Abraham Lincoln's remarkable emergence from the rural Midwest and his rise to the presidency have been the stuff of romance and legend. But as Douglas L. Wilson shows us in Honor's Voice, Lincoln's transformation was not one long triumphal march, but a process that was more than once seriously derailed. There were times, in his journey from storekeeper and mill operator to lawyer and member of the Illinois state legislature, when Lincoln lost his nerve and self-confidence - on at least two occasions he became so despondent as to appear suicidal - and when his acute emotional vulnerabilities were exposed. Focusing on the crucial years between 1831 and 1842, Wilson's skillful analysis of the testimonies and writings of Lincoln's contemporaries reveals the individual behind the legends. We see Lincoln as a boy: not the dutiful son studying by firelight, but the stubborn rebel determined to make something of himself. We see him as a young man: not the ascendant statesman, but the canny local politician who was renowned for his talents in wrestling and storytelling (as well as for his extensive store of off-color jokes). Wilson also reconstructs Lincoln's frequently anguished personal life: his religious skepticism, recurrent bouts of depression, and difficult relationships with women - from Ann Rutledge to Mary Owens to Mary Todd. Meticulously researched and well written, this is a fascinating book that makes us reexamine our ideas about one of the icons of American history.

Through intimate photographs and poignant stories, this heart-rending book showcases the courage, heroics, and sacrifice of selected U.S. soldiers and veterans. This deeply moving, timely celebration of veterans highlights the heroes in our midst by bringing these brave men and women to life. Veterans Voices blends beauty and impact and gorgeous photographic displays with inspiring storytelling.

Winner of CILIP Kate Greenaway Medal Winner of the TD Canadian Children’s Literature Award A young boy wakes up to the sound of the sea, visits his grandfather’s grave after lunch and comes home to a simple family dinner with his family, but all the while his mind strays to his father digging for coal deep down under the sea. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. With curriculum connections to communities and the history of mining, this beautifully understated and haunting story brings a piece of Canadian history to life. The ever-present ocean and inevitable pattern of life in a Cape Breton mining town will enthrall children and move adult readers.

An innovator in contemporary thought on economic and political development looks here at decline rather than growth. Albert O. Hirschman makes a basic distinction between alternative ways of reacting to deterioration in business firms and, in general, to dissatisfaction with organizations: one, “exit,” is for the member to quit the organization or for the customer to switch to the competing product, and the other, “voice,” is for members or customers to agitate and exert influence for change “from within.” The efficiency of the competitive mechanism, with its total reliance on exit, is questioned for certain important situations. As exit often undercuts voice while being unable to counteract decline, loyalty is seen in the function of retarding exit and of permitting voice to play its proper role. The interplay of the three concepts turns out to illuminate a wide range of economic, social, and political phenomena. As the author states in the preface, “having found my own unifying way of looking at issues as diverse as competition and the two-party system, divorce and the American character, black power and the failure of ‘unhappy’ top officials to resign over Vietnam, I decided to let myself go a little.”

Vocal expression is a part of nearly everyone's workday, yet most of us are unaware of how much influence our voice exerts over our effectiveness. McAfee's work shows how we can deliberately marshal the power of our voices to support our intentions, aspirations, and relationships.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

Marian Anderson Loved to Sing. Her deep, rich voice thrilled audiences the world over. By the mid-1930s she was a famed vocalist who had been applauded by European royalty, welcomed at the White House, and adored by appreciative listeners in concert halls across the United States. But because of her race, she was denied the right to sing at Constitution Hall, Washington's largest and finest auditorium. Though Marian Anderson was not a crusader or a spokesperson by nature, her response to this injustice catapulted her into the center of the civil rights movement of the time. She came to stand for all black artists -- and for all Americans of color -- when, with the help of prominent figures such as Eleanor Roosevelt, she gave a landmark performance on the steps of the Lincoln Memorial that broke racial barriers and hastened the end of segregation in the arts. Drawing on Anderson's own writings and other first-person accounts, Newbery medalist Russell Freedman shows readers a singer pursuing her art in the context of the social and political climate of the day. Profusely illustrated with contemporary photographs, here is an inspiring account of the life of a talented, determined artist who left her mark on musical and social history. Russell Freedman was aware that Marian Anderson was one of the great vocal artists of the 20th century. He hadn't thought of writing a book about her, however, until he found out about the encounter between her and Eleanor Roosevelt that led to the Lincoln Memorial concert and established Anderson as a seminal figure in the civil rights movement. Mr. Freedman is the acclaimed author of more than 40 nonfiction books for young people, He is also the recipient of the Laura Ingalls Wilder Award for his body of work. Mr. Freedman lives in New York City Book jacket.

After its initial publication in 1993, this book quickly became an essential book for country music scholars and fans. Now back in print, with updated material, an additional chapter, and new photos, this volume is poised to reach a whole new generation of country music fans. From country's earliest pioneers to its greatest legends, this book documents the lives of the female artists who have shaped the music for over two hundred years. Through interviews, photos, and primary texts, the authors weave a vast and complex tapestry of personalities and talent. Long overlooked and underappreciated by scholars, female country music artists have always been immensely popular with fans. This book gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged need look no farther than this book.

"Distant voices drawing near is a tribute to the scholarly career of Antoinette Clark Wire, the Robert S. Dollar Professor of New Testament at the San Francisco Theological Seminary. In recognition of her work, the contributors to the volume have critically engaged the areas of Christian origins and the role of women in the biblical world, hermeneutics and feminist perspectives in biblical interpretation, and cross-cultural study of the Bible."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A 2016 Caldecott Honor Book A 2016 Robert F. Sibert Honor Book A 2016 John Steptoe New Talent Illustrator Award Winner Stirring poems and stunning collage illustrations combine to celebrate the life of Fannie Lou Hamer, a champion of equal voting rights. “I am sick and tired of being sick and tired.” Despite fierce prejudice and abuse, even being beaten to within an inch of her life, Fannie Lou Hamer was a champion of civil rights from the 1950s until her death in 1977. Integral to the Freedom Summer of 1964, Ms. Hamer gave a speech at the Democratic National Convention that, despite President Johnson’s interference, aired on national TV news and spurred the nation to support the Freedom Democrats. Featuring vibrant mixed-media art full of intricate detail, Voice of Freedom celebrates Fannie Lou Hamer’s life and legacy with a message of hope, determination, and strength.