Papers from a conference Skanderborg 27-28th of June 2019 An equestrian burial from the 10th century with an exceptionally elaborate horse harness was discovered at Fregerslev near Skanderborg in eastern Jutland, Denmark in 2012. This formed the starting point for the Fregerslev Research Project initiated by Museum Skanderborg in 2017. Two years later, the museum held a conference to present the preliminary results of the project. A group of researchers from neighbouring countries were invited to provide a wider international context for a discussion of the social, political, cultural and religious background of the Fregerslev burial. With 21 articles, Horse and Rider in the late Viking Age presents the outcome of the conference. Part I describes the excavation of the Fregerslev burial and its contents. The finds, particularly the harness fittings and the remains of a quiver of arrows, and the results of a wide range of scientific analyses demonstrate what a remarkable burial this once was. The excavation methods and documentation procedures, the sampling strategies, and the following conservation and preservation of the finds, give an idea of the many new approaches, which may be useful when dealing with a decomposed grave in the future. Part II and Part III present new research on 10th-century equestrian burials and their significance in contemporary society from a variety of countries across Central and Northern Europe.

The Scandinavians of the Viking Age (from the eighth to the eleventh centuries) had formed a strong reliance upon their horses. Contrary to the engrained images that many have of the Viking Age Scandinavians, these ancient people were very loving of their horses and took good care of them. Horses were very important in Scandinavian life, making their way into the people's religion in cult and burial practices. This thesis uses evidence from sagas, eddas, and art to prove that the Scandinavians' highly skilled horsemanship had many similar aspects of natural horsemanship that is receiving ever-growing support today.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume aims to provide new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. The volume is intended for a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

In Identity Formation and Diversity in the Early Medieval Baltic and Beyond, the Viking World in the East is made more heterogeneous. Baltic Finnic groups, Balts and Sami are integrated into the history dominated by Scandinavians and Slavs. Interaction in the region between Eastern Middle Sweden, Finland, Estonia and North Western Russia is set against varied cultural expressions of identities. Ten scholars approach the topic from different angles, with case studies on the roots of diversity, burials with horses, Staraya Ladoga as a nodal point of long-distance routes, Rus’ warrior identities, early Eastern Christianity, interaction between the Baltic Finns and the Svear, the first phases of ar-Rus dominion, the distribution of Carolingian swords, and Dirhams in the Baltic region. Contributors are Johan Callmer, Ingrid Gustin, Charlotte Hedenstierna-Jonson, Valter Lang, John Howard Lind, Marika Mägi, Mats Roslund, Søren Sindbaek, Anne Stalsberg, and Tuukka Talvio.

Animals have always been an important part of the human life-world, and they stand out as significant forces in the Old Norse mythology -- here they became imaginary creatures with strong characters. In Animals and Humans archaeologist Kristina Jennbert explores the relationship between animals and humans in Scandinavia from the Roman Iron Age to the Viking Period. Real animals and fantastical creatures in Midgard became mouthpieces for human characteristics and reflections of peoples social position. Animals were of great importance in everyday life and in rituals, and as metaphors in social identity and power relations. In the course of time, however, the human view has changed, and nature has increasingly been subjected to humans. Through her detailed analysis, Jennbert raises questions about the boundary between human and animal, as well as about our ethical and moral precedence.

“Invigorating . . . Gardeła reappraises the connections between women and violence in an early-medieval society that has left few texts to guide us.” —Studies in Late Antiquity This book sets out to investigate the idea of “the armed woman” in the Viking Age through a comprehensive and cross-cultural approach and weaves a nuanced picture of women’s lives in the Viking world. The Viking Age (c. AD 750–1050) is conventionally portrayed as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants traveled to distant corners of the world in pursuit of slaves, silver and exotic commodities. Until fairly recently, Norse society during this pivotal period in world history has been characterized as male-dominated, with women’s roles dismissed or substantially downplayed. There is, however, ample textual and archaeological evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians—in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life—would not have been possible without the active involvement of women, and that, both within the walls of the household and in the wider public arena, women’s voices were heard, respected and followed. Lavishly illustrated, this pioneering book explores the stories of the female warrior and women’s links with the martial sphere of life in the Viking Age, using literature and archaeological evidence from Scandinavia and the wider Viking world to examine the motivations and circumstances that led women to engage in armed conflict.

Crafting Communities explores the interface between craft, communication networks, and urbanization in Viking-age Northern Europe. Viking-period towns were the hubs of cross-cultural communication of their age, and innovations in specialized crafts provide archaeologists with some of the best evidence for studying this communication. The integrated results presented in these papers have been made possible through the sustained collaboration of a group of experts with complementary insights into individual crafts. Results emerge from recent scholarly advances in the study of artifacts and production: first, the application of new analytical techniques in artifact studies (e.g. metallographic, isotopic, and biomolecular techniques) and second, the shifted in interpretative focus of medieval artifact studies from a concern with object function to considerations of processes of production, and of the social agency of technology. Furthermore, the introduction of social network theory and actor-network theory has redirected attention toward the process of communication, and highlighted the significance of material culture in the learning and transmission of cultural knowledge, including technology. The volume brings together leading UK and Scandinavian archaeological specialists to explore crafted products and workshop-assemblages from these towns, in order to clarify how such long-range communication worked in pre-modern Northern Europe. Contributors assess the implications for our understanding of early towns and the long-term societal change catalysed by them, including the initial steps towards commercial economies. Results are analyzed in relation to social network theory, social and economic history, and models of communication, setting an agenda for further research. Crafting Communities provides a landmark statement on our knowledge of Viking-Age craft and communication