Oak Park and River Forest are a mecca for Wright scholars and enthusiasts. Nowhere else can one visit so many Frank Lloyd Wright buildings and experience the architect's Prairie-style philosophy so fully. Hometown Architect is a thorough chronicle of that experience. Even if you have not had the good fortune to see these houses firsthand, the textual and photographic tours comprising this book will make you feel as though you have. Hometown Architect presents twenty-seven Wright homes, and Unity Temple, documenting one of the architect's most influential periods of his career. The last chapter surveys eight lost, altered, and possibly Wright homes. More than ninety photographs of the buildings' exteriors and interiors are accompanied by descriptive captions, while introductory text to each chapter details the story behind each commission, addressing Wright's relationships with his clients, the importance of each building in Wright's oeuvre, and the characteristics that make each house unique. The endpapers of this book feature a map locating all the sites discussed. By Patrick F. Cannon, introduction by Paul Kruty, photography by James Caulfield. Published in cooperation with the Frank Lloyd Wright Preservation Trust.

As a planned community, Indianapolis boasted finished frame and brick buildings from its beginning. Architects and builders drew on Federal, Greek Revival, Italianate, French Second Empire, Gothic, Romanesque, and Italian Renaissance styles for commercial, industrial, public, and religious buildings and for residences. In Architecture in Indianapolis: 1820–1900, preservationist and architectural historian Dr. James Glass explores the rich variety of architecture that appeared during the city's first 80 years, to 1900. Glass explains how economic forces shaped building cycles, such as the Canal Era, the advent of railroads, the natural gas boom, and repeated recessions and recoveries. He describes 243 buildings that illustrate the styles that architects and builders incorporated into the designs that they devised in each era between 1820 and 1900. This book also documents the loss of distinctive 19th century architecture that has occurred in Indianapolis. It includes 373 photographs and drawings that depict the buildings described and locator maps that show where concentrations of buildings were constructed. Architecture in Indianapolis: 1820–1900 provides the first history of 19th-century architecture in the city and will serve as an indispensable reference for decades to come.

Neenah rests in the heart of the Fox Valley, positioned between Appleton and Oshkosh. The city sits at the junction of Lake Winnebago and the Fox River, which has always been central to its draw for both recreation and business. Flour and paper milling utilized the rivers powerful flow and brought Neenahs biggest booms. The successes of paper mills such as Neenah Paper, which opened in 1866, and the Kimberly-Clark Corporation, which opened in 1872, led to the natural development of the Paper City nickname. Today, industry continues to flourish in Neenah. The region has become a hub for several major corporations with broad, international reach, yet lifelong residents remain the true community heroes. Vintage photographs highlight the notable lifestyles of Bergstrom, Aylward, and Mahler, as well as the day-to-day activities of shopkeepers, churchgoers, factory workers, teachers, deliverymen, bankers, politicians, craftsmen, and other locals who were better known as friends or neighbors. Featuring both the storefronts and aisles of popular establishments such as Krueger Hardware, Jandreys department store, and Burts Candies, this book invites readers to take a trip down memory lane. ?.

The Architecture of Stanley D. Anderson, with James Ticknor and William Bergmann By: Paul Bergmann Stanley D. Anderson's standard of architecture has sustained the test of time. His designs for residences, commercial buildings, schools, and Gentlemen's Farms are still praised today for his attention to detail, solid design work, and high-quality standards. This picture book illustrates through historic photos and drawings from the firm's archive the classical styles that the firm members drew upon over many decades of work. Through his signature Country Georgian style, Anderson and his associates transformed Lake Forest. Designed for local history buffs, amateur and professional architects, and the simply curious, this book provides biographies and interior perspectives on the production of Anderson and his associates, William Bergmann and James Ticknor, and their distinctive interpretation of a transformative architectural style.

A renaissance man of Indian modernism, Aditya Prakash (1923-1988) trained as an architect in London and also studied at the Glasgow School of Art. His buildings adhered to the strictest principles of modernism as adapted to the Indian climatic and living conditions. His work in all forms is characterised by rigorous authenticity and directness. He began his career as an architect in the Chandigarh Capital Project and later went to work for the Punjab Agricultural University before he became the principal of the Chandigarh College of Architecture. Besides practising architecture, Prakash was a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. As an academic, his first love was sustainable urbanism. He published two books and several papers on the subject. This book traces the width of Prakash's career and obsessions, and includes critical essays, interviews and a chronology of works, along with lavish illustrations of a portfolio of select works.

Traces the birth and growth of the early-twentieth-century Prairie School, a baker's dozen of architects working in Chicago who designed houses marked by simplicity, honesty of materials, open planning, and organic decoration.

In the aftermath of the U.S. Supreme Court decision in Roe v. Wade, the abortion issue became the most important blood test for political candidates. Those who didn't follow the party line on this issue had little or no chance to win their party's endorsement. Anyone seeking middle ground was caught in the crossfire. Time to Choose is a novel of romance in the middle of the crossfire. A story about the many choices we make personal and professional, why and how we make them, and the consequences of those choices. Former state senator Michael Burke returns to the State Capitol after a ten year absence, to attend the funeral of a former colleague and close friend. The funeral evokes memories of bittersweet years in politics. Exhilarating victories, and crushing losses. He's reminded that he left the turbulent political arena for a more stable and balanced life, one with time and energy for his children. But after meeting an intriguing new candidate for the Senate, Dr. Patricia Culligan, he breaks a vow: never to go back to politics. Michael Burke's return to the battleground forces him to confront his past, and understand how his choices caused harm to himself and others. And how accepting this can be a prelude to moving on with his life.

A prize-winning Belgian poet explores the nature of creative endeavor—the godlike ambition, the crushing defeat of failure—through the stories of thirteen tragic architects. In thirteen fascinating chapters, Charlotte Van den Broeck goes in search of buildings that were fatal to their architects—architects who either killed themselves or are rumored to have done so. They range across time and space from a church with a twisted spire in seventeenth-century France to a theater that collapsed mid-performance in 1920s Washington, DC, and an eerily sinking swimming pool in the author’s hometown. Drawing on a vast range of material, from Hegel and Darwin to art history, stories from her own life, and popular culture, Van den Broeck brings patterns into focus as she asks, What is that strange, life-or-death connection between a creation and its creator? Threaded through each story is the author’s meditation on the question of suicide—what Albert Camus called the “one truly serious philosophical problem”—in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking ground in literary nonfiction, as well as providing solace and consolation to anyone who has ever attempted a creative act.