This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book provides a detailed consideration of the history of racing in British culture and society, and explores the cultural world of racing during the interwar years. The book shows how racing gave pleasure even to the supposedly respectable middle classes and gave some working-class groups hope and consolation during economically difficult times. Regular attendance and increased spending on betting were found across class and generation, and women too were keen participants. Enjoyed by the royal family and controlled by the Jockey Club and National Hunt Committee, racing's visible emphasis on rank and status helped defend hierarchy and gentlemanly amateurism, and provided support for more conservative British attitudes. The mass media provided a cumulative cultural validation of racing, helping define national and regional identity, and encouraging the affluent consumption of sporting experience and a frank enjoyment of betting. The broader cultural approach of the first half of the book is followed by an exploration if the internal culture of racing itself.

This is a detailed consideration of the history of racing in British culture and society and an exploration of the cultural world of racing during the inter-war years. the supposedly respectable middle classes, and gave some working-class groups hope and consolation during economically difficult times. Regular attendance and increased spending on betting were found across class and generation and women too were keen participants. Enjoyed by the Royal Family and controlled by the Jockey Club and National Hunt Committee, racing's visible emphasis on rank and status helped defend hierarchy and gentlemanly amateurism and provided support for more conservative British attitudes. The mass media provided a cumulative cultural validation of racing, helping define national and regional identity and encouraging the affluent consumption of sporting experience and frank enjoyment of betting. exploration of the internal culture of racing itself: the racecourse and course life, trainers and jockeys, owners and breeders. be of value for undergraduate courses on the history of modern British society, sport and cultural studies and should be welcomed by racing enthusiasts everywhere.

The Encyclopedia of British Horse Racing offers an innovative approach to one of Britain's oldest sports. While it considers the traditional themes of gambling and breeding, and contains biographies of human personalities and equine stars, it also devotes significant space to neglected areas. Entries include: social, economic and political forces that have influenced racing controversial historical and current issues legal and illegal gambling, and racing finance the British impact on world horseracing history and heritage of horseracing links between horse racing and the arts, media and technology human and equine biographies venues associated with racing horseracing websites The Encyclopedia of British Horse Racing provides a unique source of information and will be of great interest to sports historians as well as all those whose work or leisure brings them into the world of racing.

Now available in paperback, this is the first academic book to study railway enthusiasts in Britain. Far from a trivial topic, the post-war train spotting craze swept most boys and some girls into a passion for railways, and for many, ignited a lifetime’s interest. British railway enthusiasm traces this post-war cohort, and those which followed, as they invigorated different sectors in the world of railway enthusiasm – train spotting, railway modelling, collecting railway relics – and then, in response to the demise of main line steam traction, Britain’s now-huge preserved railway industry. Today this industry finds itself riven by tensions between preserving a loved past which ever fewer people can remember and earning money from tourist visitors. The widespread and enduring significance of railway enthusiasm will ensure that this groundbreaking text remains a key work in transport studies, and will appeal to enthusiasts as much as to students and scholars of transport and cultural history.

Written by leading international scholars, Twentieth Century Britain investigates key moments, themes and identities in the past century. Engaging with cutting-edge research and debate, the essays in the volume combine discussion of the major issues currently preoccupying historians of the twentieth century with clear guidance on new directions in the theories and methodologies of modern British social, cultural and economic history. Divided into three, the first section of the book addresses key concepts historians use to think about the century, notably, class, gender and national identity. Organised chronologically, the book then explores topical thematic issues, such as multicultural Britain, religion and citizenship. Representing changes in the field, some chapters represent more recent fields of historical inquiry, such as modernity and sexuality.

At the heart of this text strides James Catton, less than five feet tall but a giant in the field of sporting journalism. It is the story of his career, from boy reporter in 1870s Lancashire to editor of the influential Manchester-based weekly Athletic News and then grand old man of Fleet Street sports writing in the 1920s and ’30s. The book also presents the story of others, too—the first journalists to turn action into news as raw, carnivalesque, violent pastimes were replaced by codified and commercialised games. Detailing the history of their trade, the book searches for the roots of sports journalism, pushing, for the first time, the newspaper reporter to the foreground in the shared history of the press and sport. Editorial recruitment, training, writing styles, pay, status, rivalry and camaraderie, technology, celebrity, the press box, the player-reporter and drinking culture are all examined, as are the values men like Catton claimed sport, at its best, represented.

New things are forgotten old things - this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication. The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.

Amateur film: Meaning and practice 1927–77 plunges readers into the world of home movies making and reveals that behind popular perceptions of clichéd family scenes shakily shot at home or by the sea, there is much more to discover. Exploring who, how, where, when and why amateur enthusiasts made and shared their films provides fascinating insights into an often misunderstood aspect of national visual history. This study of how non-professional filmmakers responded to the new possibilities of moving image places decades of cine use into a history of changing visual technologies that span from Edwardian visual toys to mobile phones. Using northern cine club records, interviews and amateur films, the author reveals how film-making practices ranged from family footage to highly crafted edited productions about local life and distant places made by enthusiasts who sought to ‘educate, inspire and entertain’ armchair audiences during the early decades of British television.

A closer look at sport in England between the wars, discovering its social meaning as a recreational or pleasurable pursuit as well as an expression of national identity.

Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel. Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.