Simple rhyming text presents the everyday life of a young girl, living on a Pennsylvania farm in the early eighteenth century, who is quickly outgrowing all of her dresses.

Coretta Scott King 2021 Honoree A winner of the ILA 2021 Children’s and Young Adults’ Book Awards in the fiction category. NCSS 2021 Notable Social Studies Book Maine Lupine Award Winner A CBC Recommended Book • A School Library Journal Best Book of the Year A New York Public Library Best Picture Book of 2020 Kirkus Starred Review PW Starred Review School Library Journal Starred Review Told by a succession of exuberant young narrators, Magnificent Homespun Brown is a story -- a song, a poem, a celebration -- about feeling at home in one’s own beloved skin. With vivid illustrations by Kaylani Juanita, Samara Cole Doyon sings a carol for the plenitude that surrounds us and the self each of us is meant to inhabit.

Sometimes we think people of great faith are those who have great revelations or supernatural experiences, but that's not necessarily true. Great faith can also be acquired as we allow God to speak to us through the common, every day happenings in our lives, resulting in what I've come to think of as homespun faith. When our ears are "tuned" by the Holy Spirit, we will be amazed at the many ways that God speaks to us in addition to His Word. Everything that we hear must, of course, align itself with Scripture because we also have an enemy who is eager for any opportunity to deceive. People whose intention it is to hear from God must also immerse themselves in His Word and make themselves accountable to others in the body of Christ. Lord, open our spiritual ears so that we can develop homespun faith, woven together with the strong cords of your love, as we become aware of your voice speaking to us in ways that we can hear and understand. Amen!

A follow-up to the original Homespun Handknit--a perennial bestseller for two decades--this collection revitalizes the craft of handspun yarn for a whole new generation of spinners and knitters. Packed with modern and traditional spinning know-how and 25 sophisticated, easy-to-learn projects, the guide helps crafters create unique gifts and wearable fashion while refining their skills and enhancing their understanding of this popular art form. With designs from some of the most influential knitters and spinners working today--including Kathryn Alexander, Jeanine Bakridges, and Abby Franquemont--this inspiring resource features hats, mittens, scarves, socks, bags, children’s items, wraps, and home decor options to challenge fiber artists of all skill levels. Imparting essential and informative advice--on measuring yarns, reviewing woolen versus worsted, drive/tension differences, special techniques, and basic yarn dynamics--and complemented by basic knitting and spinning glossaries, this refreshing contemporary companion to a much-loved classic is an indispensable addition to every craft lover's bookshelf.

Journeying to Missouri only to discover that her intended husband-of-convenience has been killed in a freak accident, Lottie O'Malley finds solace with the man's grieving family, two orphaned children and their very handsome uncle. Original.

They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

In the book of Philippians we are told to be anxious over nothing, and yet we are anxious over everything. We worry that our students will be "behind," that they won't score well on the SAT, get into a good college, or read enough of the Great Books. Our souls are restless, anxiously wondering if something else out there might be just a little bit better -- if maybe there is another way or another curriculum that might prove to be superior to what we are doing now. God doesn't call us to this work and then turn away to tend to other, more important matters. He promises to stay with us. He assures us that if we rely on Him alone, then He will provide all that we need. What that means on a practical level is that we have to stop fretting over every little detail. We need to stop comparing. We've got to drop the self-inflated view that we are the be-all-end-all of whether the education we are offering our students is going to be as successful as we hope it is. After all, our job is not to be successful -- success itself is entirely beside the point. It's faithfulness that He wants.

Collects ten interrelated short stories set in the same university town punctuated with appearances by recurring homeless characters.

Sarah Pardee Winchester grew up in New Haven, Connecticut where she married William W. Winchester, son of the entrepreneur who founded the Winchester rifle company, which became the largest gun company in the world. At its peak, many members of the Winchester family started dying: Sarahs sister-in-law, her only child, her father-in-law, and finally, her husband. Because of the succession, Sarah found herself heir to the Winchester fortune. And because her lifespan exactly coincided with the popularity of Spiritualism, Sarah went to a medium in Boston who told her that evil spirits, killed by Winchester rifles, were murdering her family in revenge. Given advice to thwart them, she moved to San Jose, California becoming an early feminist and creating a new life for herself: one of eccentricity, romance, and intrigue, while overcoming powerful forces against her. Because of her beliefs, she truly felt that evil spirits surrounded her. Her fame drew a Victorian version of paparazzi, one of which nearly killed her. She battled behind the scenes with Theodore Roosevelt and local hypocrites; and was buried alive in the 1906 San Andreas Earthquake. Even with all of this, she remained kind-hearted and sane. Her home remains today as one of the largest Victorian mansions ever built.