When an elevator falls in a major city, nine lives intersect in surprising ways, both comic and tragic—through love and sex, poetry and dentistry; in offices, homes, and hotel rooms. Jill longs for Steve, who’s engaged to Barb, who hooks up with Peter, who’s already having an affair with Nan, who’s married to Marty, who subscribes to Elevator World. Meanwhile, nine stories off the ground, Douglas meets Tanya—who’s hoping to get pregnant with Hal—and a little miracle changes hands. By turns hilarious and profound, HOPE AND GRAVITY traces the barely perceivable threads that connect us all.

“Faith, Hope and Gravity” is the spiritual, magical adventure of teenage Liam Kane as he discovers some of the same lessons Merrill Osmond learned as the world-traveling lead singer of the Osmond Brothers. Like Merrill, Liam is often misunderstood as he helps those seeking for purpose in their extraordinary talents. Liam's visionary abilities gain him international notoriety as “The Prophecy Boy” who swims with dolphins, dreams of a mysterious red door, and champions those who are often misjudged for their uncommon gifts. Surviving kidnapping, near-drowning, and imprisonment leads to the discovery that despite differences, when people respect each other and their wide variety of abilities, the thread of commonality that runs through mankind grows ever stronger. Turn the pages to join in this unforgettable journey.

“My vocation was supposed to be joy, and I was speaking at funerals.” Shortly after being hired by Yale University to study joy, Angela Gorrell got word that a close family member had died by suicide. Less than a month later, she lost her father to a fatal opioid addiction and her nephew, only twenty-two years old, to sudden cardiac arrest. The theoretical joy she was researching at Yale suddenly felt shallow and distant—completely unattainable in the fog of grief she now found herself in. But joy was closer at hand than it seemed. As she began volunteering at a women’s maximum-security prison, she met people who suffered extensively yet still showed a tremendous capacity for joy. Talking with these women, many of whom had struggled with addiction and suicidal thoughts themselves, she realized: “Joy doesn’t obliterate grief. . . . Instead, joy has a mysterious capacity to be felt alongside sorrow and even—sometimes most especially—in the midst of suffering.” This is the story of Angela’s discovery of an authentic, grounded Christian joy. But even more, it is an invitation for others to seize upon this more resilient joy as a counteragent to the twenty-first-century epidemics of despair, addiction, and suicide—a call to action for communities that yearn to find joy and are willing to “walk together through the shadows” to find it.

After coming out as transgender, Chris is still processing a frightening assault he survived the year before, while Maia, grieving the loss of her older sister, is trying to find her place in the world, which makes falling in love the furthest thing on their minds--until it is not.

From rising Australian poet Chloë Frayne comes her newest poetry collection, The Gravity Inside Us. Gathering inspiration from a life of travel, hope, long-distance relationships, healing, and adventure, Frayne invites readers into her world. The Gravity Inside Us is an ode to whatever it is we carry that pulls us in and out of place, and speaks so insistently of fate. Through writing about her own experiences, this book is a reach into that space.

Jordan's town is wrecked by the deaths of 3 boys on Gravity Hill. It's tied to a mystery that has plagued the town for years. Can Jordan clear her brother's name?

Ellie Gold is an orthodox Jewish teenager living in Toronto in the late eighties. Ellie has no doubts about her strict religious upbringing until she falls in love with another girl at her grandmother's cottage. Aware that homosexuality clashes with Jewish observance, Ellie feels forced to either alter her sexuality or leave her community. Meanwhile, Ellie's mother, Chana, becomes convinced she has a messianic role to play, and her sister, Neshama, chafes against the restrictions of her faith. Ellie is afraid there is no way to be both gay and Jewish, but her mother and sister offer alternative concepts of God that help Ellie find a place for herself as a queer Jew.