The Hopi Indian's rich culture and exciting religious ceremonies continue to thrive. However, outsiders have limited opportunity to witness the exciting Katsina dances and ceremonies of the Hopi, save through the well-known and much prized kachina dolls the Katsina spiritually inform. Presenting work from a select set of recognizable Hopi artists, this book relates the detailed history and culture of the Hopis in tandem with their creative efforts to showcase that framework: from remarkable paintings to the kachina sculptures and dolls that manifest as physical representations of the Katsinam, the Hopis' spiritual beings. These pieces complement the Pecina's studious and informative narrative of chronological vignettes and text based on a careful selection of events in Hopi history, oral teachings of great cultural significance, and legends of the Katsinam. Hopi Kachinas presents a clear and meticulous portrait of the Hopis beliefs, history, legends, their Katsina celebrations, and the personas of the Katsinam. This book illuminates the stage of study for scholars, and is vital for students of the Hopi culture.

Profiles over 1,600 Hopi Katsina carvers from 1840 to the present.

This volume chronicles the commodification of the Hopi Katsina over the last fifteen years. Once known only to the pueblo peoples of the southwest, these carvings have been transformed into international symbols and are found decorating t-shirts, scarves, coasters, and a host of other products. In Katsina the authors confront the consequences of inter- and intracultural perception, definitions of sacred and secular, colonialism and post-colonial retort.Also included are short statements by thirteen contemporary artists actively carving Katsinam or representing them in their work.

Traces the history of Hopi kachina dolls as an art form, explains the role of Kachina dolls in Hopi culture, and profiles twenty-seven modern kachina doll carvers

In 1975 The Heard Museum published a catalogue of the Barry Goldwater collection of Hopi kachina dolls. The catalog is no longer in print, but the Museum's collection is hereby made accessible in print once again. Beautiful color photographs of 200 kachina dolls are combined with sensitive commentary by a Hopi author. Annotation copyright by Book News, Inc., Portland, OR

The Hopi Indians have had Kachinas in their religion for over one thousand years. Over the years many works have been published about the Kachinas. Most of these have discussed them from the white man's interpretation of what the Hopi have told him. This book gives readers the perspective of the Hopis. The seventy-nine Kachinas depicted in this book were painted by Neil David, Sr., a Hopi-Tewa from First Mesa, in the village of Hano, Arizona. The paintings show both the front and back of each Kachina; that is the entire costume of the Kachina. The descriptions of the Kachinas have come from the mouths of various Hopi. They discuss differences in the Kachinas as they appear on each of the three Southwest mesas where the Hopi make their home. The Kachinas which appear in this book are, in general, rare and unusual Kachinas and will enlighten those who wish to learn about and appreciate theKachinas, Spirit Beings of the Hopi.

The first colonial cartographer of New Mexico, he helped create the culturally unique santero tradition that still thrives today.

Emory Sekaquaptewa dedicated most of his life to promoting Hopi literacy and creating written materials to strengthen the language and lifeway of his people. He understood how intimately cultural ideas are embedded in language, and by transcribing and translating early recordings of katsina songs he helped strengthen the continuity of Hopi religious thought and cultural practices. Sekaquaptewa believed that the advice contained in the katsina songs, some of which were recorded over a century ago, could be used by future generations as guideposts for navigating contemporary life. Hopi Katsina Songs contains Hopi transcriptions, English translations, and detailed commentaries of 150 katsina songs, recorded throughout the twentieth century from all three Hopi mesas, as well as twenty-five recorded by Sekaquaptewa himself. To further continue the creative process of the Hopi legacy, Sekaquaptewa included song fragments with the hope that readers would remember the songs and complete them. These features make his collection an invaluable resource for preserving and teaching Hopi language and culture.

Lavish art book presents the finest traditional Hispanic and religious arts in New Mexico from the Spanish Colonial period.

A collection of paintings of Hopi kachinas by Edwin Earle, who lived in Oraibi from 1935-36, is accompanied by detailed descriptions and explanations of kachina ceremonies.