Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaricmode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formallevel, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he canever truly become a poet of praise.

This history of Latin literature offers a comprehensive survey of the 1000 year period from the origins of Latin as a written language to the early Middle Ages. It offers a wide-ranging panorama of all major Latin authors.

Neopragmatism and Theological Reason examines the recent explosion of interest in pragmatism. Part I traces the source of classical pragmatism's distinctive thought to Peirce, James, and Dewey - specifically to their shared theological understanding inherited from Emerson's Transcendentalism and British Romanticism. Part II reconstructs this rationality for postmodernity, showing how neopragmatism, properly understood, is theological reason. Kimura discusses the return of religious themes in philosophers like Putnam, Cavell, and Rorty and critiques the neopragmatic theologies of West, McFague, and Kaufman. Neopragmatism and Theological Reason explores pragmatic themes across philosophy, theology, and literary theory, arguing that neopragmatism must acknowledge its theological sources and then reconstruct its rationality to the religious context of modernity/postmodernity.