Hommage A Erich Von Stroheim
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Author |
: Erich Von Stroheim |
Publisher |
: Canadian Film Institute = Institut canadien du film |
Total Pages |
: 76 |
Release |
: 1966 |
ISBN-10 |
: UOM:39015003967489 |
ISBN-13 |
: |
Rating |
: 4/5 (89 Downloads) |
Synopsis Hommage a Erich Von Stroheim by : Erich Von Stroheim
Author |
: Charlotte Gobeil (Comp) |
Publisher |
: |
Total Pages |
: 54 |
Release |
: 1966 |
ISBN-10 |
: OCLC:622596085 |
ISBN-13 |
: |
Rating |
: 4/5 (85 Downloads) |
Synopsis Hommage a Erich Von Stroheim, a Tribute; A Compilation of Selected Articles and a Filmography. UN Recueil D'Articles Et Une Filmographie. Edited by Charlotte Gobeil by : Charlotte Gobeil (Comp)
Author |
: Charlotte Gobeil |
Publisher |
: |
Total Pages |
: 54 |
Release |
: 1966 |
ISBN-10 |
: OCLC:222775797 |
ISBN-13 |
: |
Rating |
: 4/5 (97 Downloads) |
Synopsis Hommage À Erich Von Stroheim, a Tribute by : Charlotte Gobeil
Author |
: Richard Koszarski |
Publisher |
: |
Total Pages |
: 570 |
Release |
: 1982 |
ISBN-10 |
: UOM:39015034980808 |
ISBN-13 |
: |
Rating |
: 4/5 (08 Downloads) |
Synopsis The Unknown Cinema of Erich Von Stroheim by : Richard Koszarski
Author |
: Richard Koszarski |
Publisher |
: Hal Leonard Corporation |
Total Pages |
: 407 |
Release |
: 2001 |
ISBN-10 |
: 9780879109547 |
ISBN-13 |
: 0879109548 |
Rating |
: 4/5 (47 Downloads) |
Synopsis Von by : Richard Koszarski
As a revised edition of Koszarski's The Man You Loved to Hate, this biography takes into account information unearthed by researchers in France and Austria that had previously been ignored. This material enables the biography to bring the pioneering film director into sharper focus.
Author |
: Wolfgang Jacobsen |
Publisher |
: |
Total Pages |
: 354 |
Release |
: 1994 |
ISBN-10 |
: STANFORD:36105005155416 |
ISBN-13 |
: |
Rating |
: 4/5 (16 Downloads) |
Synopsis Erich von Stroheim by : Wolfgang Jacobsen
Author |
: Nora Henry |
Publisher |
: Praeger |
Total Pages |
: 272 |
Release |
: 2000-10-30 |
ISBN-10 |
: UOM:39015049563284 |
ISBN-13 |
: |
Rating |
: 4/5 (84 Downloads) |
Synopsis Ethics and Social Criticism in the Hollywood Films of Erich Von Stroheim, Ernst Lubitsch, and Billy Wilder by : Nora Henry
Detailed analyses of their individual styles of filmmaking and readings of selected films reveal how they put their philosophies into practice and to what extent they influenced one another. Films analyzed include The Merry Widow, The Wedding March, Heaven can Wait, To Be or Not To Be, Sunset Boulevard, and The Fortune Cookie among others. By delineating their contributions to the development of modern film, this research explores the filmmakers impact on film and cultural history."
Author |
: Erich Von Stroheim |
Publisher |
: |
Total Pages |
: 126 |
Release |
: 1948* |
ISBN-10 |
: OCLC:78092385 |
ISBN-13 |
: |
Rating |
: 4/5 (85 Downloads) |
Synopsis Corrected Index of the Work of Erich Von Stroheim by : Erich Von Stroheim
Author |
: |
Publisher |
: Univ of California Press |
Total Pages |
: 148 |
Release |
: 1964 |
ISBN-10 |
: |
ISBN-13 |
: |
Rating |
: 4/5 ( Downloads) |
Author |
: Lucy Fischer |
Publisher |
: Wayne State University Press |
Total Pages |
: 305 |
Release |
: 2019-11-25 |
ISBN-10 |
: 9780814346389 |
ISBN-13 |
: 0814346383 |
Rating |
: 4/5 (89 Downloads) |
Synopsis Cinemagritte by : Lucy Fischer
Examines the fascinating ties between Surrealist artist René Magritte and the cinema. Cinemagritte: René Magritte within the Frame of Film History, Theory, and Practice investigates the dynamic relationship between the Surrealist modernist artist René Magritte (1898–1967) and the cinema—a topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film. While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinema—both fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as Blue Cinema (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realism—which ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract, and many more. Cinemagritte brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.