The New York Times–bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works Irrealis moods are a category of verbal moods that indicate that certain events have not happened, may never happen, or should or must or are indeed desired to happen, but for which there is no indication that they will ever happen. Irrealis moods are also known as counterfactual moods and include the conditional, the subjunctive, the optative, and the imperative—all best expressed in this book as the might-be and the might-have-been. One of the great prose stylists of his generation, André Aciman returns to the essay form in Homo Irrealis to explore what time means to artists who cannot grasp life in the present. Irrealis moods are not about the present or the past or the future; they are about what might have been but never was but could in theory still happen. From meditations on subway poetry and the temporal resonances of an empty Italian street to considerations of the lives and work of Sigmund Freud, C. P. Cavafy, W. G. Sebald, John Sloan, Éric Rohmer, Marcel Proust, and Fernando Pessoa and portraits of cities such as Alexandria and St. Petersburg, Homo Irrealis is a deep reflection on the imagination’s power to forge a zone outside of time’s intractable hold.

"A new collection of essays on literary and cinematic themes"--

imissu It's about everything that happens at one point but will be forgotten the next. Realizing that things go, and acknowledging that I will forget things after a while. My present at one moment can only be my reality for so long.

A detailed analysis of the ethical, legal, and regulatory landscape of medical devices in the US and EU.

This fascinating new book explores the puella as an archetypal, symbolic and personality figure reaching into the classical foundations of Jungian analytical psychology, focusing on the modern conflicts reverberating personally and culturally to remove the obstacles for accessing our more complete selves. Puella is youthful, charming and seductive and unfolds the creative, unusual wisdom of the feminine. Postmodern fluidity presents other realities, rethinking and reenacting the truth to oneself. If denigrated, psyche is halted from development, until addressed. The author employs a cross‐disciplinary approach and clinical vignettes from narratives of real people from diverse backgrounds reflecting Jungian thought and treatment, along with other psychoanalytical perspectives for the unfolding of puella. Examining the puella as a key figure in psychological development within a diverse world, this book will be appealing to Jungian analysts, and also to mental health professionals of various paradigms interested in Jungian analytical and philosophical thought.

The links between islands and tourism, as sights of pleasure is embodied in the touristification of sun, sand and sea. Islandscapes are central to the tourist imaginaries that shape islands as touristified places - curated, designed and commodified for both mass tourism and more niche inclined versions. Yet while islands are parlayed for touristic pleasure seekers, islands are also home to longstanding communities that have variously battled with the tyranny of distance from metropolitan centres, as well as the everyday challenges of climate change effects, and benefitted from their isolation from modern-day pressures. This anthology of articles previously published in the journal Shima explores emergent themes that describe how island peoples adapt and respond in localised cultural islandscapes as a consequence of tourism expansion. It is aimed at researchers in island studies, tourism, sustainability, human geography, cultural studies, sociology and anthropology. The anthology will also be of interest to those with an abiding interest in the trajectories of islands and their peoples, particularly where tourism has come to shape islandscapes.

This issue of Granta is about time and about ghosts - the ghosts of our past selves, the shadows of past injuries, the ghosts of history, the ghosts in the machine. André Aciman remembers Rome Ahmet Altan on his life sentence Bernard Cooper on Ambien and sleep-eating Maggie O'Farrell on damaging her 'sacred' joint Vasily Grossman's Stalingrad, a companion to his epic Life and Fate Amos Oz in conversation with Shira Hadad Inigo Thomas on the fall of Singapore PLUS NEW FICTION from Anne Carson, Steven Dunn, Sheila Heti, Eugene Lim, Sandra Newman, Maria Reva and Jess Row POETRY from Cortney Lamar Charleston and Jana Prikryl PHOTOGRAPHY from Monika Bulaj, with an introduction by Janine di Giovanni

This book centres the voices and agency of migrants by refocusing attention on the diversity and complexity of human mobility when seen from the perspective of people on the move; in doing so, the volume disrupts the binary logics of migrant/refugee, push/pull, and places of origin/destination that have informed the bulk of migration research. Drawn from a range of disciplines and methodologies, this anthology links disparate theories, approaches, and geographical foci to better understand the spectrum of the migratory experience from the viewpoint of migrants themselves. The book explores the causes and consequences of human displacement at different scales (both individual and community-level) and across different time points (from antiquity to the present) and geographies (not just the Global North but also the Global South). Transnational scholars across a range of knowledge cultures advance a broader global discourse on mobility and migration that centres on the direct experiences and narratives of migrants themselves. Both interdisciplinary and accessible, this book will be useful for scholars and students in Migration Studies, Global Studies, Sociology, Geography, and Anthropology.

The author of Call Me by Your Name returns with a deeply romantic memoir of his time in Rome while on the cusp of adulthood. In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman’s family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment in Rome’s Via Clelia. Though dejected, Aciman’s mother and brother found their way into life in Rome, while Aciman, still unmoored, burrowed into his bedroom to read one book after the other. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City. Aciman’s time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists.

An ethnographic analysis of how insecurity is at the heart of contemporary higher education. Institutions of higher education are often described as “ivory towers,” places of privilege where students exist in a “campus bubble,” insulated from the trials of the outside world. These metaphors reveal a widespread belief that college provides young people with stability and keeps insecurity at bay. But for many students, that’s simply not the case. Degrees of Risk reveals how insecurity permeates every facet of college life for students at public universities. Sociologist Blake Silver dissects how these institutions play a direct role in perpetuating uncertainty, instability, individualism, and anxiety about the future. Silver examined interviews with more than one hundred students who described the risks that surrounded every decision: which major to choose, whether to take online classes, and how to find funding. He expertly identified the ways the college experience played out differently for students from different backgrounds. For students from financially secure families with knowledge of how college works, all the choices and flexibility of college felt like an adventure or a wealth of opportunities. But for many others, especially low-income, first-generation students, their personal and family circumstances meant that that flexibility felt like murkiness and precarity. In addition, he discovered that students managed insecurity in very different ways, intensifying inequality at the intersections of socioeconomic status, race, gender, and other sociodemographic dimensions. Drawing from these firsthand accounts, Degrees of Risk presents a model for a better university, one that fosters success and confidence for a diverse range of students.