From its beginnings as a railroad siding in 1887, Havre, Montana was a tough, wide-open town with plenty of saloons, gambling halls, opium dens, brothels, and cheap cribs. With the passage of Prohibition, it was a natural hub for smuggling illegal alcohol across the nearby Canadian border. Honky-Tonk Town tells the story of this wild and woolly frontier town.

A lively and wide-ranging work on the history of the North American honeymoon, and, of necessity, the tourist industry at Niagara Falls. Dubinsky charts the growth of Niagara Falls as a tourist destination from the 1850s to the 1960s and explains how it acquired its reputation as the "Honeymoon Capital of the World." Ultimately, the author asks: Of all the ways to promote a waterfall, why honeymoons? Winner of the 2000 Albert B. Corey prize from the Canadian Historical Association and the American Historical Association for the best book in Canadian-American history.

Generations of Texans have believed that “to dance is to live.” At rustic “play parties” and elegant cotillions, in tiny family dance halls and expansive urban honky-tonks, from historic beginnings to next Saturday night, Texans have waltzed, polkaed, schottisched, and shuffled their way across the state. In Dance across Texas, internationally known dance instructor and writer Betty Casey takes an informal look at the history of Texas dancing and, in clear diagrams, photos, and detailed instructions, tells “how to” do more than twenty Texas dances. Previously, little had been recorded about the history of dancing on the frontier. Journal and diary entries, letters, and newspaper clippings preserve enticing, if sketchy, descriptions of the types of dances that were popular. Casey uses a variety of sources, including interviews and previously unpublished historical materials, such as dance cards, invitations, and photographs, to give us a delightful look at the social context of dance. The importance of dance to early Texans is documented through colorful descriptions of clothing worn to the dances, of the various locations where dances were held, ranging from a formal hall to a wagon sheet spread on the ground, and of the hardships endured to get to a dance. Also included in the historical section of Dance across Texas are notes on the “morality” of dance, the influence of country music on modern dance forms, and the popularity of such Texas dance halls and clubs as Crider’s and Gilley’s. The instruction section of the book diagrams twenty-two Texas dances, including standard waltzes and two-steps as well as the Cotton-Eyed Joe, Put Your Little Foot, Herr Schmidt, the Western Schottische, and such “whistle’” or mixer dances as Paul Jones, Popcorn, and Snowball. Clear and detailed directions for each dance, along with suggested musical selections, accompany the diagrams and photos. Dance and physical education teachers and students will find this section invaluable, and aspiring urban cowboys can follow the easy-to-read diagrammed footsteps to a satisfying spin around the honky-tonk floor. Anyone interested in dance or in the history of social customs in Texas will find much to enjoy in this refreshing and often amusing look at a Texas “national” pastime.

The Red Coat Trail of southern Saskatchewan and southeastern Alberta runs near the route of the North West Mounted Police’s famous 1874 March West. Today, this lonely highway passes through a windswept land of ghostly abandoned towns. Johnnie Bachusky takes readers back to the heyday of these towns, which sprang up as settlers travelled west during the last great land rush. The Roaring Twenties brought bumper harvests, but also bootleggers and bank robbers; fortunes were won and lost in high-stakes poker games. The Great Depression devastated the region as disease, drought, dust storms and grasshoppers took their toll. History comes to life in these exciting true stories, from an account of a 1920s bank robbery in Manyberries to the tales of a boisterous Govenlock rancher who hunted with Buffalo Bill Cody and Wild Bill Hickok.

Country music is the quintessential American music, with roots in the musical traditions of the earliest settlers and having grown up as an integral part of the uniquely American experience and culture. This book examines the development of country music from its beginnings in the southern Appalachian Mountains in the early 20th century to the slick sounds of modern country music superstars of the early 21st century.

Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.

An intimate account of country music, social change, and a vanishing way of life as a Shenandoah town collides with the twenty-first century Winchester, Virginia is an emblematic American town. When John Lingan first traveled there, it was to seek out Jim McCoy: local honky-tonk owner and the DJ who first gave airtime to a brassy-voiced singer known as Patsy Cline, setting her on a course for fame that outlasted her tragically short life. What Lingan found was a town in the midst of an identity crisis. As the U.S. economy and American culture have transformed in recent decades, the ground under centuries-old social codes has shifted, throwing old folkways into chaos. Homeplace teases apart the tangle of class, race, and family origin that still defines the town, and illuminates questions that now dominate our national conversation—about how we move into the future without pretending our past doesn't exist, about what we salvage and what we leave behind. Lingan writes in “penetrating, soulful ways about the intersection between place and personality, individual and collective, spirit and song.”* * Leslie Jamison, author of The Empathy Exams

First there was downtown. Then there were suburbs. Then there were malls. Then Americans launched the most sweeping change in 100 years in how they live, work, and play. The Edge City.

In popular music, country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music that began to develop rapidly in the 1920s. The term country music began to be widely applied to the music in the 1940s and was fully embraced in the 1970s while country and western declined in use. "Encompassing a wide range of musical genres, from folk songs and religious hymns to rhythm and blues, country music reflects our Nation's cultural diversity as well as the aspirations and ideals that unite us. It springs from the heart of America and speaks eloquently of our history, our faith in God, our devotion to family, and our appreciation for the value of freedom and hard work. With its simple melodies and timeless, universal themes, country music appeals to listeners of all ages and from all walks of life." (President George H. W. Bush celebrated country music by declaring October, 1990 "Country Music Month")

A unique breed of men and women emerged from the latter part of the nineteenth century. Some risked their lives on the footropes of sailing ships, others rose to prominence in industry, politics and government. Many forged new lives in far-off lands, but all were joined by a common thread to grasp a rapidly changing world and claim a niche in history. Olaf Johansson sailed halfway around the world to find his destiny on the banks of a river of little significance when compared to the great waterways of the world, but for an arid continent a vital artery of commerce. Along its crumbling red clay banks and verdant redgum forests old penal colonies strove for nationhood, eventually achieving independence though never fully casting off the yoke of its old colonial master. A Product of Their Time is a saga of survival, men and women overcoming the brutal and iron-fisted rule of privilege, class and authority.