Hong Kong Yesterday presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that is simultaneously abstract and humanistic. Fan Ho was born in Shanghai in 1937; he immigrated to Hong Kong as child and passed away in 2016.

Fan Ho: A Hong Kong Memoir, completes the trilogy Fan Ho began with Hong Kong Yesterday and The Living Theatre. In his previous monographs, viewers were introduced to Hong Kong during the 1950s and 1960s. Through his brilliant eye for light, composition, and his patience for the 'decisive moment,' Fan Ho created striking images that continue to resonate through the decades. Fan Ho: A Hong Kong Memoir revisits this lost era with a combination of never before seen images and introduces new montaged photographs.

This book offers a perspective on the constitutional and administrative experiment that has been taking place in Hong Kong, based on a substantial period under Chinese rule.

Ever wonder who was the first kid to keep a wallet on a big chunky chain, or wear way-too-big pants on purpose? What about the mythical first guy who wore his baseball cap backwards? These are the Innovators, the people on the very cusp of cool. Seventeen-year-old Hunter Braque's job is finding them for the retail market. But when a big-money client disappears, Hunter must use all his cool-hunting talents to find her. Along the way he's drawn into a web of brand-name intrigue- a missing cargo of the coolest shoes he's ever seen, ads for products that don't exist, and a shadowy group dedicated to the downfall of consumerism as we know it.

Rev. ed. published 1976 under title: Borrowed place, borrowed time. Bibliography: p. [173].

Stranger In My Heart is about the search for understanding oneself, answering the question “Who am I?” by seeking to understand the currents that sweep down the generations, eddy through one’s own persona and continue on – palpable but often unrecognised. My father fought at the Battle of Hong Kong in December 1941, was taken prisoner by the Japanese and then escaped in February 1942, making his way across 1200 miles of inhospitable country to reach China’s wartime capital at Chongqing. Seventy years later I retraced his steps in an effort to understand a man who had died when I was 18, leaving a lot of unanswered questions behind. My book is the quest that I undertook to explore my father’s life, in the context of the Pacific War and our relationship with China. A picture of a man of the greatest generation slowly unfolds, a leader, a 20th Century Great, but a distant father. As I delve into his story and research the unfamiliar territory of China in the Second World War, the mission to get to know the stranger I called ‘Dad’ resolves into a mission to understand how my own character was formed. As I travel across China, the traits I received from my father gradually emerge from their camouflage. The strands of the story are woven together in a flowing triple helix, with biography, travelogue and memoir punctuated with musings on context and meaning.

Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.

"Skylines of the World: Yesterday and Today" showcases 49 cityscapes from every corner of the globe, from Sydney to Stockholm, from Cape Town to Cardiff, from the glittering glass towers of Las Vegas to the sentinels of ancient Rome. Featuring the incomparable panoramic photographs of James Blakeway and Chris Gjevre, this handsome book reflects on the culture and civilizations that created each of these glorious cities. Historical photographs, maps, and beautifully written descriptions by historian M. Hill Goodspeed capture each city's distinct character.

Hong Kong was first captured on camera when the British arrived to lay claim to its ‘fragrant harbour’ in 1841. Its fascinating history has been documented through photography ever since – from its rapid expansion as a Crown Colony to its handover to China in 1997 and its present status as one of the world’s leading international financial centres. Pairing rare and previously unpublished photographs with contemporary views taken from the same location, Hong Kong Then and Now highlights the rich and varied history of this constantly evolving metropolis, from Victoria Harbour, the Hong Kong Club and the Star Ferry to Kowloon Walled CIty, Chek Lap Kok Airport and the gleaming skyscrapers of its central banking district.Sites include: Victoria Harbour, the Peak, the Star Ferry Pier, Man Ho Temple, Ladder Street, Queen's Road Central, Hong Kong Club, Prince's Building, HSBC, Noonday Gun, Happy Valley Racecourse, Tiger Balm Garden, Peninsula Hotel, Kai Tak Airport, Kowloon Walled City, Shenzhen, Repulse Bay, Chek Lap Kok Airport, St. Paul's (Macau).