What makes Michael Wolf stand above other photographers is his knack for capturing things that appear mundane and inconsequential within the chaos of the urban environment, and turning them into thought-provoking discoveries… Wolf makes us look at and appreciate the surprising multitude of delightful urban phenomena that we tend to overlook or under appreciate. By this means, he challenges the assumptions we have about the city we think we know. 吳爾夫 (Michael Wolf) 在攝影界中傲視同儕，是他能以卓越的攝影技巧，把煩囂都市生活中捕捉到平平無奇的小事，換化成令人細味的影像。我們自以為很了解這個城市，吳爾夫卻利用攝影，讓我們體會到這些被我們忽略了的有趣景象。 In Hong Kong Corner Houses, the internationally renowned German photographer Michael Wolf continues with his visual quest for the overlooked and underappreciated urban phenomena that give a city its special character. This time, he draws our attention to Hong Kong’s urban corners and buildings that are often inconspicuous amid the high-rise, high-density urban clutter of Hong Kong. These ordinary residential-commercial buildings of 1950s and 1960s vintage represent the expression of local Chinese pragmatism and expediency in the economic austerity of early postwar decades. The photographic presentation captures the inherent paradoxes of their architectural character: the quiet prominence, attractive banality, and tectonic chaos that give urban Hong Kong its endearing quality. Complementing the superb photographs of Michael Wolf, Hong Kong Corner Houses features an essay and extended captions by two of Hong Kong’s best-known academics in the field of architectural conservation, Drs. Lynne DiStefano and Lee Ho Yin. 在《街頭街尾》一書裏，國際聞名的德國攝影師 Michael Wolf再次運用敏銳的觀察力，尋覓一些常被忽略和忽視的香港城市現象，令讀者重新發現，隱藏在高樓林立的市區中別具風格的「街頭街尾」建築。 《街頭街尾》內所載的建築物，皆是五、六十年代的商住大廈。它們的出現，反映了香港華人在戰後的艱難條件下，如何運用務實的設計，應付迅速增長的屋宇需求。在這些其貌不揚、平平無奇和看似雜亂無章的建築物當中，Michael Wolf以卓越的攝影技巧，捕捉了它們生氣勃勃的一面，換化成令人細味的影像。這些充滿矛盾的特點正是香港引人入勝之處。 本書有幸邀請了香港大學著名的建築文物保護學者李浩然博士（Lee Ho Yin）和狄麗玲博士（Lynne DiStefano），為《街頭街尾》撰寫緒言及補充圖片說明。

Hong Kong is famous for its vibrant, busy street scene. This book introduces us to two dozen people who provide its outdoor colour. Here you will meet a flower seller, a street musician and a tram driver; a bouncer, a shoe shiner and a gas canister delivery man; a security guard and a lifeguard; a man who makes a living climbing bamboo scaffolding, and a woman who ferries visitors around the harbour on a sampan. Among the interviewees are also mainlanders, and ethnic minorities including those from the Philippines, Africa and India, reflecting the diverse ethnic makeup of today's Hong Kong. These are the working people who are always seen but rarely heard, and in this book they tell their life stories in their own words. Sharp black-and-white portraits immerse the reader in the dynamic streetscape of Hong Kong.

Sitting, people do already for a long time. Therefore chairs have been manufactured ever since. In Hong Kong many of them end up on the street. Plastic chairs, wicker chairs, armchairs, stools, bar stools, office chairs. Old and new, whole, broken, rebuilt and repaired. Together with alienated crates, cartons, wooden blocks and foam pillows they form curious roadside seating ensembles for the short relaxation or a little chat in between. 'Seating Arrangements' is the third of a total of 9 volumes in which Michael Wolf celebrates the diverse aspects of street life in Hong Kong and the improvisational skills of the urban residents.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR An award-winning journalist and longtime Hong Konger indelibly captures the place, its people, and the untold history they are claiming, just as it is being erased. The story of Hong Kong has long been dominated by competing myths: to Britain, a “barren rock” with no appreciable history; to China, a part of Chinese soil from time immemorial, at last returned to the ancestral fold. For decades, Hong Kong’s history was simply not taught, especially to Hong Kongers, obscuring its origins as a place of refuge and rebellion. When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim—raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who has covered the region for nearly two decades—realized that she was uniquely positioned to unearth the city’s untold stories. Lim’s deeply researched and personal account casts startling new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists, and others who, like Lim, aim to put Hong Kongers at the center of their own story. Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong—a site of disappearance and reappearance, power and powerlessness, loss and reclamation.

