Over the past few years, Hong Kong movies have become more popular and studied by critics and film-goers alike. It is a cinema of incessant action, eye-popping effects and cartoon-like violence which has left its mark on the work of many young contemporary Western Film-makers. Conversely, Hong Kong film-makers like John Woo have crossed over and put their unique stamp on American films like Hard Target and Broken Arrow with John Travolta. In his book Fredric Dannen depicts the dark inner world of Hong Kong cinema: the brave and enigmatic actors who risk their lives performing dangerous stunts and explosive feats of martial arts; the movie producers, many of whom are involved with the criminal triad families and who will resort, literally, to murder to secure a deal or an actor for a film. Hong Kong Babylon is an indispensable guide to one of the most exciting national cinemas.

An exploration of the Hong Kong film market chronicles its history and worldwide influence, profiling its most important films and figures while providing photographs, filmographies, and a video guide.

This resource includes full details of Hong Kong harbour, its shopping and nightlife districts, traditional sites and off-the-beaten track areas of the New Territories and outlying islands. A history and a cultural guide is included, as well as places to eat, drink and sleep on every budget. Background information on post-handover politics and features on festivals, feng shui and Chinese astrology are also included.

"We've collected useful and memorable stories to produce the kind of sampler we've always wanted to read before setting out. These stories will show you a spectrum of experiences to be had or avoided in Hong Kong"--Back cover

Described as the 'lost genre', the tradition of documentary film making in Hong Kong is far less known than its martial arts films. However documentary film has always existed in Hong Kong and often trenchantly represents its troubled relationship to itself, China and the west. Including the period of colonial film-making, the high points of television documentary and the tradition of independent documentary film-making, this book is the first to present a comprehensive study of this lost genre. It explores the role of public-service television (including representations of the massacre at Tiananmen Square) and presents critical analysis of key films. Based on original archival research, it will be an invaluable resource for students and academics who work in the fields if film studies, colonial studies and Hong Kong cinema.

This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.

Thanks to the successes of directors and actors like John Woo, Jackie Chan, and Chow Yun-Fat, the cinema of Hong Kong is wildly popular worldwide, and there is much more to this diverse film culture than most Western audiences realize. Beyond martial arts and comedy, Hong Kong films are a celebration of the grand diversity and pageantry of moviemaking--covering action, comedy, horror, eroticism, mythology, historical drama, modern romances, and experimental films. Information on 1,100 films produced in British Hong Kong from 1977 to 1997 is included here.

This is the first biography in English of King Hammurabi, who ruled Babylon from 1792 to 1750 BC and presents a rounded view of his accomplishments. Describes how Hammurabi dealt with powerful rivals and extended his kingdom. Draws on the King’s own writings and on diplomatic correspondence that has only recently become available. Explores the administration of the kingdom and the legacies of his rule, especially his legal code. Demonstrates how Hammurabi’s conquests irrevocably changed the political organization of the Near East, so that he was long remembered as one of the great kings of the past. Written to be accessible to a general audience.

This book borrows the concept of “high-definition” from digital broadcasting to highlight our unique approach to Hong Kong society, which gives a sharper image than analyses. It intends to highlight contrasts with many common and taken-for-granted stories, myths and representations of Hong Kong— which often presented with a low level of detail, lacking proper connections between grounded personal experiences and the macro social context. With chapters covering various salient dimensions of Hong Kong’s society, including migration, economy, inequality, identity and social movements, our “high-definition” approach presents images with high enough “resolution” to match multiple layers of experiences from walks of life of Hong Kong people, contributing to an understanding of how global transformation impacts local people’s experiences, as well as Hong Kong’s significance in the regional and global system.

Hong Kong's film industry gained global attention in the 1980s, at the time of negotiations over Great Britain's return of the colony to China. Uncertainty about the post-handover era accelerated Hong Kong's race for economic growth, and found expression in cinema's depictions of a 'city on fire.' In this accessible introduction to the extraordinary cinematic output of the colony, Michael Hoover and Lisa Stokes review the directors and films that have established Hong Kong cinema internationally: John Woo's martial arts flicks, Tsui Hark's wire-worked fantasies, Ann Hui's exile melodramas, Stanley Kwan's limpid romances, and Wong Kar-wai's stylish art films.