Here, in an attractive gift box are a copy of the board book edition of "Hopper" along with an irresistible Hopper clip-on doll.

A young boy will not accept that his beloved dog has died.

Quinny has a lot to say. Hopper gets to the point. Quinny has one speed: very, very, extra-very fast. Hopper proceeds with caution. Quinny has big ideas. Hopper has smart solutions. Quinny and Hopper couldn't be more different. They are an unstoppable team. But when summer ends, things suddenly aren't the same. Can Quinny and Hopper stick together in the face of stylish bullies, a killer chicken, and the brand-new Third Grade Rules-especially the one that says they aren't allowed to be friends anymore? Praise for Quinny & Hopper: "First-time children's author Schanen skillfully captures Quinny's zest and Hopper's timidity through their interactions and alternating narratives, and Swearingen's smudgy spot illustrations amplify the lively tone. The story's best moments showcase the spirited friendship between Quinny and Hopper, but there's much to appreciate throughout this exuberant debut." -- Publishers Weekly "The book is engrossing, and the likable duo change and grow in believable ways. Quinny and Hopper, who take turns narrating, have distinct, well-differentiated voices, and Schanen makes good use of her individuated secondary characters as well. Swearingen's black-and-white drawings both capture the spirit of the characters and enhance the narrative. This endearing story about true friendship should appeal equally to boys and girls." -- Kirkus Reviews

A sharp and entertaining essay collection about the importance of multiple forms of love and friendship in a world designed for couples, from a laser-precise new voice. Sometimes it seems like there are two American creeds, self-reliance and marriage, and neither of them is mine. I experience myself as someone formed and sustained by others' love and patience, by student loans and stipends, by the kindness of strangers. Briallen Hopper's Hard to Love honors the categories of loves and relationships beyond marriage, the ones that are often treated as invisible or seen as secondary--friendships, kinship with adult siblings, care teams that form in times of illness, or various alternative family formations. She also values difficult and amorphous loves like loving a challenging job or inanimate objects that can't love you back. She draws from personal experience, sharing stories about her loving but combative family, the fiercely independent Emerson scholar who pushed her away, and the friends who have become her invented or found family; pop culture touchstones like the Women's March, John Green's The Fault in Our Stars, and the timeless series Cheers; and the work of writers like Joan Didion, Gwendolyn Brooks, Flannery O'Connor, and Herman Melville (Moby-Dick like you've never seen it!). Hard to Love pays homage and attention to unlikely friends and lovers both real and fictional. It is a series of love letters to the meaningful, if underappreciated, forms of intimacy and community that are tricky, tangled, and tough, but ultimately sustaining.

The author pairs her own photographs of the sites with the paintings of Edward Hopper.

There's a serial killer in the Caribbean. A pure hunter who's like nothing the world has ever known. The media names him the Island Hopper. When the body count adds up, FBI team-leader Jack Seargant directs the international investigation. A veteran of the elite Behavioral Sciences Unit, Seargant is as tenacious and bold as he is physical. With no clues to go on, he launches verbal attacks on the killer to draw him out, and the two begin a lethal game of cat and mouse. Soon Seargant is joined by Tom Brightwell; an alcoholic, suicidal ex-homicide cop, whose own daughter may have been the first victim. As things heat up, Tom becomes obsessed with finding the killer, and he begins an incredible journey to reclaim his life. When they uncover shocking evidence, the story takes a dramatic turn, leading to the most unlikely of places and circumstances. In The Island Hopper, Michael Hilliard paints the Caribbean Islands as they are; care-free and vibrant, with all the sights and sounds that make them so inspiring. The story is fast-paced and keeps the reader guessing. It's laced with the meticulous descriptions and unforgettable characters that make Michael Hilliard one of the more unique and freshest voices in modern suspense novels.

Before Liz Smith and Perez Hilton became household names in the world of celebrity gossip, before Rush Limbaugh became the voice of conservatism, there was Hedda Hopper. In 1938, this 52-year-old struggling actress rose to fame and influence writing an incendiary gossip column, “Hedda Hopper’s Hollywood,” that appeared in the Los Angeles Times and other newspapers throughout Hollywood’s golden age. Often eviscerating moviemakers and stars, her column earned her a nasty reputation in the film industry while winning a legion of some 32 million fans, whose avid support established her as the voice of small-town America. Yet Hopper sought not only to build her career as a gossip columnist but also to push her agenda of staunch moral and political conservatism, using her column to argue against U.S. entry into World War II, uphold traditional views of sex and marriage, defend racist roles for African Americans, and enthusiastically support the Hollywood blacklist. While usually dismissed as an eccentric crank, Jennifer Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. The first book to explore Hopper’s gossip career and the public’s response to both her column and her politics, Hedda Hopper’s Hollywood illustrates how the conservative gossip maven contributed mightily to the public understanding of film, while providing a platform for women to voice political views within a traditionally masculine public realm. Jennifer Frost builds the case that, as practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself, all of which continue to play out today. Read a review of the book from the Chronicle of Higher Education blog, Tenured Radical.

“If you’ve got a good idea, and you know it’s going to work, go ahead and do it.” The inspiring story of Grace Hopper—the boundary-breaking woman who revolutionized computer science—is told told in an engaging picture book biography. Who was Grace Hopper? A software tester, workplace jester, cherished mentor, ace inventor, avid reader, naval leader—AND rule breaker, chance taker, and troublemaker. Acclaimed picture book author Laurie Wallmark (Ada Byron Lovelace and the Thinking Machine) once again tells the riveting story of a trailblazing woman. Grace Hopper coined the term “computer bug” and taught computers to “speak English.” Throughout her life, Hopper succeeded in doing what no one had ever done before. Delighting in difficult ideas and in defying expectations, the insatiably curious Hopper truly was “Amazing Grace” . . . and a role model for science- and math-minded girls and boys. With a wealth of witty quotes, and richly detailed illustrations, this book brings Hopper's incredible accomplishments to life.

Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

After learning that her seemingly-happy parents are separating, and that a popular senior is interested in her, seventeen-year-old Janey King's priorities shift from track, school, friends, and family to something more.