surprises, and more thrills. When we last left 10-year-old Stuart, he had just recovered his great-uncle Tonys long-lost magic workshop. Now all the priceless tricks are on display in the Beeton Museum--and Stuart is junior curator of the exhibit! But another mystery awaits Stuart: Where did the great magician hide his will? Only by entering the magic world of the workshop can he find the answer. But as the mechanisms whisk him off on increasingly incredible adventures, the puzzles become harder and harder to solve…and the stakes higher. With even more page-turning action, this second book in the exciting middle-grade series does a magic trick of its own: its even better than the first!

A vibrant new voice . . . a modern classic. For generations, the Beaumont family has harbored a magical secret. They each possess a “savvy”—a special supernatural power that strikes when they turn thirteen. Grandpa Bomba moves mountains, her older brothers create hurricanes and spark electricity . . . and now it’s the eve of Mibs’s big day. As if waiting weren’t hard enough, the family gets scary news two days before Mibs’s birthday: Poppa has been in a terrible accident. Mibs develops the singular mission to get to the hospital and prove that her new power can save her dad. So she sneaks onto a salesman’s bus . . . only to find the bus heading in the opposite direction. Suddenly Mibs finds herself on an unforgettable odyssey that will force her to make sense of growing up—and of other people, who might also have a few secrets hidden just beneath the skin.

A ten-year-old girl is transported to a world ruled by a toy bunny in this hilarious adventure perfect for fans of Chris Grabenstein and Lemony Snicket. Your name is Fidge and you’re nearly eleven. You’ve been hurled into a strange world. You have three companions: two are unbelievably weird and the third is your awful cousin, Graham. You must solve a series of nearly impossible clues. You need to deal with a cruel stuffed animal dictator and three thousand Wimbley Woos (yes, you read that sentence correctly). And the whole situation—the whole, entire thing—is your fault. Wed Wabbit is an adventure about friendship, danger, and the terror of never being able to get back home again. And it’s funny. It’s seriously funny. Praise for Wed Wabbit “This well-crafted journey of self-realization amuses at every turn.” —Publishers Weekly “Properly funny . . . Deceptively wise.” —The Guardian (UK)

What kind of science do we need today and tomorrow? In a game that knows no boundaries, a game that contaminates science, democracy and the market economy, how can we distinguish true needs from simple of fashion? How can we distinguish between necessity and fancy? whims How can we differentiate conviction from opinion? What is the meaning of this all? Where is the civilizing project? Where is the universal outlook of the minds that might be capable of counteracting the global reach of the market? Where is the common ground that links each of us to the other? We need the kind of science that can live up to this need for univer sality, the kind of science that can answer these questions. We need a new kind of knowledge, a new awareness that can bring about the creative destruction of certainties. Old ideas, dogmas, and out-dated paradigms must be destroyed in order to build new knowledge of a type that is more socially robust, more scientifically reliable, stable and above all better able to express our needs, values and dreams. What is more, this new kind of knowledge, which will be challenged in turn by ideas yet to come, will prove its true worth by demonstrating its capacity to dialogue with these ideas and grow with them.

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In this landmark book the renowned scholar of religion Mircea Eliade lays the groundwork for a Western understanding of Yoga, exploring how its guiding principle, that of freedom, involves remaining in the world without letting oneself be exhausted by such "conditionings" as time and history. Drawing on years of study and experience in India, Eliade provides a comprehensive survey of Yoga in theory and practice from its earliest foreshadowings in the Vedas through the twentieth century. The subjects discussed include Patañjali, author of the Yoga-sutras; yogic techniques, such as concentration "on a Single Point," postures, and respiratory discipline; and Yoga in relation to Brahmanism, Buddhism, Tantrism, Oriental alchemy, mystical erotism, and shamanism.

In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.