Horatio Bottomley and the Far Right Before Fascism examines Bottomley’s life and politics, and what made him one of the great figures of Edwardian life. During the first World War, his magazine John Bull sold two million copies a week. Bottomley addressed huge crowds urging them to wage a way of extermination against ordinary Germans. The first chairman of the Financial Times, the inspiration for Toad in The Wind in the Willows, Bottomley was also a major figure in post-1918 politics, urging Conservative voters to dump their leaders and try something new. This carefully researched biography, the first new life of Bottomley for 50 years, shows how he began on the centre-left of Edwardian politics and then moved to the margins, becoming a leading figure on the Edwardian far right, and pre-empting the non-fascist far right of our own days. This book will appeal to scholars and students with interests in political history, fascism and the far right.

Memory in Hungarian Fascism: A Cultural History argues that fascist memory had a key role in the historical formation and later return of fascism. Tracing the trajectory of a perennial figure of fascist memory, the cult of Eszter Sólymosi, from interwar Hungary through the Cold War West to contemporary Hungary, the book covers a century of fascism and offers a unique combination of fascism studies and memory studies. How did fascists challenge liberal memory after the First World War? How did the memory culture they created come to frame and feed the Second World War and the genocide? In what ways did fascist memory transform as they navigated the challenges of exile in a profoundly changed political landscape and tried to counter the postwar order? And what role did their legacy, carefully crafted for a post-Communist future, play as later neo-fascists rejected democratic transformation? Eventually, as fascist memory traveled across time and space, the book argues, it contributed to the political challenges that we face today. Based on a variety of unpublished sources, the book offers new insights for students of memory, Holocaust, fascism, and antisemitism studies, Jewish studies, Central and Eastern European history, and Hungarian studies.

The text represents a long journey in the debate that characterized the multifaceted political phenomenon of neofascism. From the end of the Second World War until the fall of the communist regimes, groups, parties and individuals have given life to a network of action and thought that has developed, above all, around three major themes that have characterized the thought of historical fascism and that we can find at different latitudes during the course of the long period of time under consideration. Racism, contempt for equality and democracy and an issue linked to the state as an element of modernity, these are the three levels of analysis around which the neofascist movement regroups, debates and acts. The meticulous reconstruction of that debate at a transnational level is the result of a long archival work with unpublished and illuminating papers on the issue of continuity between political cultures. The text can be easily read by students of Humanities and Social Sciences courses but it is also pleasant for fans of the subject.

British Antifascism and the Holocaust, 1945–79 explores the extent to which the Holocaust has shaped British antifascism. The author tests assertions of an uncomplicated relationship between Holocaust memory and the imperative to resist postwar fascist revivals. For those with a scholarly interest in how antifascists confront their opponents, it is essential to understand whether the Holocaust has always been seen as an insurmountable barrier against fascism: is the idea of the genocide’s constant antifascist ‘use’ actually a dangerous assumption and, if so, what are the implications of this for ‘Antifa’ as its battle with the contemporary far right unfolds? This book provides a political and structural history of the Holocaust’s relationship to antifascist organisations and questions whether networks of solidarity formed around Holocaust memory, including analysing the impact of the genocide in Jewish antifascists’ motivations and rhetoric. It also assesses the Holocaust’s political capital in wider antifascism and connected anti-racism, including in defence of the Black and Asian communities increasingly victimised by fascists over the postwar period. This book will appeal to scholars and students with interests in antifascism, fascism, racism, and Jewish and left-wing history in Britain, and how these intersect with Holocaust consciousness.

For fifty-five years, from 1919 until 1975, The Britons published Jew-hating literature. For the forty years until his death in 1948, the founder and president of The Britons, Henry Hamilton Beamish, devoted his life to touring the world as an obsessive preacher of this hatred. Using material he has collected over the past thirty years, Nick Toczek tells their story. This is the first complete history of The Britons, which was the most prolific and influential advocate of extreme prejudice against all things Jewish – not least as the publishers of that notorious forgery, The Protocols of the Elders of Zion. Likewise, his is the first biography of Beamish. Putting both The Britons and Beamish into context, this book also examines and explains their precursors, their contemporaries and their legacy. Here, then are detailed accounts of hundreds of anti-Jewish organisations and individuals. These include the late-Victorian anti-Semitism of Arnold White and the British Brothers League; the curious life of Rotha Lintorn Orman who was the unlikely founder of British Fascisti, Britain’s first fascist party; Anglo-American supporters of Hitler; the lives and roles of extreme haters such as Arnold Leese and Colin Jordan; and the whole history of The Protocols, including the key role played by American motor magnate, Henry Ford. This shocking history of hatred takes us from South Africa to Nazi Germany, America to Rhodesia.

This book provides a comprehensive history of the ideas and ideologues associated with the racial fascist tradition in Britain. It charts the evolution of the British extreme right from its post-war genesis after 1918 to its present-day incarnations, and details the ideological and strategic evolution of British fascism through the prism of its principal leaders and the movements with which they were associated. Taking a collective biographical approach, the book focuses on the political careers of six principal ideologues and leaders, Arnold Leese (1878–1956); Sir Oswald Mosley (1896–1980); A.K. Chesterton (1899–1973); Colin Jordan (1923–2009); John Tyndall (1934–2005); and Nick Griffin (1959–), in order to study the evolution of the racial ideology of British fascism, from overtly biological conceptions of ‘white supremacy’ through ‘racial nationalism’ and latterly to ‘cultural’ arguments regarding ‘ethno-nationalism’. Drawing on extensive archival research and often obscure primary texts and propaganda as well as the official records of the British government and its security services, this is the definitive historical account of Britain’s extreme right and will be essential reading for all students and scholars of race relations, extremism and fascism.

This major, authoritative reference work embraces the spectrum of organized political activity in the British Isles. It includes over 2,500 organizations in 1,700 separate entries. Arrangement is in 20 main subject sections, covering the three main p

A former widower whose life was saved by writing about music spends a year waiting for his new wife to fly over from Toronto and join him in London. While he waits he observes that the world is subtly changing and that music has played a key part in these changes. A galaxy of characters, ranging from Marty Wilde to Jay-Z via Glenn Gould, Dorothy Squires, Britney Spears, Karlheinz Stockhausen, Patrick Cargill, Orson Welles and many forgotten others, conspire to alter his perspective, leading to a climax where he is finally united with his wife and the world chooses a new and better leader. The Blue in the Air is a gesture of defiance from a tiny but meaningful tugboat of resistance. At a time when we are repeatedly encouraged for reasons of demographic convenience to believe that music can change nothing and mean nothing, this writer demonstrates comprehensively that for those who stay awake, alert and alive, music still retains the power to change the fabric of the air we choose to breathe.