In September 1946, when the photographer Hedda Morrison reached Hong Kong, it remained little changed from decades earlier. Acclaimed for her images of China taken in the 1930s and 1940s, Hedda Morrison delighted in recording the patterns of everyday life. Now, captivated by Hong Kong and its people, she embraced the colony's diversity. For six months, cameras in hand, Morrison roamed its districts, streets, coasts and valleys. Within years, much of what Hedda Morrison witnessed in 1946-47 would be swept aside. Yet when she was there Hong Kong life still had its old feel and traditions, with fine colonial precincts, tenement streets, bustling markets, itinerant hawkers, fisherfolk and rice farmers. In this book, Morrison's telling images are complemented by Edward Stokes' essays portraying the postwar years. Hedda Morrison's photographs are the work of a masterful, artistic photographer. However, fewer than thirty of this book's photographs had been published before. It was those images, first sighted in a 1946 government report, that led Edward Stokes to begin searching for Morrison's original negatives--which later were discovered at the Harvard-Yenching Library, Harvard University. This is a unique record of a now vanished Hong Kong--the most complete pictorial account of how the colony looked during the decades from the early 1930s to the 1950s. Hedda Morrison's photographs will appeal to all who value documentary images and Asian history. This new edition contains over three-quarters of the photographs from Hedda Morrison's Hong Kong, the original edition of this book published in 2005. The complete English text, which has been widely praised, accompanies the photographs. Reviews of Hedda Morrison's Hong Kong appear below and on the back jacket.

Gareth Southgate and Andy Woodman have been best friends since they were apprentices at Crystal Palace together. But while Southgate has gone on to play for a succession of Premiership clubs, Woodman, after being released on the day Palace were promoted, has been shuffled around the lower divisions.

Enmeshed in Hong Kong's densely woven urban fabric, wedged between its towering mixed-use complexes and perched along its steep hillsides, sits a network of more than 500 miniature public parks comprising the smallest unit of the city's public open space network. Though plentiful, these so-called Sitting-out Areas - referred to locally as 三角屎坑 (literally: a "three-cornered shit pit") - have never been considered in terms of the collective resource they have the potential to be. This book presents a series of critical essays revealing the city's Sitting-out Areas in relation to Hong Kong's planning histories and shifting terrains, while also tracking how these spatial fragments have been shaped by concepts of publicness, accessibility and regulation. The second half of the book presents 44 richly illustrated case studies revealing the variety and idiosyncrasies of Hong Kong's smallest open spaces. Ultimately, the book argues that we can understand the high-density city not only through its buildings, but through the character and potency of its interstitial landscapes.

How can one of the world's most free-wheeling cities transition from a vibrant global center of culture and finance into a subject of authoritarian control?As Beijing's anxious interference has grown, the "one country, two systems" model China promised Hong Kong has slowly drained away in the yearssince the 1997 handover. As "one country" seemed set to gobble up "two systems," the people of Hong Kong riveted the world's attention in 2019 by defiantly demanding the autonomy, rule of law and basic freedoms they were promised. In 2020, the new National Security Law imposed by Beijing aimed to snuff out such resistance. Will the Hong Kong so deeply held in the people's identity and the world's imagination be lost? Professor Michael Davis, who has taught human rights and constitutional law in this city for over three decades, and has been one of its closest observers, takes us on this constitutional journey.

This book reveals an insider's view on how Hong Kong's land system, inherited from the British, has helped to create unrivalled wealth for the ruling class, how the lack of competition law has encouraged industrial and economic concentration in the same entities, and how these factors have given rise to a host of social and economic ills. The Chinese version has become the bestseller of non-fiction titles in Hong Kong in 2010.